image text special shop

'Protean Vessel(S)' at Ellis King, Dublin

article image; primary-color: #898A8C;
article image; primary-color: #8A9295;
article image; primary-color: #818380;
article image; primary-color: #AFB0B2;
article image; primary-color: #5F6D56;
article image; primary-color: #717777;
article image; primary-color: #959595;
article image; primary-color: #8A8E8F;
article image; primary-color: #B2C6C7;
article image; primary-color: #C1B9B6;
article image; primary-color: #B4AFAC;
article image; primary-color: #A4A5A7;
article image; primary-color: #9E9FA1;
article image; primary-color: #B3B3B3;
article image; primary-color: #9B9B9B;
article image; primary-color: #C4C3C1;
article image; primary-color: #A39797;
article image; primary-color: #C2C2C2;
article image; primary-color: #B5B4B2;
article image; primary-color: #7F948D;
article image; primary-color: #9FC3BF;
article image; primary-color: #4F6F60;
article image; primary-color: #3B5145;
article image; primary-color: #9FA1A0;
article image; primary-color: #8A8B8D;
article image; primary-color: #36353A;
article image; primary-color: #7F7F7F;

The Master was searching for a vessel to use; On the shelf there were many - which one would He choose? Take me, cried the gold one, I'm shiny and bright, I'm of great value and I do things just right. My beauty and luster will outshine the rest And for someone like You, Master, gold would be the best!

The Master passed on with no word at all; He looked at a silver urn, narrow and tall; I'll serve You, dear Master, I'll pour out Your wine And I'll be at Your table whenever You dine, My lines are so graceful, my carvings so true, And my silver will always compliment You.

Unheeding the Master passed on to the brass, It was widemouthed and shallow, and polished like glass. Here! Here! cried the vessel, I know I will do, Place me on Your table for all men to view.

Look at me, called the goblet of crystal so clear, My transparency shows my contents so dear, Though fragile am I, I will serve You with pride, And I'm sure I'll be happy in Your house to abide.

The Master came next to a vessel of wood, Polished and carved, it solidly stood. You may use me, dear Master, the wooden bowl said, But I'd rather You used me for fruit, not for bread!

Then the Master looked down and saw a vessel of clay. Empty and broken it helplessly lay. No hope had the vessel that the Master might choose, To cleanse and make whole, to fill and to use.

Ah! This is the vessel I've been hoping to find, I will mend and use it and make it all Mine. I need not the vessel with pride of its self; Nor the one who is narrow to sit on the shelf; Nor the one who is bigmouthed and shallow and loud; Nor one who displays his contents so proud; Not the one who thinks he can do all things just right; But this plain earthy vessel filled with My power and might.

Then gently He lifted the vessel of clay. Mended and cleansed it and filled it that day. Spoke to it kindly. There's work you must do, Just pour out to others as I pour into you.


— Beulah V. Cornwall

20.1.17 — 4.3.17

Doris Guo, Siera Hyte, Tobais Madison, Ebecho Muslimova, Grear Patterson, Emily Ludwig Shaffer, Hayley Silverman, Diamond Stingily

Ellis King

'The Host' by Pakui Hardware at eastcontemporary, Milan

'Chlamydomonas Nivalis' by Alberto Tadiello at Umberto Di Marino Gallery, Napoli

'The Centre' by Patrick Cole and Dominic Watson at Kupfer, London

'Ghost Member: Prosthesis/ Symbiosis as a shelter' by Naomi Maury at L'Assaut de

'I show you the signs of life' by Alina Izmaylova at Kerka gallery, Saint-Petersb

'I Don't Want No Trouble' by Lucas Erin at All Stars, Lausanne

'The Grime and the Schmutz' by Béla Feldberg at Jo-Anne, Frankfurt am Main

'Night of Hinnā' by Monia Ben Hamouda at Bungalow, ChertLüdde, Berlin

'Getting Down to Business' by Rebecca Rothenborg at Galerie Roland Puschitz, Vien

'Why Me?' by Pietro Agostoni at Associazione Barriera, Turin

'Holloway - ‘Das Gift’ is a Gift' by Céline Struger at Loggia, Vienna

'Under the Moon' Group Show at Camp Eternal Hell Chamber, New York

'SUPER-NATURAL', Group Show at OLHÃO, São Paulo

'Body Electric' by Zuza Golinska at Galerie Anton Janizewski, Berlin

'Almost Collapsing Balance' by Liao Wen at Capsule Shanghai

Curated by: 'HARDCORE FREEDOM' by Esben Weile Kjær at Zeller van Almsick, Vienna

anonymous, naïve ca. 1970– at Money Gallery, Saint Petersburg

'Real Life Shoes', Group Show at Atelierhaus Klingental, Basel

Next Page