image text special shop

'Homo Sapiens', a Group Show at DAS, Bologna

article image; primary-color: #C39F89;
Filippo Tappi, senza titolo, 2019
article image; primary-color: #DAB097;
Filippo Tappi, senza titolo, 2019
article image; primary-color: #E58F5C;
Filippo Tappi, senza titolo, 2019
article image; primary-color: #E19460;
Filippo Tappi, senza titolo, 2019
article image; primary-color: #BFB7AA;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #CBC7C6;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #CFCCC7;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #CDC8C4;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #B5AF99;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #BBB1A5;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #AAA9B7;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #BFBEB9;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #BDB296;
Paolo Bufalini, senza titolo, 2019
article image; primary-color: #B0A07C;
Paolo Bufalini, senza titolo, 2019
article image; primary-color: #6C6F74;
Paolo Bufalini, senza titolo, 2019
article image; primary-color: #7B7D7C;
Paolo Bufalini, senza titolo, 2019
article image; primary-color: #919392;
Filippo Tappi, senza titolo, 2019
article image; primary-color: #BFBBB8;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #DADBDF;
Filippo Cecconi, swiffer, 2019
article image; primary-color: #D2CFCA;
Filippo Cecconi, swiffer, 2019
article image; primary-color: #D2D1D6;
Filippo Cecconi, swiffer, 2019
article image; primary-color: #E5E4E2;
Filippo Cecconi, swiffer, 2019
article image; primary-color: #DDDCDA;
Filippo Cecconi, swiffer, 2019
article image; primary-color: #D9DCE1;
Filippo Cecconi, swiffer, 2019
article image; primary-color: #D6CEB7;
Filippo Cecconi, Picasso, 2019
article image; primary-color: #D0C4AC;
Filippo Cecconi, Picasso, 2019
article image; primary-color: #CFD0CB;
Filippo Cecconi, Picasso, 2019
article image; primary-color: #C6C5C0;
Filippo Cecconi, swiffer, 2019
article image; primary-color: #D595A3;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #CBC5B5;
Maarten Van Roy, senza titolo, 2019
article image; primary-color: #C4C1B8;
Maarten Van Roy, senza titolo, 2019
article image; primary-color: #CECDC8;
Maarten Van Roy, senza titolo, 2019
article image; primary-color: #D8D7D3;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #BBB094;
Paolo Bufalini, senza titolo, 2019
article image; primary-color: #C2C4C3;
Filippo Cecconi, Venn, 2019
article image; primary-color: #C4C6D2;
Filippo Cecconi, Venn, 2019
article image; primary-color: #BABABC;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #DDDCDA;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #9C9C9E;
Filippo Tappi, senza titolo, 2019

Homo sapiens
reflects on and re-evaluates the current approach of man to reality. Homo Sapiens perhaps to remember that, throughout history, the elements and the paradigms of art remain unchanged; it’s only the connections between them that are constantly shifting.

Filippo Cecconi (Padova, 1994), Filippo Tappi (Cesena, 1985), Maarten Van Roy (Bonheiden, 1985), Paolo Bufalini (Roma, 1994), Paul Barsch (Karlsburg, 1982) and Tilman Hornig (Zittau, 1980), have different attitudes, but are united by their unsettling, wild and strategical approach. The objects exposed are like subjects or autonomous entities; daily life is reworked by the human mind, in different moods that oscillate between solemnity and cynicism, habit and innovation, spontaneity and artifice. Six different visions, gathered without the presumption to give labels or one singular interpretation, but to stimulate connections. A chance to think about perception, the sculptorial forms the object can take, the possibility to use the object itself as a vehicle for images or to intend it as a completely dematerialized and mental element. Homo Sapiens is an attempt to set together different spontaneous artistic attitudes, many ways of relating to reality.

— Davide Da Pieve

30.1.19

Filippo Cecconi, Filippo Tappi, Maarten Van Roy, Paolo Bufalini, Paul Barsch and Tilman Hornig

Curated by Davide Da Pieve

DAS

'Meadowlands' by Max Capus and Mat Mancini at Paris London Hong Kong, Chicago

'CHARLES MANSON, TIMOTHY LEARY & THE RATS OF NIMH', Group Show at 4649 Gallery, T

'Fantastic Epiphany' by Malwine Stauss & Naiyun Yang at La Felce, Cologne

'Corporate values by Misha Gudwin at Supermetall, Moscow

'Ashes to Lashes, Dust to Lust', Group Show at GROVE, Berlin

'Victim of Cosmetics' by Claire Barrow in a repurposed office space, London

'Digital Anomalies' by Nicolás Lamas at FORM, Wageningen

'IT'S DIFFICULT TO EXPLAIN SO I STAY QUIET' by Lukas Glinkowski at Galería Fran R

'The place that can never be' by Anna Taganzeva at Plague Space, Krasnodar

'Chocolate Goblin' by Travis John Ficarra at Glasshouse, Victoria

'MILITARY POP', Group Show at Spas Setun, Moscow

TARGET GROUP SHOW, conceived by Hannes Schmidt at BRAUNSFELDER, Cologne

'DISTIRA' by Irati Inoriza at Galeria Fran Reus, Palma de Mallorca

'Underground Memorandum' by Richard Nikl at Shore, Vienna

'All Watched Over by Emissaries of Loving Grace' by Louis Morlæ at Duarte Sequeir

'itsanosofadog *It’s an arse of a dog' by Amanda Moström, Rose Easton, London

'Deceiving players' by Rimma Arslanov at KOENIG2 by_robbygreif, Vienna

'Sizzling Hot' by Rosa Lüders at 14a, Hamburg

Next Page