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'Demolished Beauty', a Group Show at Spouse, Portals Nous, Palma de Mallorca

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The Mojave desert, now technically under rule of a totalitarian government? 

Hugging Alex, a young homeless man, because before he worked up the courage to ask you for money, you found yourself having an actual conversation about Extinction Rebellion and the fact that maybe there are reasons to be hopeful afterall, and you felt this real moment of deep connection to this person – who is about your age (hard to tell), who will probably spend the night having to work around London’s omnipresent defensive architecture – and only a few moments after this brief but hyper-intense encounter: crashing, feeling silly and ashamed, wondering wether you only hugged him because you want to be the type of person who does things like that? 

The one time you tried to go on a vacation with your partner but found yourself unable to relax, nerves shattered by constant money struggles and the creeping realization that your relationship might be over? 

A multistory pig farm at the Yaji Mountain Forest Park in Guangxi province, China? Your cat, proudly offering a chewed up robin as a gift? Grant Hart’s smile and voice and Pete Doherty’s hair? Doing Ecstasy while dog sitting? 

Berlin-Mitte? Sleeping with your best friend? 

Working on an art project for months, putting everything you have in it, every shred of what makes you a person, stressing out, losing your mind in panic wether you will finish in time, wether you’ll have a nervous breakdown, wether anybody will be able to relate to the work, wether it’s too sad, constantly flaking out on your friends because you feel unable to deal with anything other than this stupid project and then, when you somehow managed to pull it off: such a harsh comedown, feeling all empty, like you can never ever go through this again... or: ›post-project-blues‹

The fact that you’ll never be able to tell, wether the notion of ›Demolished Beauty‹ stirs up mental images in other people as well? 

This island everybody says is actually beautiful, although it is constantly invaded by beer-bellied German tourists in shorts, eager to fuck? 

Soviet-style socialism? Nan Goldin’s ›The Ballad of Sexual Dependency‹? 

Instantly panicking, once you realize you’re about to fall in love, because what are the chances that this one time it’s gonna be something other than a complete disaster? 

Virginia Woolf, on a Thursday in 1941, writing: »I don’t think two people could have been happier than we have been«

— Max Grau, 2019

23.7.19 — 25.8.19

Rachel Fäth, Max Grau, Barbara Hainz, Axel Koschier, Angelika Loderer, Flavio Palasciano, Stefan Reiterer, Liesl Raff

Curated by Alexandra-Maria Toth

Photo by Flavio Palasciano

Spouse, Portals Nous, Palma de Mallorca

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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