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'Sunshine' by Kanrec Sakul at VUNU Gallery, Košice

Light moves. Colors move as well.
They got shapes. Vivid lines in the light.
Colors have boundaries. This is how we recognise them.
Sometimes one colour becomes another.
Everything depends on the environment.
Colors might not exist but then there would be nothing.
There is no difference between color and light.
A light too bright can burn your eyes.
I do not like long nights. I regret it when I oversleep in the morning.
For my eyes, morning is the most pleasant time of the day
Morning is the ideal time for painting.
You can see the Sunshine.

— Kanrec Sakul

9.9.20 — 29.9.20

Part of Display Košice 2020 exhibition series, curated by Nikolas Bernáth

VUNU Gallery

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'CHARLES MANSON, TIMOTHY LEARY & THE RATS OF NIMH', Group Show at 4649 Gallery, T

'Fantastic Epiphany' by Malwine Stauss & Naiyun Yang at La Felce, Cologne

'Corporate values by Misha Gudwin at Supermetall, Moscow

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'Victim of Cosmetics' by Claire Barrow in a repurposed office space, London

'Digital Anomalies' by Nicolás Lamas at FORM, Wageningen

'IT'S DIFFICULT TO EXPLAIN SO I STAY QUIET' by Lukas Glinkowski at Galería Fran R

'The place that can never be' by Anna Taganzeva at Plague Space, Krasnodar

'Chocolate Goblin' by Travis John Ficarra at Glasshouse, Victoria

'MILITARY POP', Group Show at Spas Setun, Moscow

TARGET GROUP SHOW, conceived by Hannes Schmidt at BRAUNSFELDER, Cologne

'DISTIRA' by Irati Inoriza at Galeria Fran Reus, Palma de Mallorca

'Underground Memorandum' by Richard Nikl at Shore, Vienna

'All Watched Over by Emissaries of Loving Grace' by Louis Morlæ at Duarte Sequeir

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'Sizzling Hot' by Rosa Lüders at 14a, Hamburg

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