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'Coronation', a Group Show Curated by Àngels Miralda at HORSEANDPONY, Berlin

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Thomas Yeomans, Bloom and Creep, 2018
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Thomas Yeomans, Bloom and Creep, 2018
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Thomas Yeomans, Bloom and Creep, 2018
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Installation View
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Installation View
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Thomas Yeomans, Royal America, 2017
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Thomas Yeomans, Queer Sigil, Sigil designed by Joseph Morgan Schofield, 2017
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Thomas Yeomans, Antifa, 2017
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Thomas Yeomans, United Federation of Planets, 2017
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Thomas Yeomans, Imperial War Flag of British Fascism, 2017
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Installation View
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Valinia Svoronou, Home as Office, 2018
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Installation View
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Valinia Svoronou, Ornament Bearer 2, 2018
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Valinia Svoronou, Home as Office, 2018
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Valinia Svoronou, cigarettes, coloured 3D prints, 2016
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Installation View
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Khaled Barakeh, The Shake – Materialising Distance Memory Management, 2013
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Khaled Barakeh, The Shake – Materialising Distance Memory Management, 2013
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017

This exhibition is about the disjuncture of our times.

Worlds that exist parallel to each other.

A unique sense of the contemporary, lateral truths in inconsistent layers. Somewhere between nostalgia and hope, lies our special temporality which we always seem to be attempting to escape. Apocalyptic visions of our future crowd contemporary theory while nostalgic historical futurisms substantially proliferate. A 90’s utopian naiveté and Cold War science fiction use our own failures to describe worlds that are simultaneously awake.

Historical re-enactment, appropriation, and gesture re-think our relationship with the past and our own identities. History and heritage become a refuge from daily trials. Brands act as standard, national symbols, and create legacy. From a Holloway pub to corporate advertisement, flags and standards from the Middle Age continue to conjure mass emotion.

Gaps and fissures, cracks and chasms, inconsistency and divergence. All seething and alive.

29.1.18 — 18.2.18

Khaled Barakeh, Beth Collar, Sandra Mujinga, Valinia Svoronou, Thomas Yeomans

Photo by Michael Rocco Ruglio-Misurell

HORSEANDPONY

'The Days Are Just Packed', Off-site Group Show at THE POOL, Heybeliada - Istanbu

'Gapahuk og avokado' by Kenneth Alme at La Centrale, Ruoms

'What on Earth' by Tess Bilhartz at Super Dutchess, New York

'The Apartment' by Marie Lund (featuring Frederik Worm) at Croy Nielsen, Vienna

'Luxury & Labour' by Isabella Darcy at Disneyland Paris, Melbourne

'WELCOME UNIVERSE' by Paul Spengemann at WAF, Vienna

EPISODE 5: 'Exmouth', by Underground Flower & Dharma Initiatives between Texel Is

'MIDDAY' by Adam Alessi at Smart Objects, Los Angeles

'Cicada Songs, Decaying Petrichor' by Chen Pin Tao at Sedentary Enslavement, Laha

'Game' by Viktor Timofeev at MX Gallery, New York

'Microorganisms & Their Hosts' by Mindaugas Gapševičius at Atletika, Vilnius

'Managing Emotions' by Olga Pedan at Neuer Essener Kunstverein, Essen

Play / Cognition (بازی / تمرین) at Solo Show, Online

'Memory' by Kaspars Groševs, Marta Trektere at 427, Riga

'Untitled (MOLLY HOUSE)', a Group Show Curated by Julius Pristauz at EXILE, Vienn

Garden Cult Triennale, Chapter II: Baden-Baden, Germany

'Power must grow, if it doesn't grow it rots' by Dominika Trapp at Karlin Studios

'Flags' by Troels Wörsel at C.C.C., Copenhagen

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