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'Mock Kings' by Jala Wahid
at Kunstverein Freiburg

'The Arche's House,' Group Show at Másla Lissé, Moscow

'Tank' by Andrew Roberts at Pequod Co., Mexico City

'Gardens of Fate' by David Hanes at EMERGE, Pescara

'The Apartment' by Kira Scerbin and Justin Ortiz at Droll, Chicago

'5 impasse des panoramas' by Amandine Maas at GALERIE CHLOE SALGADO, Paris

Nuno Patrício: ‘Nowadays, newcomers are using Internet to earn their spot in the community simply because most of them are far from being part of the gallery system due to restrictions, ambitions, etc. In sum, I think everyone has the right to have their point of view, but unfortunately, people are very influenced and shaped by the words of critics and experts. Art criticism, not all but in general, should be more respectful to new ideas and panoramas’. More…

'Exhibition 2' by Arthur Golyakov at The End Of The World, Brussels

'UNATTENDED ACCESS' by Nile Koetting at Parliament, Paris

'General Aesthetics', Group Show at SmallvIlle Space, Neuchâtel

'à l’extérieur' by Vincent Larouche at No Gallery, New York

'Head to Presser' by Judita Levitnerová at Galerie mladých, Brno

'What is this, an exhibition for ants?!', Group Show at Cantina, Aarhus

Iain Ball, 'POST.CONSUMER.CULT 2020': For every person who is obsessively fact-checking and confiding in data there is someone who is disregarding it altogether and adopting a pre-enlightenment, creationist or vedic worldview which rejects modern scientism altogether. It seems as though we are collectively being pulled apart from everything and everyone — as if we, like The Universe itself are eternally inflating away from every point in space and time whilst many feel as though they are awakening to cosmic consciousness. More…


'Georgie Nettell & Freya Field-Donovan, firefly frequencies, Free Home University

'A PANIC ATTACK ON A SUNNY DAY' by Līga Spunde at Tuesday to Friday, Valencia

'Total' by PLAGUE at Plague Space, Krasnodar

'Systematic Magic' by Hristos Hantzis at OKAY Initiative Space, Athens

'young coin rite' by Aidan Duffy at South Parade, London

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