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'Whrrr Whrrr' by Karen Kraven & Radek Brousil at Gallery 17/18, Ottawa

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Installation view
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Installation view
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Karen Kraven, Filet, 2017
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Karen Kraven, Filet, 2017
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Karen Kraven, Piece Work, 2018
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Karen Kraven, Piece Work, 2018
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Karen Kraven, Piece Work, 2018
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Installation view
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Installation view
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Karen Kraven, Gossypium, 2018
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Karen Kraven, Gossypium, 2018
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Karen Kraven, Gossypium, 2018
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Karen Kraven, Ledger, 2018
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Installation view
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Installation view
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Installation view
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Karen Kraven, Work Shirt, 2017
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Karen Kraven, Work Shirt, 2017
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Radek Brousil, Hey Sorrow Where Are You?, 2018
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Radek Brousil, Hey Sorrow Where Are You?, 2018

Can you hear that sound? Or have you ever heard that sound?

Your great grandma probably did. And it’s probably vibrating in someones fingers now. Somewhere on the other side, where the sun is still shining. Or it’s not. When your next Friday party shirt is being made. She can hear it, that’s for sure.

Whrrr. Sorry. Whrrr.

Pair of Levi’s so old you can see the sky through. Family heritage. Blue and blue goes well together, right? Karen Kraven’s work brings ubiquitous presence of jeans into objects made from devalued denim. To perform the labour of garment workers scissors are now in charge of an aesthetic erosion. The Singer still tries to hold the edges together. Last touch. Whrrr.

In numbers; it takes 15 pattern pieces to make one pair of jeans, up to 24 people can work on an individual pair from cutting to sewing to pressing and distressing as well as 3479 liters of water are used during a pair’s life cycle.

Hey, sorrow, where are you?

Walkman. Volume up. A bit of tears and teenage fantasies. Twenty years later that sadness comes again, smoothly mixed with very last drops of water, all packed in immortal plastic bottle. Melancholic post-graffiti romance is imprinted into soothing hand–made ceramics and patchworks by Radek Brousil, who hopelessly tries to depict social–cultural–ecological conditions of todays world.

Cause I just want to be Something more than the mud in your eyes I want to be the clay in your hands.

7.11.18 — 1.2.19

Text by Valentýna Janů

Gallery 17/18

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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