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'I see (and other ways of saying I see what you mean)' by Julie Sas at All the best, Paris

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II see (and other ways of saying I see what you mean)
is an installation referring to a historic fact: at the end of the 17th century, in New France (present-day Canada), playing cards were used as payment currency. At that time, to compensate for the rarity of coins, the absence of printing as well as that of paper, ordinary playing cards, either whole or cut in two or four, with the word “good” written on their reverse acted as money. This financial instrument demonstrated the first appearance of French and North American fiduciary money. It also marked the rise of falsifications of currencies.

At the crossroads of installation, writing and performance, the practice of Julie Sas arranges spaces and situations around games of meaning, norms and identities that demonstrate a tension with linguistic or social data. Her recent works feature objects and bodies engaged in codified situations, particularly concerning the production of public discourses, forms of self-representation and quotation exercises. Through games of setbacks and tilting of values, they engage in processes of disembodiment, artificiality and desubjectivation that are part of a reflection on issues of identity and representation.

5.10.19 — 6.10.19

All the best

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'BUZZ' by Karina Mendreczky, Katalin Kortmann Járay at FKSE Studio of Young Artis

'Dieu' by Mélanie Matranga at High Art, Paris

'Fantasy Lands' by Maggie Dunlap & Allan Gardner at Collective Ending, London

'Dead Season' by Vitaly Bezpalov & Karina Azizova at Spas Setun, Moscow

'Duru Duru' by Stefano Serusi at Galleria Arrivada, Milan

'Ø' by Andrea Nacciarriti at DISPLAY, Parma

'Vore' by Jenkin van Zyl at Rose Easton, London

'Bigag & The Bando' by Theodor Nymark at aaaa Nordhavn, Copenhagen

'Mitla' by Andy Medina at Estrella Gallery, New York

'INSIDE OUT' by Poupak Sarah Shoughi at Herrretics, Derbyshire

'LIBERTY' by Débora Delmar at GALLLERIA PÌU, Bologna

'HEARTH' by Liam Denny at Greenhouse Off-Site, Melbourne

'CANDALÙ' by Rachele Maistrello at Almanac, Turin

'Thought-Forms' by Andy Ralph Presented by Final Hot Desert, Nephi, Utah

'The Laws Of Hospitality' by Travis John Ficarra at Lindberg Galleries, Melbourne

'Firmament' by Aaron Christopher Rees at NAP Contemporary, Mildura

'Take The Day Out In Baskets', Group Show at St. Chads, London

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