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'Coronation', a Group Show Curated by Àngels Miralda at HORSEANDPONY, Berlin

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Thomas Yeomans, Bloom and Creep, 2018
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Thomas Yeomans, Bloom and Creep, 2018
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Thomas Yeomans, Bloom and Creep, 2018
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Installation View
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Installation View
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Thomas Yeomans, Royal America, 2017
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Thomas Yeomans, Queer Sigil, Sigil designed by Joseph Morgan Schofield, 2017
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Thomas Yeomans, Antifa, 2017
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Thomas Yeomans, United Federation of Planets, 2017
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Thomas Yeomans, Imperial War Flag of British Fascism, 2017
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Installation View
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Valinia Svoronou, Home as Office, 2018
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Installation View
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Valinia Svoronou, Ornament Bearer 2, 2018
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Valinia Svoronou, Home as Office, 2018
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Valinia Svoronou, cigarettes, coloured 3D prints, 2016
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Installation View
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Khaled Barakeh, The Shake – Materialising Distance Memory Management, 2013
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Khaled Barakeh, The Shake – Materialising Distance Memory Management, 2013
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017

This exhibition is about the disjuncture of our times.

Worlds that exist parallel to each other.

A unique sense of the contemporary, lateral truths in inconsistent layers. Somewhere between nostalgia and hope, lies our special temporality which we always seem to be attempting to escape. Apocalyptic visions of our future crowd contemporary theory while nostalgic historical futurisms substantially proliferate. A 90’s utopian naiveté and Cold War science fiction use our own failures to describe worlds that are simultaneously awake.

Historical re-enactment, appropriation, and gesture re-think our relationship with the past and our own identities. History and heritage become a refuge from daily trials. Brands act as standard, national symbols, and create legacy. From a Holloway pub to corporate advertisement, flags and standards from the Middle Age continue to conjure mass emotion.

Gaps and fissures, cracks and chasms, inconsistency and divergence. All seething and alive.

29.1.18 — 18.2.18

Khaled Barakeh, Beth Collar, Sandra Mujinga, Valinia Svoronou, Thomas Yeomans

Photo by Michael Rocco Ruglio-Misurell

HORSEANDPONY

'La fuite et l’enveloppe' by Maxime Bichon at Treignac Projet, Treignac

'The Man-Servant' by Manuel Cornelius and Georg Thanner at Nails projectroom, Due

'Wrought Bundle' by Garrett Lockhart at Afternoon Projects, Vancouver

'Heavy Middle' by Thomas Moor at Stiftung BINZ39, Zurich

'The Alchemist' by Matyáš Chochola at Gossamer Fog, London

'Ich und mein Modell' by Cosima zu Knyphausen at Stadium, Berlin

'WALLWERK', Group Show at Nir Altman, Munich

'Chagrin de merde' by Angélique Aubrit, Ludovic Beillard, Hugo Dinër at Etablisse

'From Larva to Ghost' by Victor Gogly at Light-harvesting Complex, Vantaa

Transformella (aLifveForm fed and cared for by JP Raether) in Cinis’ Forking [4.4

'Today could be your day', Group Show Curated by Ali A. Maderuelo and Julia Caste

'God Is in the Details', Group Show Curated by Reilly Davidson at Super Dutchess,

'ANGEL' by Kaspar Müller at NICO, Bari

'Barren Oracle, Breath of Cinders' by Urbain Checcaroni & Hanna Umin, Presented b

'The Garden of my hopes' by Olga Krykun feat. Milica Mijajlovic at Zadní dvorek,

Misunderstanding as a tool. Michele Gabriele in conversation with Zoë de Luca

'Sleep No More', Group Show Curated by Fiona Vilmer & Liza Maignan at Placement P

'Due Pitture Seleniche: paludi xx, Una Fontanaper Lulu' by Alan Stefanato organiz

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