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'If the sea was whiskey' by Dickon Drury at Frutta, Rome

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Frutta is thrilled to present the first solo exhibition in Italy of British painter Dickon Drury. 

In this new selection of paintings for Frutta, Drury presents a vision of idyllic pastoral splen- dour. 

We are invited to enter this fictional realm through a group of vibrantly coloured oil paintings. It is a land of plenty akin to the Arcadia of Greek Mythology. A pleasant garden unspoiled by the ways of modern civilization. Here we are free to roam through its gently rolling pastures, sh its bountiful seas and eat from its fruit laden trees. During the day, the low-hanging sun illuminates its crystalline waters and jewel-like grasslands, and at night the sky is clear and star spangled. Even the danger of an erupting volcano is tempered by its own rework-like beauty. This liminal world of caravans, shadows and underwater birds can also be thought of in relation to ‘Cockaigne’, a fictional realm of extreme luxury that originated in medieval Europe. Once depicted by Dutch painter Pieter Bruegel the Elder it is also referenced in the medieval poem ‘The Land of Cockaigne’: 

There are rivers great and fine Of oil and milk, honey and wine; Water’s uses there are few For washing in, and for the view. The fruit is fine beyond all measure Everything is joy and pleasure. (The Kildare Lyrics, including the Land of Cockaigne) 

A modernised revision of the concept of Cockaigne can be found in the lyrics of Harry McClin- tock’s ‘Big Rock Candy Mountain’. The song depicts a hobo’s idea of paradise where there is ‘a lake of stew and of whiskey too’ and where ‘the hens lay soft-boiled eggs.’ These themes of idealism run through a great deal of English folk and American blues music, and the title of the exhibition ‘IF THE SEA WAS WHISKEY’ is taken from the 1947 track of the same name by Willie Dixon. Lyrically sparse, the crux of the song declares: 

If the sea was whiskey and I was a diving duck If the sea was whiskey and I was a diving duck I’d dive to the boom and I don’t know if I’d come up 

(If the sea was whiskey, Willie Dixon) 

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27.6.17 — 31.7.17

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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