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'Eupepsia' by Antonin Giroud-Delorme at Placement Produit, Aubervilliers

Antonin Giroud-Delorme revels in optics, yet shuns the superficial. He is a vessel, offering combustions of invented icons, exquisite emblems. One is challenged with new languages via frustrated aggregations. The Natural translates the synthetic, and vice versa. In “Eupepsia” Giroud-Delorme’s transmutations proliferate throughout the space, inviting poesis and imaginal play. His constructions are atemporal, suspended in perturbations, riddled with obfuscations. What is moving here is the utter lack of movement. The viewer lies in wait, per the artist’s instructions. One plants his feet squarely and denies inertia, leaving the body to do work while mired in liminality.

Perhaps less about direct ingression, more about expansiveness.
      A new baroque, rhizomatizing experience, connection, aesthetic, ethics.
Shattering a “harmonious, homogenous, and thoroughly knowable”[1] Nature in favor of infinitudes.
      Dreams of discovery and innovation are not resigned to modernist thought, there is a fissure in the cynic’s logic.
Screen, image, interface, and the results of iconoclasm.
      Behold Giroud-Delorme’s open cosmologies.

Giroud-Delorme’s work gestures towards processes of amalgamation and a series of disturbances. With unexpected assemblages and spatial configurations, the sculptures seep and expand into broad horizons. The artist revels in new topologies via interfaces between unlike materials such as Burgundy red wine and cornstarch, mechanical clock fragments and natural hemp. The results are beautiful, if not a little grotesque- with distinct parts serving as means to ends. Here the viewer is left to his own devices, brushing up against themes of domesticity, spatial mapping, bodily mutations, politics, and intimacy.

Through careful deconstruction and recombination, he is reaching towards some essential spirit.

1. Edouard Glissant, Poetics of Relation

— 
 Reilly Davidson

17.6.21 — 27.6.21

Placement Produit

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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