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'Sunshine' by Kanrec Sakul at VUNU Gallery, Košice

Light moves. Colors move as well.
They got shapes. Vivid lines in the light.
Colors have boundaries. This is how we recognise them.
Sometimes one colour becomes another.
Everything depends on the environment.
Colors might not exist but then there would be nothing.
There is no difference between color and light.
A light too bright can burn your eyes.
I do not like long nights. I regret it when I oversleep in the morning.
For my eyes, morning is the most pleasant time of the day
Morning is the ideal time for painting.
You can see the Sunshine.

— Kanrec Sakul

9.9.20 — 29.9.20

Part of Display Košice 2020 exhibition series, curated by Nikolas Bernáth

VUNU Gallery

Episode 6: 'Morning' by Plague & Dharma Initiatives at Novorossiysk, Russia 

'Luna Calante', a Group Show Curated by Edoardo Manzoni and Giada Olivotto at Res

'Lip and Neck' by Samuel Hindolo at 15 Orient, New york

Dane Sutherland in conversation with Samuel Capps

'STRŽ / THE RAVINE' by Filip Dvořák at Luxfer Gallery, Česká Skalice

'cunt waifu' by Catalina Ouyang at Lyles & King, New York

'Saint Andrew's Vision of the Great Trek' by Andrew Gilbert at SPERLING, Munich

'MMM', Group Show at AQB mines/ Art Quarter Budapest

'even grass gets lonely', Group Show at darkZone, New Jersey

'When We’re Gone' by Pedro Matos at Pal Project, Paris

'a room, two rooms' by Ana Manso & Max Ruf at Kunsthalle Freeport, Porto

'The Ghost in Me' by Bri Williams at Murmurs, Los Angeles

'Softpop II' by Cytter/Roebas (Keren Cytter and John Roebas) at Schiefe Zähne, Be

'
Ode to the Shitty Situations and Tragicomic Events in an Artist’s Life' by Mich

'GOWTHER', Off-Site Group Show at Bottega Storica Vincioni, Rome

'Dwelling', Group Show Curated by Christina Gigliotti at Šopa Gallery, Košice

'Shedding the Third Skin', Group Show Curated by Ben Sang at Final Hot Desert, Mi

'DIO C’È', Group Show at Ultrastudio, Pescara

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