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'Huuuuuuge Thanks!' by Bedwyr Williams at Frutta, Rome

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Bedwyr Williams, Verity, 2016
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Bedwyr Williams, Clai, 2017
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Bedwyr Williams, Barber's Itch, 2017
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Bedwyr Williams, Bruno, 2017
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Bedwyr Williams, Elver, 2016
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Bedwyr Williams, Huuuuuuge Thanks!, 2017
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Bedwyr Williams, Untitled 01, 2017
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Bedwyr Williams, Untitled 02, 2017
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Bedwyr Williams, Untitled 03, 2017
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Bedwyr Williams, Untitled 04, 2017
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Bedwyr Williams, Untitled 05, 2017
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Bedwyr Williams, Untitled 06, 2017
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Bedwyr Williams, Untitled 07, 2017
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Bedwyr Williams, Untitled 08, 2017
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Bedwyr Williams, Untitled 09, 2017
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Bedwyr Williams, Untitled 10, 2017
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Bedwyr Williams, Untitled 11, 2017
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Bedwyr Williams, Untitled 12, 2017
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Bedwyr Williams, Untitled 14, 2017

A best man takes Ecstasy at a Wedding and Dies

He had just got up to his feet and said

‘Just a bit of housekeeping before we get started, on behalf of...’

And then he dies

The best man is wearing a suit of the same design as the groom and the other ushers but his is larger and the tails of his coat seem very long compared to theirs.

His hair has been slicked back so that the pale skin of his scalp highlights the shape of his hairline. He had never taken drugs with his hair slicked back before.

He’s just died but he doesn’t topple over, one of his shoes makes a noise but he remains standing. He’s just balancing. It’s a freak occurrence but he is actually dead on his feet.

The piece of paper with his speech written on it slips in his hand a little

He’s died on a high, a real high

His nerves feel like ferns curling up inside him, a sort of cosy controlled panic.

The sound of the guests drops away and he is aware that he is higher than he’s ever been before.

He’s high looking out over a small sea of people.

He feels cut loose from himself and the speech he was about to give

He has the sensation of the seams of his suit giving way as he rises naked from his wedding gear.

His hands make soft fists and disappear up his sleeves

Not naked quite like a naked man in a photo or like a con dent naked performer but somewhere in between he’s certainly shed something.

He feels his long shoes both dropping away at the same time and his toes stand up and spread out. There’s a freshness between his toes as he rises up in the marquee.

He sees the body that he has left behind, the teetering gure he has risen from.

He is leaving that behind now, he is the best man.

‘I’m the best man’ he says to himself

16.9.17 — 11.11.17

Photo by Roberto Apa

Frutta

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'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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