I would say that the three characteristics of minor art are: not the deterritorialization of language, but the development of one’s own personal, highly idiosyncratic language; not so much the connection of the individual to a political immediacy, but the acknowledgement that form, which is art’s primary duty, is always already political; and definitely not the collective assemblage of enunciation, but the impossibility of art to speak for anyone else if it does not first and foremost speak for itself.
— Chris Sharp (2017)
