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'GRAFT' by Amitai Romm at VEDA, Florence

Waves are a first. Not genesis-y or mythologically (but also that), they just are. Prior to any emotion comes a wave and this coherence might be scientific as well as poetic. Drawing a line is to begin understanding something, but will it be possible to thoroughly understand that any wave is a kind of handshake between beauty and facts. 
A small forest in the south-east part of Denmark is called Little Beech Forest. It is situated in very close proximity to Great Beech Forest, a bigger forest. Even in the lesser of the two beech forests, the soil contains a remarkably high level of chalk making both forests remarkably fertile. In a fertile forest, the forest floor is dense, thick with foliage and new trees for the coming wall-hung poetry.

Isn’t anything that disturbs the legality of straightness a wave. Isn’t any artwork a wave. Surely, surroundings existed before they were appreciated as landscapes, but not until landscapes started to be depicted could some industrious person come up with the certainty of nature-making through reproduction.  

Sculptures are more visible than waves, but which of the two is more natural. Casted matter not looking like trees but indeed being trees shaped into resemblance of insects. A black branch looking like a spine looking like a piece of industry looking like the coarse outline of a living being. 

Civilians have established a little forest, is this a ruthless transplant or a sustainable act of increased breathing. The civil faith in overcoming or downfall due to forced sprouting seems strong. Thanks to imagination high-tech exists thanks to images waves exist thanks to persistent questioning. Paper sustains fantasy.

— Nanna Friis

11.2.23 — 25.3.23

Photo by Flavio Pescatori

VEDA

'THEIR VOLUMES, WORKS FROM THE CRISTELLA COLLECTION', Curated by Treti Galaxie at

'Soft Armor' by Garance Früh at In extenso, Clermont-Ferrand

'Of new monsters, Earth created more' by Olga Paramonova and Nika Peshekhonova at

'1000 Regrets' by Nicola Genovese at Lokal-int, Biel

'Fragrant Tissues', Group Show at beacon, Munich

'Like a Moth to a Flame' by Luca Florian at Atelier 35, Bucharest

'Social Agony Conscious Healing' by Jack Kennedy at Forth, Nottingham

'CELESTIAL POETICS', Group Show Curated by Liam Denny at Greenhouse Off-site, Mel

'GRAFT' by Amitai Romm at VEDA, Florence

'Terrapozzoli' by Martina Kügler at Mountains, Berlin

'Un perfume sin soporte, un gasto puro' by Marina Glez. Guerreiro and Raúl Lorenz

'Misty’s Tears', Off-Site Show by Gitte Maria Möller in Unitarian Church, Cape To

'Meditations on Entropy' by X Breidenbach at NIGHTTIMESTORY, Los Angeles

'Plague Expo Show', Group Project at Plague Office and Sasha Shardak's studio, Ka

'Re: Recover; Don't make angels dream of' by Yamamoto Shohei at Ritsuki Fujisaki

'Peel' by Stian Ådlandsvik at Van Etten Gallery, Oslo

'Figures of Speech', Group Show Curated by Dobroslawa Nowak and Nicola Nitido at

'Wet Wishes' by Laura Ní Fhlaibhín at Britta Rettberg, Munich

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