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Brigid Moore, 5 Cats (teal), 2020 / 7.5”x12”, Watercolor on canvas paper
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Brigid Moore, 10 Cats (pink), 2020 / 7.5”x12”, Watercolor on canvas paper
Chris Retsina, A Very Busy Street Corner, 2019 / 18”x24”, Acrylic on paper
Chris Retsina, I Got a DJ in My Bedroom, 2019 / 9”x12”, Crayon on paper
Chris Retsina, Siobhan Breaking My Nose in Elisabeth New Jersey, 2019 / 18”x24”, Acrylic on paper
Didi Rojas, Sometimes you just have to make what you want to have, 2018 / 20”x8”x10” (each), Ceramic
Didi Rojas, Yes, *clears throat* I went to art school #2, 2020 / 18”x9”x11” Ceramic
Didi Rojas, Yes, *clears throat* I went to art school #3, 2020 / 15x8x18, Ceramic
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Diego Groisman, Si (a propÓsito), 2018 / 10” x 14”, Watercolor on Arches paper
Diego Groisman, PreparaciÓn 1 - w/ la Abby, 2019 / 10”x 14”, Watercolor on Arches paper NFS
Exterior
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Lucia Love, You Must Be This Magic To Ride, 2020 / 18”x24”, Oil on canvas over panel NFS
Lucia Love, Fairhaven Girl, 2020 / 24”x60”, Oil on canvas
Miles Shelton, Page 37 from the price is right Book 1, 2018 / 14”x18”, Acrylic on canvas board
Miles Shelton, Page 24 from the price is right Book 1, 2018 / 14”x18”, Acrylic on canvas board
Miles Shelton, Page 36 from the price is right Book 1, 2018 / 14”x18”, Acrylic on canvas
Morgan Blair, "I forget what I was gonna say. Totally blanking. Something about Fudruck- no, it's gone. I thought I had it but it's gone.”, 2020 / 16”x16” (round), Oil pastel on linen over panel
Exterior
Paul Torres, Venice Beach Musicians 2, 2010 / 14”x18”, Oil on wood
Paul Torres, Wrongful Conviction, 2020 / 11”x17”, Acrylic, ballpoint pen, on wood
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Stephanie Boyce, Untitled (Red Shoe), 2020 / 8.5”x11”, Marker on inkjet paper mounted on archival binders board
Vanessa Gully Santiago, A Single, 2015 / 40”x30”, Graphite on paper
Installation view
Installation view
The title ‘Red Shoes’ is inspired by the famous quote ‘They can get you in East Hampton for wearing red shoes on a Thursday’ by Little Edie, the heroin of the 1975 documentary ‘ Grey Gardens .’ When ‘Little Edie’ made this statement, she was referring to the pressure to adhere to the puritanical code of a conservative town. Living in her dilapidated oasis, ‘STAUNCH’ Little Edie, in her ‘revolutionary costumes’ has become a ‘non conformist’ icon – especially in the bourgeoisie Hamptons where she and her mother spent so many years. East Hampton Tow envisions the space as Little Edie’s secret treasure trove filled with haunting memories and precious items. For ‘Red Shoes’, we strive to capture some of her spirit in our bright red shed on wheels, ‘in East Hampton, on a Thursday ‘ (on Newtown Lane, EH, August 13th, 6-8PM)
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