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'If I could go to sleep for days, would you count the hours? (SAZARUS IV)' by Viktor Timofeev at Two Queens, Leicester

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You are standing on a beach. 

The sand is coarse, the waves are periodic, the sun is intermittent and the horizon is concave.  You face the water. You take a step forwards, towards the water. The water retreats away from you. You take another step forwards, towards the water. The water retreats. You take two steps forwards, towards the water. The water retreats and retreats.

Facing the water, you increase your pace and take three steps forwards, towards the water. The water retreats, matching your pace. 

The distance between you and the water is the same as it was seven steps ago.

You are now standing on sand that was underwater seven steps ago. It’s dry.  You look left. A line slowly forms between the water–sand divide, which gains definition as it arcs to the right, until it caresses the concave horizon and becomes indistinguishable from it. The horizon is interrupted by protruding peaks of sand dunes that look unclimbable. You look right. A line slowly forms between the water–sand divide, which gains definition as it arcs to the left, until it is caressed by the concave horizon and becomes indistinguishable from it. The horizon is interrupted by protruding peaks of sand dunes that look unclimbable.  You look straight, facing the water. The sand is coarse, the waves are periodic, the sun is intermittent and the horizon is concave.

You turn around and face the sand dunes, turning your back to the water.

You take a step forwards, towards the sand dunes. You turn your head and see the water advance towards you. You take another step forwards, towards the sand dunes. You turn your head and see the water advance. You take three steps forwards, towards the sand dunes. You turn your head and see the water advance, matching your pace.

You turn around and face the water.

You run forwards, towards the water. The water retreats, matching your pace. 

The distance between you and the water is the same as it was when you last checked.

4.3.17 — 28.5.17

Photo by Oskar Proctor

Two Queens

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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