Installation view
Installation view
Nils Alix-Tabeling, L'Éveil du Printemps, 2018
Nils Alix-Tabeling, L'Éveil du Printemps (detail), 2018
Motoko Ishibashi, bonded bodies, 2018
Installation view
Nils Alix-Tabeling, Limules, 2018
Nils Alix-Tabeling, Limules, 2018
Motoko Ishibashi, inner outer, 2018
Installation view
Installation view
Motoko Ishibashi, enter-exit, 2018
Installation view
Installation view
Motoko Ishibashi, small one, 2018 / hello world, 2018
Nils Alix-Tabeling, L'Oeil de Lilith; Corner Stone, 2018
Nils Alix-Tabeling, L'Oeil de Lilith; Corner Stone, 2018
Nils Alix-Tabeling, L'Oeil de Lilith; Corner Stone, 2018 (detail)
Nils Alix-Tabeling, L'Oeil de Lilith; Corner Stone, 2018 (detail)
Installation view
Motoko Ishibashi, cold blow, 2018
Séraphîta always has insects caught in her hair
tendrils, tentacles
twisting branches, spreading fingers into black sand
She scuttles, she folds herself over
blue-blooded, with a second skin
exo
two hairy legs
a long dorsal fin and spout
retractable claws
roots that cling and burrow
She inhales
we try to destroy
She exhales
what we cannot possess
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