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'Haptic House', a Group Show Curated by Penny Rafferty at HORSEANDPONY, Berlin

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Dennis Loesch, THE FENDIMENTS, THE KENZOPREME
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Leckhaus, La Polizia, 2018
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Isaac Penn, It’s the Shoes that Talk, 2017 / Zuzanna Czebatul, Within Meadows And Rolling Fields, 2016
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Jake Kent, Green Boot, 2018
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Claude Eigan, After 6 protoform #8 : C’s edition, 2018
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Zsófia Keresztes, Mask of a drawn battle, 2018 / Zuzanna Czebatul, Within Meadows And Rolling Fields, 2016
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Przemek Pyszczek, Supreme Krówki, 2016 / Zuzanna Czebatul, Within Meadows And Rolling Fields, 2016
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Monika Grabuschnigg, You’ve been everywhere but here, 2017
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Nuri Koerfer, Worm of the stones, 2018
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Rafal Zajko, HandWorks (RGB), 2018
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Nuri Koerfer, Insel, 2017
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Monika Grabuschnigg, You’ve been everywhere but here, 2017 / Claude Eigan, After 6 protoform #9 : Coffee break, 2018 / Claude Eigan, After 6 protoform #8 : C’s edition, 2018 / Maximilian Schmoetzer, Untitled (Medizini Poster Waldrappen), 2018
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Jonas Schoeneberg, N0 H0RIZ0N (from the series Fireflies), 2018 / Leckhaus, La Polizia, 2018
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Isaac Penn, It’s the Shoes that Talk, 2017
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Claude Eigan, After 6 protoform #8 : C’s edition, 2018 / Claude Eigan, After 6 protoform #9 : Coffee break, 2018
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Zsófia Keresztes, Mask of a drawn battle, 2018
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Jake Kent, Calendar for the year (2017, The Past), 2018 / Claude Eigan, After 6 protoform #8 : C’s edition, 2018
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Maximilian Schmoetzer, Untitled (Medizini Poster Waldrappen), 2018
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Installation view
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Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017
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GeoVanna Gonzalez, Keep down the blinds and fold (Featuring Monika Grabuschnigg, Holder 14), 2018
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Nuri Koerfer, Over Spiralling, 2017 / Kathy Acker and Alan Sondheim, Blue Tapes, 1972
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Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017
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Jake Kent, Calendar for the year (2018, The Present), 2018
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Rafal Zajko, HandWorks (RGB), 2018
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GeoVanna Gonzalez, Keep down the blinds and fold (Featuring Monika Grabuschnigg, Holder 14), 2018
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Kathy Acker and Alan Sondheim, Blue Tapes, 1972
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Jake Kent, All Plod is Twat, 2018
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Josefin Arnell, Champs, 2018
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Jake Kent. Cowboy (Stuffed Toy Prototype), 2018
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Przemek Pyszczek, Supreme Krówki, 2018
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Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017
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Jack Schneider, Altenbraker Str. 18, 12053 Berlin, Germany (Replica Habitat), 2018
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Installation view
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Installation view
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Jonas Schoeneberg, N0 H0RIZ0N (from the series Fireflies), 2018 / Leckhaus, La Polizia, 2018 / Jake Kent, Calendar for the year (2019,The Future), 2018 / Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017

I have tethered the bitter dream of you to a fat cell
And walked around the block completely naked

Swan Meat , Render/Trigger (2016)

Ian Curtis danced live for four years to the rhythm of his own bodily hauntology, a psychic scene that was composed of life beyond death via the frame of the stage. Without those adoring fearful eyes his body would have been left – reduced to a bedroom producer…but what is it about the bedroom that enables reverie over product.

Haptic House acts as a facilitative landscape for the works on show to become multi-functional, macro >< compact, and personalized versions specifically designed for the viewers. Haptic House neglects the common compositional gestures, rooted in the cannon of a formal art historical g(l)aze. The House instead welcomes you into an emotive subjecthood, allowing you to feel free to morph your view, graft, sample and remix the infinitum scale of overproduction. Please scale-up your emotional content. Archive yourself amongst these immortal, spacial beings – the exhibition, after all, is here to serve you.

Haptic House explores the concept of muse viewing rather than the designed gaze. Omitting the manners of the cube, in favour of becoming a radical landscape.

Fragmented we stand… and…

Oh, it’s a lonely world, I know Gon’ get a lonely girl, that’s fo’ sho’ Oh, I’m a lonely boy, she made a lonely boy, yeah, I know Oh, it’s a lonely world, I know Gon’ get a lonely girl, that’s fo’ sho’ Oh, I’m a lonely boy, she made a lonely boy, yeah, I know

Lil Peep, Cry Baby (1996-2017)

29.4.18 — 10.6.18

Kathy Acker, Josefin Arnell, Zuzanna Czebatul, Claude Eigan, Monika Grabuschnigg, GeoVanna Gonzalez, Zsófia Keresztes, Leckhaus, Dennis Loesch, Jake Kent, Nuri Koerfer, Florian Oellers, Isaac Penn, Przemek Pyszczek, Jack Schneider, Maximilian Schmoetzer, Jonas Schoeneberg, Alan Sondheim, Rafal Zajko

All images from Florian Oellers, Capturing Haptic House

HORSEANDPONY

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'THE KING’S TWO BODIES' by Bea Orlandi at Interstate Projects, New York

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'Everyday Is in Eternity Bound', a Group Show at WallRiss, Fribourg

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'Kyffhäuserstraße 31', a Group Show at Ginerva Gambino, Cologne

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'The Clan Of Softness And Honor ' by Anna Slama & Marek Delong at Berlinskej Mode

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'Halo in a Hayloft' by Noel Freibert at Lubov, New York

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'A SCENARIO FOR A SILENT PLAY' by Sébastien Rémy at Les Bains-Douches, Alençon

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'Leona, Leone' by Bea Fremderman and Loreta Lamargese at La Kaje, New York

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'Taken and martyred by strangers' by Jakub Glinski at Town Culture Centre, Gorzów

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'It moves and it shouts', a Group Show at Haus N Athen, Athens

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'Galvanic Couple' by Irina Lotarevich at Futura, Prague

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Katja Novitskova at Hamburger Bahnhof, Berlin

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Aniara Omann at Humber Street Gallery, Hull

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'Barry Walking Himself' by Anastasia Sosunova at Kogo, Tartu

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'Feed Me Like a King' by David Nosek at Gallery 207, Prague

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'SAW U' by Vika Begalska and Aleksandr Vilkin at Foundation of Smirnov and Soroki

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'Verharzungen' by Max Negrelli, Yana Tsegay at The Reference, Frankfurt am Main

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'A Rigged and Sudden Machinery' by Stefan Schwartzman
 at MX Gallery, New York

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'TFW Too Intelligent' by Kid Xanthrax at Galerie U Mloka, Olomouc

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