image text special shop

‘Clumsy and Milky: encoding the last quarter of a pose‘ by Michele Gabriele at White Noise Gallery, Rome

article image; primary-color: #C0BFBB;
Installation view
article image; primary-color: #BDBCBA;
Michele Gabriele, HALFY-EMPTY (She walks home alone at nigh), 2018
article image; primary-color: #B9B5B4;
Michele Gabriele, HALFY-EMPTY (She walks home alone at nigh), 2018
article image; primary-color: #968573;
Michele Gabriele, HALFY-EMPTY (She walks home alone at nigh) (detail), 2018
article image; primary-color: #938A83;
Michele Gabriele, HALFY-EMPTY (She walks home alone at nigh) (detail), 2018
article image; primary-color: #9B9388;
Michele Gabriele, HALFY-EMPTY (She walks home alone at nigh) (detail), 2018
article image; primary-color: #C6C5C1;
Michele Gabriele, Hiding the worst part of me for you, and it cause me dermatitis, 2018
article image; primary-color: #C4C3C1;
Installation view
article image; primary-color: #C6C1BB;
Michele Gabriele, Hiding the worst part of me for you, and it cause me dermatitis, 2018
article image; primary-color: #DEDAD7;
Michele Gabriele, Hiding the worst part of me for you, and it cause me dermatitis (detail), 2018
article image; primary-color: #94837B;
Michele Gabriele, Hiding the worst part of me for you, and it cause me dermatitis (detail), 2018
article image; primary-color: #74635C;
Michele Gabriele, Hiding the worst part of me for you, and it cause me dermatitis (detail), 2018
article image; primary-color: #D2D2D0;
Installation view
article image; primary-color: #BCBDB8;
Michele Gabriele, Tppr-wear/Croissant, 2018


article image; primary-color: #8C8E81;
Michele Gabriele, Tppr-wear/Croissant (detail), 2018
article image; primary-color: #9C9D95;
Michele Gabriele, Tppr-wear/Croissant (detail), 2018
article image; primary-color: #C7C7C5;
Installation view
article image; primary-color: #C6C6C6;
Michele Gabriele, DLECLATHLOLN-DANGY, 2018
article image; primary-color: #C7C7C7;
Michele Gabriele, DLECLATHLOLN-DANGY, 2018
article image; primary-color: #B0B0B2;
Michele Gabriele, DLECLATHLOLN-DANGY (detail), 2018
article image; primary-color: #86868E;
Michele Gabriele, DLECLATHLOLN-DANGY (detail), 2018
article image; primary-color: #777578;
Michele Gabriele, DLECLATHLOLN-DANGY (detail), 2018
article image; primary-color: #64696F;
Michele Gabriele, DLECLATHLOLN-DANGY (detail), 2018
article image; primary-color: #A7A39A;
Michele Gabriele, The Right Distance (detail), 2018
article image; primary-color: #717169;
Michele Gabriele, The Right Distance (detail), 2018
article image; primary-color: #7C7B77;
Michele Gabriele, The Right Distance, 2018
article image; primary-color: #747468;
Michele Gabriele, The Right Distance, 2018
article image; primary-color: #403C30;
Michele Gabriele, The Right Distance (detail), 2018
article image; primary-color: #3B392D;
Michele Gabriele, The Right Distance (detail), 2018
article image; primary-color: #444236;
Michele Gabriele, The Right Distance (detail), 2018

I tried to show you the best parts of me, the most edgy, composed, winking and generous of futile details, and I turned my silhouette into its own artifact orthogonal essence. Three plans, three quarters, simultaneously. Fractionated segments, carefully selected to make sure you will look at me.

I hoped I could show you only the good, the best, like through a pleasant profile picture, in which I am the image of your admiration, the contemplation of a perfectly-accomplished connotation inside the space of a narrow geometry. I’m like you imagined. The protruding cheekbones, the winking curves drawn by the compass and concluding in the squared jaw, the edgy nose when viewed from above, the languid and transparent glance, the newborn’s nothing-patinated colored eyes. The torso slightly turned, a tuft of hair turned between the fingers.

You said you loved me, and now you are disappointed, your heart is broken. It 's true, they are not as you thought, they are not at all orthogonal, nor appropriately squared. I'm so clumsy, and you're so beautiful. I wanted to please you, for a moment, a very short time, before everything ended, before disappointing you and then I quickly hid all the rest, so ungainly, milky and inhomogeneous, the last plane of that axonometry that is the pose of a form staggering. But I never lied to you, never. I just wanted to see you speak again of me so proud, openly, and feel connected to me, to the clumsy sensuality that I could not hide between my back and shoulder. Accept me ... I'm what you wanted ...

(SomethingMustBreak)

7.6.18 — 27.7.18

Curated by Something Must Break

White Noise Gallery

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

Next Page