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Tomas Sinkevičius and Viltė Bražiūnaitė at Editorial, Vilnius

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A low growling sound breaks the silence. The monster comes gliding up out through the gates, dripping water from its gleaming surface. There are still a few dents and dings in it, but the broken glass has all been replaced. The shape is as smooth as a raindrop and the engine sounds fine.

If you can read this I’m about to hit the brakes. ~bumper sticker~

Tomas Sinkevičius and Viltė Bražiūnaitė are collaborating together since 2014. In their artistic practice, they are looking how nature has been affected by economic and technosocial processes. This year they have participated in the 6th Moscow Young Biennale, a solo exhibition at Studio17, Stavanger, Norway and in group exhibitions at Manage, Moscow, Russia and Kunsthalle Wien, Vienna, Austria.

22.10.18 — 23.11.18

Photo by Laurynas Skaisgiela

Editorial

'Extra Medium' by Vladislav Markov at Spazio ORR, Brescia

'Her Own Devices' by Laurie Kang at Franz Kaka, Toronto

'THE MOUTH OF THE GIFTED HORSE' by Wisrah Villefort at Goswell Road, Paris

'FRESH' by Rune Bering and Kevin Josias at Tableau, Copenhagen

Armen Avanessian: ‘So let us ask, why we still call this a capitalist world?’

'Dream again of better Generationenvertrag' by Niklas Taleb at Lucas Hirsch, Duss

'TOYS' by Jascha Schieche at FONDA, Leipzig

'YOU ARE HERE' by Linda Lerseth at Podium, Oslo

'Space Almond Head Void' by Sasha Auerbakh at GOMO, Vienna

'UwU' by Tea Strazicic at ung5, Cologne

'Friends Objects' by Helin Alas at Loggia, Munich

'Talent Didn’t Bring Me Here' by Günther Möbius at BPA Space, Cologne

'P**** B**** ARENA' by Isabelle Frances McGuire at Good Weather (Hosted by Et al.

'Flat Tire' by Janis Dzirnieks at Robert Fruinstraat 56, Rotterdam

'Sheets of Past and Layers of Reality', a Group Show at Hoib, Tallinn

Garden Cult Triennale, Chapter I: Sopot, Poland

'踢館 Tek Kwun' at Tai Kwun Centre for Heritage and Arts, Hong Kong

'Theological Time, Mean Landscape, Circumcision Throne, Burping Bird, Auto-censur

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