Dystopian realism
Dystopian realism
Dušan Zahoranský, Libor, 2019
Sarah Lüttchen, Dream Machine, 2016
Dystopian realism
Jonáš Strouhal, An Overclocked Device May Be Unreliable or Fail Completely, 2018 / Sarah Lüttchen, Janus, (The Getaway Car), 2018 / Sarah Lüttchen, Baby, 2019
Sarah Lüttchen, Janus, (The Getaway Car), 2018
Dystopian realism
Jakub Choma, 3. Continual Interruption 0.3, 2018
Jakub Choma, 4. Continual Interruption 0.4, 2018
Jakub Choma, 4. Continual Interruption 0.4, 2018
Dystopian realism
Jakub Choma, 4. Continual Interruption 0.4, 2018
Jakub Choma, 3. Continual Interruption 0.3, 2018 / 4. Continual Interruption 0.4, 2018
Jakub Choma, 2. Continual Interruption 0.3, 2018
Dystopian realism
DIS.art
DIS.art / Jonáš Strouhal, An Overclocked Device May Be Unreliable or Fail Completely, 2018
Dystopian realism
Dušan Zahoranský, Libor, 2019
Jakub Choma, 4. Continual Interruption 0.4, 2018
Dystopian realism
Jakub Choma, 1. Continual Interruption 0.0, 2018
Jakub Choma, 1. Continual Interruption 0.0, 2018
Agnieszka Polska, The New Sun, 2017
Max Göran, Assholes Live Forever, 2019
Max Göran, Assholes Live Forever, 2019
Dystopian realism
Installation in the courtyard area, Michal Č. Šembera
Installation in the courtyard area, Michal Č. Šembera
Installation in the courtyard area, Michal Č. Šembera
Installation in the courtyard area, Michal Č. Šembera
Following the investigative search for a shared world, the series of four exhibitions for the full year program of the Cursor Gallery, continues with a second episode about the future, possibilities and dystopias, which have seemingly narrowed the comforting distance of tens or hundreds of years, and are getting closer and closer to the present. One of the most repeated sentences of contemporary philosophy is: “It is easier to imagine the end of the world today than the end of capitalism.” But is our imagination truly that limited? Customarily, it has always been art that continuously expanded the horizon of imagination, possibilities and the future. This is not about another wave of apocalyptic threats and experiences; this is about overcoming the spirals of work and entertainment, activity and apathy; this is about questioning the old language, looking for new points of orientation and reconciliation with the time of catastrophes and political crises, with a life without answers, but many challenges on the fluctuating horizon.