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There’s the limitation where all marks must be permanent. Michael Bussell in
con
Joey Holder: ‘I hope that art can continue to question the dominant structure
s’
Misunderstanding as a tool. Michele Gabriele in conversation with Zoë de Luca
Nuno Patrício, O Fluxo: ‘Thankfully, there is a place for everything to exist
in
POST.CONSUMER.CULT 2020 by Iain Ball
Dane Sutherland in conversation with Samuel Capps
'MOUTHLESS Part I' by Dorota Gawęda and Eglė Kulbokaitė
SADYRIA by Posthuman Studies Lab (Nikita Sazonov, Katya Nikitina)
Armen Avanessian: ‘So let us ask, why we still call this a capitalist world?’
'A Whole Other Level', essay by Kuba Bąk for 'Enter the Heat' by Inside Job
Andrew Birk: ‘Making art is like trying to solve an equation that is shifting
and
Graham Harman: 'As for how the object resists being exhausted, I don’t think
it n
Fabio Santacroce: ’I like to think of art as a latent force’
Alessandro Di Pietro: 'Artists still create idols to love or to be destroyed,
whe
Dorota Gaweda and Egle Kulbokaite: 'Through my nose, through your every pore,
we
TARWUK: 'Welcome to the tunnels made of flesh, where tall fires keep on burni
ng a
Paul Barsch and Tilman Hornig: 'What interests us is how an ordinary object o
r a
Iain Ball: 'Everything is going to change, and it will happen really quickly'
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