image text special

'Ardoise magique' by Ludovic Beillard & Angélique Aubrit at L’ECOLE, Touzac

article image; primary-color: #A19C96;
Exhibition view
article image; primary-color: #8554CA;
Angélique Aubrit, Ludovic Beillard, Ardoise magique, 2018
article image; primary-color: #5D5B5C;
Exhibition view
article image; primary-color: #B2A2AC;
Exhibition view
article image; primary-color: #DACAD4;
Exhibition view
article image; primary-color: #CFBCAE;
Ludovic Beillard, Farandole (dans la paille), 2018
article image; primary-color: #B5A7B6;
Angélique Aubrit, Wind chime (part of my memories ) 1, 2018
article image; primary-color: #A2929F;
Angélique Aubrit, Wind chime (part of my memories ) 2, 2018
article image; primary-color: #C8BCC8;
Angélique Aubrit, Wind chime (part of my memories ) 3, 2018
article image; primary-color: #E6DCE5;
Exhibition view
article image; primary-color: #CCB6A8;
Ludovic Beillard, L’amour impossible (dans la paille), 2018
article image; primary-color: #A796A8;
Angélique Aubrit, Wind chime (part of my memories ) 4, 2018
article image; primary-color: #9E8487;
Angélique Aubrit, Wind chime (part of my memories ) 2 (detail), 2018
article image; primary-color: #C1B0BA;
Angélique Aubrit, Wind chime (part of my memories ) 5, 2018
article image; primary-color: #CBBCC3;
Exhibition view
article image; primary-color: #CDB4A0;
Ludovic Beillard, Amour, soleil et tempête (dans la paille), 2018
article image; primary-color: #C3B2C4;
Exhibition view
article image; primary-color: #756872;
Exhibition view
article image; primary-color: #5D4753;
Exhibition view
article image; primary-color: #816679;
Angélique Aubrit, The witch, 2018
article image; primary-color: #ABA0AE;
Exhibition view
article image; primary-color: #B6A89F;
Exhibition view
article image; primary-color: #5E7DBE;
Angélique Aubrit, HOME, (stories of my village) 1, 2018
article image; primary-color: #A6959F;
Exhibition view
article image; primary-color: #BAB1B6;
Angélique Aubrit, HOME, (stories of my village) 2, 2018
article image; primary-color: #98849D;
Exhibition view
article image; primary-color: #C67B8F;
Angélique Aubrit, HOME, (stories of my village) 3, 2018
article image; primary-color: #9D7776;
Exhibition view
article image; primary-color: #CCBCBD;
Angélique Aubrit, HOME, (stories of my village) 4, 2018
article image; primary-color: #B9A09C;
Exhibition view
article image; primary-color: #BDAEB1;
Exhibition view
article image; primary-color: #D0B8B6;
Ludovic Beillard, Lundi (SOLEIL), 2018
article image; primary-color: #C6B4A6;
Exhibition view
article image; primary-color: #A6A394;
Ludovic Beillard, Mardi (SOLEIL), 2018
article image; primary-color: #C9BCB6;
Ludovic Beillard, Mercredi (SOLEIL) / Jeudi (SOLEIL), 2018
article image; primary-color: #C9B0B4;
Ludovic Beillard, Vendredi (SOLEIL) / Samedi (SOLEIL) / Dimanche (SOLEIL), 2018
article image; primary-color: #DFB8BD;
Ludovic Beillard, Vendredi (SOLEIL), 2018
article image; primary-color: #9E7875;
Exhibition view
article image; primary-color: #A67080;
Exhibition view
article image; primary-color: #AF7A8A;
Exhibition view
article image; primary-color: #DC9BA3;
Exhibition view
article image; primary-color: #BD8C90;
Ludovic Beillard, La boue mauve (orange), 2018
article image; primary-color: #958286;
Ludovic Beillard, Nuit blanche au parc royal, 2018
article image; primary-color: #AD857B;
Ludovic Beillard, Le bain de l’amour, 2018
article image; primary-color: #D7969E;
Exhibition view
article image; primary-color: #B87E7D;
Ludovic Beillard, Le terrible accident, 2018
article image; primary-color: #9E767E;
Ludovic Beillard, La belle foi du doute (des peaux d’oranges), 2018
article image; primary-color: #856558;
Exhibition view
article image; primary-color: #694835;
Exhibition view
article image; primary-color: #C2839E;
Exhibition view
article image; primary-color: #C67B8F;
Ludovic Beillard, La vie des oranges, 2018
article image; primary-color: #BA858F;
Exhibition view
article image; primary-color: #AB2C0B;
Exhibition view
article image; primary-color: #9E1B09;
Exhibition view
article image; primary-color: #B5200A;
Exhibition view
article image; primary-color: #B92B07;
Exhibition view
article image; primary-color: #C22C0B;
Exhibition view
article image; primary-color: #F54F03;
Angélique Aubrit, Letter to my village, 2018
article image; primary-color: #B52906;
Exhibition view
article image; primary-color: #AA220A;
Exhibition view
article image; primary-color: #881A0B;
Exhibition view
article image; primary-color: #C02C04;
Exhibition view
article image; primary-color: #59210A;
Exhibition view
article image; primary-color: #5F594B;
Exhibition view
article image; primary-color: #39342E;
Exhibition view
I don’t remember what you told me the last time we saw each other. You must be wondering what I’m doing here, right? Nothing other than the usual actually, I came to see the parents a bit, and then quickly leave. Noth- ing seems to have changed. Oh yeah! I had forgotten how beautiful the sunsets are here! I remember that I loved watching them for a long time, from my bedroom window’s ledge. I found their colors so beautiful that they could have only come from somewhere else. I imagined someone in the distance was there for something, some- one I could never meet. Every time I rethink of the past, it seems to have shifted, I don’t know if I dreamed it, if you’re lying or if I am. Yet I remember the pain I felt, as if it was yesterday, and it’s too much. I’m tired of answer- ing to your slaps. We each basically got what we wanted, and that’s fine. Let’s stop talking about it. Let’s go home now.

— Angélique Aubrit

8.12.18 — 20.1.19

Photo by Ludovic Beillard

L’ECOLE

'A Tinkling Sound', a Group Show at Kunsthalle Wichita

'I am Thankful to be a Ghost Now', a Group Show at Aldea Gallery, Bergen

PALAZZINA #03: Melanie Akeret, Haydée Marin, Hannes Zulauf at Palazzina, Basel

'Tiredness Quotes' by Barbora Zentková & Julia Gryboś at Karlin Studios, Prague

'New Psychedelia of Industrial Healing' by Sharona Franklin at King’s Leap, New Y

'Another Night in Dream City' by Seán Boylan at Stranger, Baltimore

'I SAW A CROW, ORCA WAS I' by Alison Yip at Monte Clark Gallery, Vancouver

'DIGESTING DUCK ENTRY LEVEL POSITION' by Isabelle Frances McGuire at From the Des

'Access Modes for Encountering Large Industrial Bodies' by Kitty Maria at Het Res

'La ballade des sardines – Die Liebe der Sardinen' by Robert Brambora at Sans tit

'Weathered Shabby Shabby Brenches: Vernal Festivity of the Four Clari' by MRZB at

'Rose Button' by Romain Vicari at Placement Produit, Aubervilliers

'리좀적 주문 Rhizomatic Spell', a Group Show at Kvalitář, Prague

'Die ZWEITE HAND' by Niclas Riepshoff at Stadium, Berlin

'Bit Rot' by Bob Bicknell-Knight at Broadway Studio and Gallery, Letchworth Garde

'ALL ONE' by MYLASHER / Tine Günther at The Complex, Dublin

'Jacques de Bascher', a Group Show at Treize, Paris

'Confusion is next and next after that is the truth' by Jonathan Castro Alejos at

More