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'Hear The Lizards Listening' by Claude Eigan & Maren Karlson at MÉLANGE, Cologne

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Exhibition view
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Maren Karlson, Let‘s see if I can be born again, 2018
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Exhibition view
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Claude Eigan, Inner Saboteur, 2019
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Claude Eigan, Inner Saboteur, 2019
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Maren Karlson, Engel der Nacht, 2019
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Maren Karlson, Suddenly the path seems easier, and wider, and you realize you're at the center and there's nothing there but yourself, 2019
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Exhibition view
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Claude Eigan, Maren Karlson, Owls, 2019
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Claude Eigan, Maren Karlson, Owls, 2019
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Claude Eigan, Maren Karlson, Owls, 2019
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Claude Eigan, Maren Karlson, Owls, 2019

The lizard basking in the sun is a well-known protagonist of philosophical thinking. What’s the relationship between the motionless lizard and the stone, the motionless stone on the ground and the human approaching it’s own reflection in the reptile’s eye?

The animal’s suspended state of awareness, mind and body absorbed into the environment, is something humans can rarely achieve – in unconscious delirium, when they are sick with emotions or immersed in psychoactive darkness. We as humans are prisoners of our own bodies and experiences.

Which is better off, a lizard basking in the sun or a philosopher?

Some of the cold-blooded reptilians are even said to shape-shift into human form. Playing the role of the alien predator, the reptoids originated from new age philosophy populate our fantasy and occasionally our politics. Lizards have had their claws in humankind since ancient time.

Hear the Lizards Listening is a contrapuntal proposal to the realm of the rational human conscious. It suggests listening for silence, searching for the alien within, wether mutated or genetically engineered allowing the lizard to return the gaze.

The poem She Rose by Maren Karlson sets the tone for this encounter. The two artists collaboratively created a group of humanoid sculptures, examining the visitor from outside the window. Claude Eigan’s sculpture Inner Saboteur is an investigation of the gut, technically the human’s roots, it’s powerhouse and the dark birthplace of anxiety. In Maren Karlson’s paintings fluid bodies rove through an irrational realm, confidently growing from a pitch black vacuum ground. They could be our proxies when the sun goes down on Wake Island.

14.2.19 — 30.3.19

Curated by Sarah Johanna Theurer

MÉLANGE

'What on Earth' by Tess Bilhartz at Super Dutchess, New York

'The Apartment' by Marie Lund (featuring Frederik Worm) at Croy Nielsen, Vienna

'Luxury & Labour' by Isabella Darcy at Disneyland Paris, Melbourne

'WELCOME UNIVERSE' by Paul Spengemann at WAF, Vienna

EPISODE 5: 'Exmouth', by Underground Flower & Dharma Initiatives between Texel Is

'MIDDAY' by Adam Alessi at Smart Objects, Los Angeles

'Cicada Songs, Decaying Petrichor' by Chen Pin Tao at Sedentary Enslavement, Laha

'Game' by Viktor Timofeev at MX Gallery, New York

'Microorganisms & Their Hosts' by Mindaugas Gapševičius at Atletika, Vilnius

'Managing Emotions' by Olga Pedan at Neuer Essener Kunstverein, Essen

Play / Cognition (بازی / تمرین) at Solo Show, Online

'Memory' by Kaspars Groševs, Marta Trektere at 427, Riga

'Untitled (MOLLY HOUSE)', a Group Show Curated by Julius Pristauz at EXILE, Vienn

Garden Cult Triennale, Chapter II: Baden-Baden, Germany

'Power must grow, if it doesn't grow it rots' by Dominika Trapp at Karlin Studios

'Flags' by Troels Wörsel at C.C.C., Copenhagen

☼ by chukwumaa + Zoë Argires at New Works, Chicago

'By working the soil we cultivate the skies' by KINDERSPIELE at Macao, Milan

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