image text special

'Two 4 One', a Group Show at BWA Zielona Góra

article image; primary-color: #BCA9A2;
Installation view
article image; primary-color: #C1B5A5;
Installation view
article image; primary-color: #B4A699;
Installation view
article image; primary-color: #B5A79A;
Installation view
article image; primary-color: #B7A493;
Installation view
article image; primary-color: #B5A596;
Antoine Donzeaud, Polish Swag (1, 2, 3), 2017
article image; primary-color: #C7B59F;
Antoine Donzeaud, Polish Swag (1, 2, 3), 2017
article image; primary-color: #C9BAA7;
Installation view
article image; primary-color: #C2B0A2;
Installation view
article image; primary-color: #C4BBAC;
Cezary Poniatowski, Love Stronger Than Death, 2016
article image; primary-color: #BDB3A7;
Installation view
article image; primary-color: #C1BCB6;
Antoine Donzeaud, Untitled Life Lessons (Robin, Kendrick & Kanye), 2017
article image; primary-color: #797778;
Antoine Donzeaud, Untitled Life Lessons (Robin, Kendrick & Kanye), 2017
article image; primary-color: #BCB3A2;
Installation view
article image; primary-color: #B29B8B;
Alex Rathbone, Little Wing / Blackbird, 2017
article image; primary-color: #946F55;
Alex Rathbone, Little Wing / Blackbird, 2017
article image; primary-color: #614931;
Alex Rathbone, Little Wing / Blackbird, 2017
article image; primary-color: #B59E8E;
Alex Rathbone, Little Wing / Blackbird, 2017
article image; primary-color: #DDD3C7;
Cezary Poniatowski, Untitled (Johnny Favourite), 2017
article image; primary-color: #DEE0DF;
Antoine Donzeaud, Untitled Light Box, 2017
article image; primary-color: #B1A398;
Installation view
article image; primary-color: #BEA996;
Antoine Donzeaud, Polish Swag (1, 2, 3), 2017
article image; primary-color: #D3C3B3;
Antoine Donzeaud, Polish Swag (1, 2, 3), 2017
article image; primary-color: #988678;
Installation view
article image; primary-color: #8C7972;
Installation view
article image; primary-color: #575B5E;
Alex Rathbone, Little Wing / Blackbird, 2017
article image; primary-color: #ADA397;
Installation view
article image; primary-color: #C1B9AE;
Dominika Olszowy, Documentation of Seance 97’, 2011
article image; primary-color: #DED2C2;
Installation view
article image; primary-color: #D1C4B4;
Cezary Poniatowski, Untitled (Johnny Favourite), 2017
article image; primary-color: #948C7F;
Cezary Poniatowski, Untitled (Johnny Favourite), 2017
article image; primary-color: #D9D2CC;
Antoine Donzeaud, Credibility, 2017
article image; primary-color: #D5CEC6;
Cezary Poniatowski, When I Awake I Don’t See The Motherfucker, 2017
article image; primary-color: #9F9589;
Cezary Poniatowski, When I Awake I Don’t See The Motherfucker, 2017
article image; primary-color: #988B7B;
Cezary Poniatowski, When I Awake I Don’t See The Motherfucker, 2017

You wanted to become a creative leader with a strong vision. Think of people who create exceptional things at a strategic and creative level. The same goes for these, who constantly change all the rules in the market. They are visionaries, but are very involved in the details at the same time. Real builders. You wanted to be one of them.

It started with the click of a button which was often enough to let others know you liked them. You could be liked back for it. Posting a photo of your favourite’s artist piece was easy. But making an art piece required certain skills and a bit of flair. More and more you had become fond of less popular channels that you could use without being obliged to actually double check before releasing anything there, as there were almost no appreciation, neither dislikes from the other users. You were familiar with niche outlets that had almost zero subscribers. You started to think of becoming an artist yourself. You decided to secretly keep track of one, when he was working on an exhibition. He used various media and had an outspoken position because of the recent work. He has been also widely presented in institutional venues and amongst the art fairs. With a great feedback it leaded him to the leading position. The exhibitions he was working on were planned much in advance and all of them had a curator, a text and reception. Everything seemed to be going great also in this case. Except for the budget which was less than pitiful.

27.10.17 — 26.11.17

Dominika Olszowy, Alex Rathbone, Antoine Donzeaud, Cezary Poniatowski

Curated by Romuald Demidenko

Photo by Marek Lalk

BWA Zielona Góra

'INTO A GRAVEYARD FROM ANYWHERE' by Mary-Audrey Ramirez at Dortmunder Kunstverein

'eat & becʘ̃me' by Silas Inoue at Augustiana, Augustenborg

'A Californian Plumber' by Agnieszka Szostek at Fugitif, Leipzig

'Shelter of Trust' by Klára Švandová and Ondřej Doskočil at TiK Cold Space, Riga

'The Weakest Nest Robber' by David Fesl at Karlin Studios, Prague

'Larry Farmer' by Tyler Macko at No Place, Columbus

'Unrealism' by Omsk Social Club at Kunstraum Kreuzberg/Bethanien, Berlin

'Retoucher´s abilities' by Alex Selmeci and Tomáš Kocka Jusko at Berlinskej Model

'ThirstyJurisdictionsDesireOutside' by DDaS at A.D., New York

'Longue-Fâme', Off-Site Show by Lia Pradal & Camille Tallent, 42.901730, 1.346770

'Arthur Phillip puts his head down, Barangaroo 1788' by Allan Rand at CHAUFFEUR,

'Dystopian Realism', a Group Show Curated by Václav Janoščík at Cursor Gallery, P

'heute denken, morgen fertig' by Grégory Sugnaux with Camille Kaiser, Christophe

'TTOA: Native Arrangement II' by Kai (Kari) Altmann at Final Hot Desert, Rozel Po

'Hairy earthtongue, weeping toothcrust, fairy rings', a Group Show at FUTURA, Pra

'Crosspollination' by Yein Lee & Ivan Pérard at Loggia, Vienna

'Thread Art Paintings' by Sal Salandra at East Hampton Shed on Wheels

'Blue Period' by Giulia Essyad at Lokal-Int, Biel

Next Page