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'Hyperlink', a Group Show at Romantso, Athens

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How to arrive somewhere. Not anywhere, but somewhere. How to articulate something that is not yet. It takes a clear mind, and a clear view. A clear view of the clear mind, to articulate --------. -------- are legion: reflexes, gestures, accommodating manoeuvres, posturings, precise complex articulations, random actions, practical and aesthetic patterns. Sometimes displayed openly, sometimes hidden or so minimal as to be only internally identifiable. All of them can be, and have been, analyzed in terms of space, time and energy. Together these elements differentiate one -------- from another and give each a unique identity. Depending on the nature of the -------- one element may predominate, but the others always contribute by supporting and refining the --------. In one example, the primary time element is augmented by the direct use of confined space and a light expressive and it contributes to, human growth and As instinctive degree of energy. Both practical, mirrors, development. forces, and passions unspoken needs and desires, interpreting the continuous flow of internal and external signals and determining the intuitions, rhythms, drive us to respond to appropriate form of action.How to arrive somewhere. Not anywhere, but somewhere. How to articulate something that is not yet. A comprehensive intelligence apprehends other realities and adjust accordingly. Since the discovery of the neutron and the positron, it seems that in the cancelling out of the positive and negative charges, just the electron mass transforms into radiation energy and the proton mass is retained. The neuromuscular system - muscle contraction, nerve stimulation, touch sensation, adrenaline formation, muscle fatigue, oxygen depletion - provides a parallel flow of feedback along with our sensitivities to gravity, pressure, breath tension and verticality.How to arrive somewhere. Not anywhere, but somewhere. How to articulate something that is not yet. -------- are legion.

8.12.17 — 14.12.17

Clearview, Dorota Gaweda & Egle Kulbokaite, Dimitris Gketsis, Alexandra Koumantaki, Kareem Lotfy, Eva Papamargariti, Valinia Svoronou, Yannis Voulgaris

Curated by Hyperlink

Text by Clearview.ltd

Romantso

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'Mal', Off-Site Show at the James River Pipeline, Richmond

'Camouflage', Off-Site Show by prsntprsnt in Shui Long Wo, Sai Kung, Hong Kong

'LMXJVSD' by Marina G Guerreiro at Pols, Valencia

'Glossy Inviolability' by Zsófia Keresztes at Elijah Wheat Showroom, New York

'Eye to Eye Delirium' by Sofia Sinibaldi at Interstate Projects, New York

'A Tinkling Sound', a Group Show at Kunsthalle Wichita

'I am Thankful to be a Ghost Now', a Group Show at Aldea Gallery, Bergen

PALAZZINA #03: Melanie Akeret, Haydée Marin, Hannes Zulauf at Palazzina, Basel

'Tiredness Quotes' by Barbora Zentková & Julia Gryboś at Karlin Studios, Prague

'New Psychedelia of Industrial Healing' by Sharona Franklin at King’s Leap, New Y

'Another Night in Dream City' by Seán Boylan at Stranger, Baltimore

'I SAW A CROW, ORCA WAS I' by Alison Yip at Monte Clark Gallery, Vancouver

'DIGESTING DUCK ENTRY LEVEL POSITION' by Isabelle Frances McGuire at From the Des

'Access Modes for Encountering Large Industrial Bodies' by Kitty Maria at Het Res

'La ballade des sardines – Die Liebe der Sardinen' by Robert Brambora at Sans tit

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