image text special

'Demons and Ashes' by Kaspars Groševs at Madona Local History and Art Museum, Madona

article image; primary-color: #D9CCC4;
Installation view
article image; primary-color: #D6C6B9;
Installation view
article image; primary-color: #C9B9A9;
Installation view
article image; primary-color: #9C8A76;
Kaspars Groševs, Afternoon Shrub, 2019
article image; primary-color: #AE9778;
Installation view
article image; primary-color: #D0BDAE;
Kaspars Groševs, Babbitt's Fall, 2019
article image; primary-color: #CFC5BC;
Installation view
article image; primary-color: #C5B3A9;
Kaspars Groševs, Piano Concerto for Alto, 2019
article image; primary-color: #D0C3BB;
Kaspars Groševs, Young Artist’s Cereer, 2019
article image; primary-color: #C9B8A6;
Kaspars Groševs, Love Song, 2019
article image; primary-color: #C1B3B0;
Kaspars Groševs, Bitcoin Millionaire, 2019
article image; primary-color: #C5BAB4;
Installation view
article image; primary-color: #C1B4AE;
Kaspars Groševs, Ceramic Muscles, 2019
article image; primary-color: #D6D1CE;
Installation view
article image; primary-color: #9F8E7E;
Kaspars Groševs, Walk With My Tomorrow, 2019
article image; primary-color: #D3CAC3;
Installation view
article image; primary-color: #ACA298;
Kaspars Groševs, White Rabbit, 2019
article image; primary-color: #DBD1C7;
Installation view
article image; primary-color: #BEB3AF;
Kaspars Groševs, Seasonal Spices, 2019
article image; primary-color: #BEAF9C;
Kaspars Groševs, I Told You I’m Not Good, 2019
article image; primary-color: #AEA39D;
Kaspars Groševs, Escali Primo, 2019
article image; primary-color: #D1C9BE;
Installation view
article image; primary-color: #CB8F51;
Kaspars Groševs, I Told You I’m Not Good (detail), 2019
article image; primary-color: #9A9582;
Installation view
article image; primary-color: #9E846B;
Installation view
article image; primary-color: #B0967D;
Installation view

Will we stay here for long? 60X40X50.

Crystal nostalgia, whiffed by wind, fall into pit of torn apart bed sheets, the lost phone numbers are dripping. I take ibuprofen, we have to go, but maybe not. Can you make gold out of broken vinyls? There are yellow songs in this space, one orange sock and volcanic ashes. There is kitchen sadness, sleep, insomnia, amnesia in this space. Guest chattering and cracked glasses that echo in curses. What if a war starts? I was once a carpet. I was once squeaky steps at nightfall. I was once key-chain concert in a middle of night. I am still a key-chain concert. I’m glad that I burned some work. I am on an edge of buying instant coffee “Liepāja”. I am a stranger in Liepāja. Will we have enough space for buckwheat, lentils, flour, rice, pasta and rat poison? There are some Greek artifacts, two pieces of Dublin’s pavement and stomachache. Is this book mine or yours, or hers? We dance on aluminum, we own 15 movies about ninjas. And debts. And colors that I can’t see. Advises. Notarial certifications. Attestations. Diplomas. Lectures about Le Corbusier. I have a bag with old bones. And my dreadlocks somewhere. Probably there’s also Joe Dassin’s face. I lie down on pine-cones and count anti-depressants. A few knick-knacks, a few things that’s Ponge left before leaving off for a walk. And all those maps with ambiguous directions scratched in, asphalt showing through folding and I will never return. Everything once. One might say everything is happening until.. We drown. Water comes closer, water has soaked in foundation inside out. Granddad with a motor-saw. In one of my homes there’s a magnet stuck to a door-post, but I have no idea where. Which home? The one with melt halva crumbs? The one with Strawberry Harvest 1994 picture framed? The one I don’t remember the door code to? In 1994 my yo-yo was tolen. Where did I put the chains and fangs of Bebop and Rocksteady?

HAPPY

MOVING

MOVING

MOVING

HAPPY

HAPPY

MOVING

HAPPY

HAPPY

MOVING

HAPPY

HAPPY TO SEE YOU HERE

20.4.19 — 2.6.19

Photo by Līga Spunde

Madona Local History and Art Museum

'PANHUMANO' by Calabash Kids at Cordova, Barcelona

'eddy', Group Show at M23, New York

'Death Knocks Twice' by Christian Roncea at Sedentary Enslavement, Lahaina, Hawai

'A Lady Cut the Hem of Her Dress to Not Wake Up Her Cat' by Natalie Ochoa at Catb

'Venture Into the Public Realm', Group Show at Halle für Kunst Lüneburg

'Heu, Hasen, Hundehaus' by Svenja Björg Wassill and Conrad Hübbe at Neue Barmbeke

'dream knowledge, no, ledge, noh, no knowledge' by Taka Kono​ at mcg21xoxo, Chiba

'A Musician’s Day', Group Show at Neighborhood Gallery, New York

'Pale Fire' by Polyhedron & Ilya Smirnov at Polyhedron Studio, Saint-Petersburg

'YOU ARE WHATEVER A MOON HAS ALWAYS MEANT' by John Roebas at Pretty Days, Fall Ri

'The Waiter’s Lament' by Joe Speier at Springsteen, Baltimore

'Wet Cookie Floor' by Yannick Val Gesto at Private Viewing

'Happy New Year', Group Show at Plague Space, Krasnodar

'At the centre of my ironic faith', Group Show at Cassandra Cassandra, Toronto

'Il primo canto' by Edoardo Manzoni at The Address, Brescia

'A promise' by Marina González Guerreiro at Rosa Santos, Valencia

'Still Making Art – Volume Four' Curated by Aaron McLaughlin at KS28, Amsterdam

'Endless Nostalghia', Off-Site Project Curated by Treti Galaxie, Italy

Next Page