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'Treize (EMP/Nuclearblast)' by Christophe de Rohan Chabot at Treize, Paris

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I take the tram, almost at the end of the line there is a shop on the left hand side, its logo is the following: On a red background appears a white circle, in the middle of this circle, five black letters a without embellishment typography takes up a lot of space.

I think about those three colors, red, black and white, about their association and meaning, and I fell on a STOP sign. In the back of the bus a young person wears a metal band tee-shirt that I don’t know, the white letter attack and split the black fabric like thunderbolts.

12.9.19 — 7.10.19

Text in collaboration with Theo Robine Langlois, Christophe de Rohan Chabot, Gallien Dejean, Marilou Thiébault

Organized by Gallien Dejean

Treize

'The Host' by Pakui Hardware at eastcontemporary, Milan

'Chlamydomonas Nivalis' by Alberto Tadiello at Umberto Di Marino Gallery, Napoli

'The Centre' by Patrick Cole and Dominic Watson at Kupfer, London

'Ghost Member: Prosthesis/ Symbiosis as a shelter' by Naomi Maury at L'Assaut de

'I show you the signs of life' by Alina Izmaylova at Kerka gallery, Saint-Petersb

'I Don't Want No Trouble' by Lucas Erin at All Stars, Lausanne

'The Grime and the Schmutz' by Béla Feldberg at Jo-Anne, Frankfurt am Main

'Night of Hinnā' by Monia Ben Hamouda at Bungalow, ChertLüdde, Berlin

'Getting Down to Business' by Rebecca Rothenborg at Galerie Roland Puschitz, Vien

'Why Me?' by Pietro Agostoni at Associazione Barriera, Turin

'Holloway - ‘Das Gift’ is a Gift' by Céline Struger at Loggia, Vienna

'Under the Moon' Group Show at Camp Eternal Hell Chamber, New York

'SUPER-NATURAL', Group Show at OLHÃO, São Paulo

'Body Electric' by Zuza Golinska at Galerie Anton Janizewski, Berlin

'Almost Collapsing Balance' by Liao Wen at Capsule Shanghai

Curated by: 'HARDCORE FREEDOM' by Esben Weile Kjær at Zeller van Almsick, Vienna

anonymous, naïve ca. 1970– at Money Gallery, Saint Petersburg

'Real Life Shoes', Group Show at Atelierhaus Klingental, Basel

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