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'Lindsay Lohan: The Myth of the Premium Dance Experience', a Group Show at Hot Wheels, Athens

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Amalia Vekri, My Beauty Your Sex, 2017 / Amalia Vekri, Swam in a Lake of Champagne, 2017
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Marina Xenofontos, We, 2017
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Marina Xenofontos, Drag Monster, 2017
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Orestis Lazouras and Isabaelle Cook, Raki Baby, 2017
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Amalia Vekri, My Beauty Your Sex, 2017 / Amalia Vekri, Swam in a Lake of Champagne, 2017
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Anastasia Pavlou, Untitled, 2017
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Dimitris Tsouanatos, WHICH MASK MUST THE EARTH PUT ON THE CARNIVAL?, 1989-99
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Maria Toumazou, Our Underground, "Good Morning, Good Morning, Good Morning", 2017
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Maria Toumazou, Hello Darkness, 2017
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Dylan Spencer-Davidson, LOHAN, 17 November 2017 / Dylan Spencer-Davidson, RUMORS NO DRAMA NOT DANCING BUT FIGHTING EDIT, 2017
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Dimitris Tsouanatos, ON THE ENORMOUSE DANCE FLOORS WITH A FEW PASSERS - BY OF HIS LIFE, 1989-99
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Orestis Lazouras and Isabaelle Cook, Lindsay, 2017
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A year ago, Lindsay Lohan embarked on a joint venture in Athens; LOHAN, a new nightclub in the heart of the Athenian party scene in Gazi. Lindsay’s role in the club was puzzling—her newfound presence in the Greek nightlife market was tinged with mystery, and rumours started to circulate. Lohan’s interview only perpetuated the mystery further; she expressed how, in the light of the refugee crisis, xenophobia, and the country’s debt, LOHAN was her gift to Greece. Marketed as a nightclub for all, the appeal drew on the promise of a quasi-spiritual experience; a place for having fun, a way to ‘take bad situations and make it good’. Lohan heralded herself as the goddess of Athenian night life, elevating herself, and the clubbers, through a sanctified premium dance experience. Through the prism of Lindsay Lohan and her namesake club, the exhibition draws links between ancient mythology, celebrity and the symbolism of the club experience in the context of modern day Athens.

22.11.17 — 17.12.17

Isabelle Cook, Jay Glass Dubs, Delia Gonzalez, Yorgia Karidi, Orestis Lazouras, Anastasia Pavlou, Dylan Spencer-Davidson, Maria Toumazou, Dimitris Tsouanatos, Amalia Vekri, Marina Xenofontos

Contributed tracks: Dimitris Papadatos - Rihanna - Diamonds (Jay Glass Dubs Hyperthymestic Version), Kim Shish - Foreign Love, Horse Follows Darkness - Casual Friday, Dylan Spencer-Davidson - AUTOMONOLOGORRHEA

After party performances and music by: Yorgia Karidi, Orestis Lazouras (Kim Shisha), Dylan Spencer-Davidson, Amalia Vekri

Hot Wheels Projects

'La Fortune et le jeune Enfant’, Off-site show by Arina Sukhankina, Château-Thie

'Meadowlands' by Max Capus and Mat Mancini at Paris London Hong Kong, Chicago

'CHARLES MANSON, TIMOTHY LEARY & THE RATS OF NIMH', Group Show at 4649 Gallery, T

'Fantastic Epiphany' by Malwine Stauss & Naiyun Yang at La Felce, Cologne

'Corporate values by Misha Gudwin at Supermetall, Moscow

'Ashes to Lashes, Dust to Lust', Group Show at GROVE, Berlin

'Victim of Cosmetics' by Claire Barrow in a repurposed office space, London

'Digital Anomalies' by Nicolás Lamas at FORM, Wageningen

'IT'S DIFFICULT TO EXPLAIN SO I STAY QUIET' by Lukas Glinkowski at Galería Fran R

'The place that can never be' by Anna Taganzeva at Plague Space, Krasnodar

'Chocolate Goblin' by Travis John Ficarra at Glasshouse, Victoria

'MILITARY POP', Group Show at Spas Setun, Moscow

TARGET GROUP SHOW, conceived by Hannes Schmidt at BRAUNSFELDER, Cologne

'DISTIRA' by Irati Inoriza at Galeria Fran Reus, Palma de Mallorca

'Underground Memorandum' by Richard Nikl at Shore, Vienna

'All Watched Over by Emissaries of Loving Grace' by Louis Morlæ at Duarte Sequeir

'itsanosofadog *It’s an arse of a dog' by Amanda Moström, Rose Easton, London

'Deceiving players' by Rimma Arslanov at KOENIG2 by_robbygreif, Vienna

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