image text special shop

'HEROIC vs HOLISTIC, Erotic eco-drama', a Group Show at PLATO Ostrava

article image; primary-color: #7C7774;
Beny Wagner, Inner Circle, 2016
article image; primary-color: #767571;
Beny Wagner, Inner Circle, 2016
article image; primary-color: #777672;
Beny Wagner, Inner Circle, 2016
article image; primary-color: #6A6A68;
Beny Wagner, Inner Circle, 2016
article image; primary-color: #A5A8A1;
Installation view
article image; primary-color: #A1A597;
Installation view
article image; primary-color: #9DA49D;
Installation view
article image; primary-color: #A3A099;
Grzegorz Kowalski, Blue Devotional Articles, photographic object, 1972 / Miyeon Lee, Blown Up Drawing, 2016 / Daniela & Linda Dostálková, Acid Rain, 2017
article image; primary-color: #C8C7C2;
Grzegorz Kowalski, Blue Devotional Articles, photographic object, 1972 / Miyeon Lee, Blown Up Drawing, 2016
article image; primary-color: #AFB9B1;
Installation view
article image; primary-color: #65986F;
Beny Wagner, Appartions, 2017
article image; primary-color: #9CB399;
Miyeon Lee, Blown Up Drawing, 2016 / Daniela & Linda Dostálková, Acid Rain, 2017 / Beny Wagner, Appartions, 2017
article image; primary-color: #B2AFA8;
Installation view
article image; primary-color: #A5A6A8;
Barbara Falender, Adio Kerida, 1977–2012 / Grzegorz Kowalski, Oskar Desage–Schmidt, 1974 / Miyeon Lee, Untitled, 2016
article image; primary-color: #ABADAC;
Installation view
article image; primary-color: #AEADA8;
Miyeon Lee, Untitled, 2016 / Barbara Falender, Abandoned (Elaine), 2012
article image; primary-color: #B1B1A9;
Installation view
article image; primary-color: #C0BFBD;
Grzegorz Kowalski, The Courier I, from series The American Cliche, 1970–1997
article image; primary-color: #ABA599;
Installation view
article image; primary-color: #AAA899;
Installation view
article image; primary-color: #9F9A84;
Barbara Falender, Hourglass, 2005
article image; primary-color: #929381;
Daniela & Linda Dostálková, Heroic vs. Holistic II, 2017
article image; primary-color: #97998C;
Beny Wagner, Inner Circle, 2016 / Daniela & Linda Dostálková, Heroic vs. Holistic II, 2017 / Miyeon Lee, 38 Border Line Wants to Retire on a Dutch Asparagus Farm, 2017
article image; primary-color: #A29F8E;
Installation view
article image; primary-color: #A2A093;
Installation view
article image; primary-color: #9D9B8F;
Installation view
article image; primary-color: #969988;
Miyeon Lee, Monument for a Lost Land, 2016 / Barbara Falender, Selfportrait, 2016
article image; primary-color: #A5A397;
Miyeon Lee, Monument for a Lost Land, 2016 / Barbara Falender, Selfportrait, 2016
article image; primary-color: #AEAA9F;
Installation view
article image; primary-color: #4E4D49;
Barbara Falender, Erotic Pillows, 1973–2006
article image; primary-color: #B2B4A9;
Installation view
article image; primary-color: #878F82;
Beny Wagner, Inner Circle, adhesive vinyl color inkjet print on window, 2016 / Beny Wagner, We’re All Here, 2016 / Miyeon Lee, Absence of Mountains, series, 2017
article image; primary-color: #B6B5B0;
Installation view
article image; primary-color: #94989B;
Grzegorz Kowalski, Chair, 1975

16.11.17 — 28.1.18

Barbara Falender, Grzegorz Kowalski, Miyeon Lee, Beny Wagner

Photo by Daniela Dostálková

PLATO Ostrava

 

'Old Sun, New Sun', Group Show Curated by Andrew Sung Taek Ingersoll at Et al., S

'The Houses Of The Serpent Bearer. The 9th House' by Mónica Mays & Flora Yin-Wong

'Dream Archipelago', Group Show Curated by Sergey Guskov at Smena, Kazan

'Eternal Flame', Group Show at Shore, Vienna

'Cosmovisions', Group Show at Medusa Offspace, Brussels

'No Time To Explain' by Paul Robas at Solito, Naples

'Night Rider' by Yan Posadsky at Devyatnadtsat’, Moscow

'Funding Emotions' by Magnus Frederik Clausen and Kaare Ruud at Cantina, Aarhus

'What I felt for you was love', Group Show at Afternoon Projects, Vancouver

'Mirror Stage' by Bora Akinciturk and Ella Fleck at Shipton, London

‘Millions Now Living Will Never Die!’ by Ian Swanson at Plague Space, Krasnodar

'VEGAN' by Jack Jubb at house of spouse, Vienna

'Fresh Hell' by Jonah Pontzer at Rose Easton, London

'It's quite like Guggenheim', Group Show at Ringcenter 1, Berlin

'OUTER DARKNESS', Off-Site Project by Allyson Packer in 1698 GALISTEO, SANTA FE

'mareas' by Elizabeth Burmann at Galeria Patricia Ready, Santiago

'Vape Cloud Premonition' by Sam Hutchinson at Forth, Nottingham

'Punch-Drunk' by Yutaro Ishikawa at LAID BUG, Tokyo

Next Page