Installation view
Installation view
Daniela Corbascio, Maria Annina # 3, 2022, Iron, wood 285 x 85 x 110 cm. approx (2 elements)
Daniela Corbascio, Maria Annina # 3, 2022, Iron, wood 285 x 85 x 110 cm. approx (2 elements)
Daniela Corbascio, Maria Annina # 3, 2022, Iron, wood 285 x 85 x 110 cm. approx (2 elements)
Daniela Corbascio, Maria Annina # 1, 2022, Iron, wood 285 x 85 x 110 cm. approx (2 elements, detail)
Installation view
Daniela Corbascio,Maria Annina #1, 2022 Cristal, cotton, wood, iron 127 x 94 cm.
Daniela Corbascio,Maria Annina #1, 2022 Cristal, cotton, wood, iron 127 x 94 cm.
Daniela Corbascio,Maria Annina #1, 2022 Cristal, cotton, wood, iron 127 x 94 cm.
Installation view
Daniela Corbascio,Maria Annina #6, Boots, plastic, soil, steel, 130 x 26 cm. aprox.
Daniela Corbascio, Maria Annina #5, 2022, Iron, plastic, rust, Iron circumference, diameter 50 cm. x 20 cm x 130 cm. (Detail)
Installation view
Installation view
Installation view
Daniela Corbascio, Maria Annina #4, 2022, Plastic, oil, petroleum, glass, 55 x 50 x 30 cm. aprox.
Daniela Corbascio, Maria Annina #4, 2022, Plastic, oil, petroleum, glass, 55 x 50 x 30 cm. aprox. (Detail)
Daniela Corbascio, Maria Annina #7, 2022, Fragment of beam, 67 x 33 x 35 aprox.
Daniela Corbascio, Maria Annina #7, 2022, Fragment of beam, 67 x 33 x 35 aprox. (Detail)
Jumana Manna, Wild Relatives, 2018, 64min, HD video
Jumana Manna, Wild Relatives, 2018, 64min, HD video
Jumana Manna, Wild Relatives, 2018, 64min, HD video
NGUYEN Trinh Thi, How to Improve the World (2021) Single-channel video, colour and B&W, sound, 47 minutes
NGUYEN Trinh Thi, How to Improve the World (2021) Single-channel video, colour and B&W, sound, 47 minutes
NGUYEN Trinh Thi, Letters from Panduranga (2015), Single-channel video, colour and b&w, sound, 35:00
NGUYEN Trinh Thi, Letters from Panduranga (2015), Single-channel video, colour and b&w, sound, 35:00
A transition between two adjacent but different ecosystems, the ecotones appear as both gradual shifts and abrupt demarcations. But more than just a marker of separation or even a marker of connection (although importantly both of these things), an ecotone is also a zone of fecundity, creativity, transformation; of becoming assembling, multiplying; of diverging, differentiating, relinquishing.
The inhabitants of an ecotone are zones for brave pioneers.
An ecotone is simultaneously an anticipated past and a remembered future.
Through different practices, poetics and semantic fields, the three artists on display structure territories of transition or tension between two or more heterogeneous natural-cultural community ecosystems. The ecotone thus becomes the most effective strategy and method for reflecting on the interlaced relationships between nature and culture.
“Something happens.
Estuaries, tidal zones, wetlands: these are all liminal spaces where “two complex systems meet, embrace, clash, and transform one another.”
Eco: home. Tone: tension.
We must learn to be at home in the quivering tension of the in-between. No other home is available. In-between nature and culture, in-between biology and philosophy, in-between the human and everything we ram ourselves up against, everything we desperately shield ourselves from, everything we throw ourselves into, wrecked and recklessly, watching, amazed, as our skins become thinner”
