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'Garfield in 2D', Group Show at Disneyland Paris, Perth

Jim Davis’ Garfield provides such interesting material for fan art as its humour allows for an endless repetition of punchlines concerning Jon’s ambivalent feelings to domestic life. This lack of resolution invites interventions to try to resolve or to heighten the antagonisms in the original material. Garfield fan art draws out the anxieties about consumption at work in Garfield and how consumption constituted its genesis. Further, Garfield and its fandom might show us the ways in which ironic art can serve to build social connections in contrast to the potentially alienating effects of didactic art in an atomized society of Jons. It is for this reason that I believe artists, writers and critics everywhere must be ready, on behalf of those who have nothing to lose but their chains, to stand up and say meow meow meow meow meow. 

G.P.K. (Geoffrey Pussy-Kat).

19.8.22 — 10.9.22

Bora Akıncıtürk, David Attwood, Jaakko Pallasvuo, Philip Hinge

Disneyland Paris

'CRUSH' by Artem Briukhov at CHIRKOV Gallery, Birsk

'Burn the Rain' by Troy Barrett at Smart Objects, Los Angeles

'KALON GLAZ' by Victoria Palacios at Panamax, Liège

'Bodiesbodies', Group Show Curated by Lucrezia Galeotti and Giacomo Pigliapoco at

'la fiebre de las formas', Group Show at Colette Mariana, Barcelona

'Sunsets', Group Show at Everybody, Tucson

'Bushels of Goodness and Warmth' by Jordan Derrien at V.O Curations, London

'Etica, Tecnica e Pathos' by Marco Strappato at The Gallery Apart, Rome

'200 km/h in the Wrong Lane' by Mona Filleul at SIS123, La Chaux-de-Fonds

'Come Hell or High Water' by Rosario Aninat and Simon Shim Sutcliffe at Mutter, A

'PCS: Post Concrete Semiotics' by Skygolpe at Nighttimestory, Los Angeles

'Wardrobing' by Mitchel Cumming at Disneyland Paris, Perth

'Ouverture', Off-Site Show by Karina Azizova, Moscow-Istanbul-Paris

'Millennium Approaches' by Cole Lu at Nir Altman, Munich

'Momenti della verità' by Giulio Paolini at Galleria Massimo Minini, Brescia

'Dead Mall Nails' by Anastasia Sviridenko and Lukas Malte Hoffmann at Formis, Tam

'scaling winter' by Littlewhitehead at Public Gallery, London

There’s the limitation where all marks must be permanent. Michael Bussell in con

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