image text special shop

'PLANT B' at Molenbeek Skulptuure Parc, Brussels

article image; primary-color: #62655A;
article image; primary-color: #6B6A68;
article image; primary-color: #565550;
article image; primary-color: #505537;
article image; primary-color: #444920;
article image; primary-color: #484742;
article image; primary-color: #60605E;
article image; primary-color: #5B5D52;
article image; primary-color: #59564F;
article image; primary-color: #777A71;
article image; primary-color: #6A6C61;
article image; primary-color: #686961;
article image; primary-color: #5A5746;
article image; primary-color: #71706C;
article image; primary-color: #68655E;
article image; primary-color: #695435;
article image; primary-color: #606658;
article image; primary-color: #73746F;
article image; primary-color: #7F8488;
article image; primary-color: #667781;
article image; primary-color: #5D666B;
article image; primary-color: #5C5F58;
article image; primary-color: #5B5147;
article image; primary-color: #393C35;
article image; primary-color: #565656;
article image; primary-color: #58554E;
article image; primary-color: #4E4F49;
article image; primary-color: #4F5354;
article image; primary-color: #3B3F3E;
article image; primary-color: #545750;
article image; primary-color: #525648;
article image; primary-color: #586352;
article image; primary-color: #67685A;
article image; primary-color: #58594B;
article image; primary-color: #585D56;
article image; primary-color: #535444;
article image; primary-color: #555549;
article image; primary-color: #575757;

If plan A is biodiversity that we understand as ‘real nature’ where Gaia is in equilibrium and somewhat predictable, Plant B is the bio-technos- phere we’re currently entering where technological and biological processes are fast paced and unpre- dictable. At a time when climate change and tech- nology are remaking our planet and habitat at expo- nential growth rates, biosphere and technosphere merge in a manmade world beyond man’s control. In Plant B, the art will not just be on display but also in interplay with the forces already at play in the urban environment of Brussels. The artworks are not only exhibited in but also exposed to their surroundings.

— Toke Lykkeberg

8.9.17 —30.11.17

Maiken Bent, Benedikte Bjerre, Jonathan Boutefeu, Aline Bouvy, Carl Mannov, Xavier Mary, Marthe Ramm Fortun, Antoine Renard, Clémence de La Tour du Pin, Philippe Van Wolputte

Curated by Komplot & Toke Lykkeberg

Molenbeek Skulptuure Parc

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

Next Page