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'Hyperlink', a Group Show at Romantso, Athens

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How to arrive somewhere. Not anywhere, but somewhere. How to articulate something that is not yet. It takes a clear mind, and a clear view. A clear view of the clear mind, to articulate --------. -------- are legion: reflexes, gestures, accommodating manoeuvres, posturings, precise complex articulations, random actions, practical and aesthetic patterns. Sometimes displayed openly, sometimes hidden or so minimal as to be only internally identifiable. All of them can be, and have been, analyzed in terms of space, time and energy. Together these elements differentiate one -------- from another and give each a unique identity. Depending on the nature of the -------- one element may predominate, but the others always contribute by supporting and refining the --------. In one example, the primary time element is augmented by the direct use of confined space and a light expressive and it contributes to, human growth and As instinctive degree of energy. Both practical, mirrors, development. forces, and passions unspoken needs and desires, interpreting the continuous flow of internal and external signals and determining the intuitions, rhythms, drive us to respond to appropriate form of action.How to arrive somewhere. Not anywhere, but somewhere. How to articulate something that is not yet. A comprehensive intelligence apprehends other realities and adjust accordingly. Since the discovery of the neutron and the positron, it seems that in the cancelling out of the positive and negative charges, just the electron mass transforms into radiation energy and the proton mass is retained. The neuromuscular system - muscle contraction, nerve stimulation, touch sensation, adrenaline formation, muscle fatigue, oxygen depletion - provides a parallel flow of feedback along with our sensitivities to gravity, pressure, breath tension and verticality.How to arrive somewhere. Not anywhere, but somewhere. How to articulate something that is not yet. -------- are legion.

8.12.17 — 14.12.17

Clearview, Dorota Gaweda & Egle Kulbokaite, Dimitris Gketsis, Alexandra Koumantaki, Kareem Lotfy, Eva Papamargariti, Valinia Svoronou, Yannis Voulgaris

Curated by Hyperlink

Text by Clearview.ltd

Romantso

'The Chase' by Jürgen Baumann at Material, Zurich

'The Host' by Pakui Hardware at eastcontemporary, Milan

'Chlamydomonas Nivalis' by Alberto Tadiello at Umberto Di Marino Gallery, Napoli

'The Centre' by Patrick Cole and Dominic Watson at Kupfer, London

'Ghost Member: Prosthesis/ Symbiosis as a shelter' by Naomi Maury at L'Assaut de

'I show you the signs of life' by Alina Izmaylova at Kerka gallery, Saint-Petersb

'I Don't Want No Trouble' by Lucas Erin at All Stars, Lausanne

'The Grime and the Schmutz' by Béla Feldberg at Jo-Anne, Frankfurt am Main

'Night of Hinnā' by Monia Ben Hamouda at Bungalow, ChertLüdde, Berlin

'Getting Down to Business' by Rebecca Rothenborg at Galerie Roland Puschitz, Vien

'Why Me?' by Pietro Agostoni at Associazione Barriera, Turin

'Holloway - ‘Das Gift’ is a Gift' by Céline Struger at Loggia, Vienna

'Under the Moon' Group Show at Camp Eternal Hell Chamber, New York

'SUPER-NATURAL', Group Show at OLHÃO, São Paulo

'Body Electric' by Zuza Golinska at Galerie Anton Janizewski, Berlin

'Almost Collapsing Balance' by Liao Wen at Capsule Shanghai

Curated by: 'HARDCORE FREEDOM' by Esben Weile Kjær at Zeller van Almsick, Vienna

anonymous, naïve ca. 1970– at Money Gallery, Saint Petersburg

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