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'MOTHER & TONGUE' by Ieva Rojūtė at Editorial, Vilnius

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Ieva Rojūtė, HOW ARE YOU STILL ALIVE. MAYBE YOU SHOULD TALK TO YOUR THERAPIST ABOUT THIS. M  O  T  H  E  R   &   T  O  N  G  U  E, 2018

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Ieva Rojūtė, SO TELL ME NOW WHAT EXACTLY ARE THOSE PLANS OF YOURS??

PERHAPS GO TO  SOME HERBALIST I DON'T KNOW DRINK SOME TEAS, 2018

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Ieva Rojūtė, IEVA CAN YOU WRITE TO ME ONCE A WEEK ABOUT YOUR HEALTH, MOOD, LOVE LIFE, 2018

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Ieva Rojūtė, SO TELL ME NOW WHAT EXACTLY ARE THOSE PLANS OF YOURS??, 2018

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Exhibition view

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Ieva Rojūtė, IT'S GONNA END BADLY, 2018

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Exhibition view

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Exhibition view

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Exhibition view

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Ieva Rojūtė, WRITE ONE SENTENCE ABOUT HOW YOU ARE. FROM BAD TO WORSE, 2018

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Ieva Rojūtė, I HARDLY RECOGNIZED YOU, 2018

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Ieva Rojūtė, WHEN WE TALKED YESTERDAY I WAS THINKING ABOUT YOU FOR A LONG WHILE.

YOU SHOULD TAKE XANAX  FOR ABOUT A COUPLE OF MONTHS AND THEN YOU CAN DECIDE FOR YOURSELF IF YOU FEEL BETTER OR NOT, 2018

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Ieva Rojūtė, THIS TIME I DON’T ONLY WANT IT, 2018

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Ieva Rojūtė, BUT KNOW THAT I DO, 2018

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Exhibition view

"In my works, I explore connections between people, the family construct, conflicts in the individual’s identity and everyday folklore. The main themes I keep revisiting are the possibility of failure, misfortune, anxiety and fear. I’m interested in this insistent assertion of one experience at the expense of other experiences that we can see playing out in many of today’s touchy issues as well as personal lives. I take a trip across the collective subconscious, from childhood complexes to the most primeval common past or dreams.

I make use of street art aesthetic and, at first glance, it may seem like an infantile approach to accessing deep-seated and shared experiences. By deconstructing literature, abstract folklore, oral hybrids and dreams in my installations, I look for continuity and dialogue. When I take part in group exhibitions, I seek and respond to works that are put next to mine. At the same time, I want to discover and analyze folklore through personal experience, I am after new ways to turn a verbal construct into a space to go to. Usually the place is unpleasant, one where you would not want to linger. The main goal is to have my pieces resonate with the viewer and the space they’re put into.

Sweet Look is one of my latest attempts to trace the conflict between the supernatural and the human. The installation speaks of a human being in need of being rescued from something. I construct a certain message from personal experiences, diary entries, hearsay. It is not the first time I find myself in a role of questioning self-preservation (e.g., Vaikeli, tu pražūsi (You Will Perish, My Child), 2013, Abstraction Will Destroy You, 2017). The topic tends to haunt me and remind of itself via different channels.

For my MOTHER & TONGUE solo exhibition at Editorial, I would attempt to cure and kill neurotic phantasies, while listening to strange tips about how to survive or solve something." - Ieva Rojūtė

20.2.18 — 14.3.18

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'Rose Button' by Romain Vicari at Placement Produit, Aubervilliers

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'Die ZWEITE HAND' by Niclas Riepshoff at Stadium, Berlin

'Bit Rot' by Bob Bicknell-Knight at Broadway Studio and Gallery, Letchworth Garde

'ALL ONE' by MYLASHER / Tine Günther at The Complex, Dublin

'Jacques de Bascher', a Group Show at Treize, Paris

'Confusion is next and next after that is the truth' by Jonathan Castro Alejos at

'Dewdrop Toadstool Hopscotch' by Isabelle Adams at Garthim, Mattheissen State Par

Behrang Karimi at Zarinbal Khoshbakht, Cologne

'Selfing' by Elif Saydam at MÉLANGE, Cologne

'From the Xmas Tree of Lucy Bull 2', a Group Show at From the Desk of Lucy Bull,

'Lotosesser' by Ernst Yohji Jaeger at 15 Orient, New York

'Smile, angry lamb', a Group Show Curated by Ilya Smirnov at Daipyat, Voronezh

'Sleep Ambassador' by Joe Greer at Sinkhole Project, Baltimore

Screening: 'Last Page', a clip by Nicholas Matthew Elstran featuring a track from

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