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'Two 4 One', a Group Show at BWA Zielona Góra

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Antoine Donzeaud, Polish Swag (1, 2, 3), 2017
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Antoine Donzeaud, Polish Swag (1, 2, 3), 2017
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Cezary Poniatowski, Love Stronger Than Death, 2016
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Antoine Donzeaud, Untitled Life Lessons (Robin, Kendrick & Kanye), 2017
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Antoine Donzeaud, Untitled Life Lessons (Robin, Kendrick & Kanye), 2017
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Alex Rathbone, Little Wing / Blackbird, 2017
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Alex Rathbone, Little Wing / Blackbird, 2017
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Alex Rathbone, Little Wing / Blackbird, 2017
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Alex Rathbone, Little Wing / Blackbird, 2017
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Cezary Poniatowski, Untitled (Johnny Favourite), 2017
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Antoine Donzeaud, Untitled Light Box, 2017
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Antoine Donzeaud, Polish Swag (1, 2, 3), 2017
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Antoine Donzeaud, Polish Swag (1, 2, 3), 2017
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Alex Rathbone, Little Wing / Blackbird, 2017
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Dominika Olszowy, Documentation of Seance 97’, 2011
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Cezary Poniatowski, Untitled (Johnny Favourite), 2017
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Cezary Poniatowski, Untitled (Johnny Favourite), 2017
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Antoine Donzeaud, Credibility, 2017
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Cezary Poniatowski, When I Awake I Don’t See The Motherfucker, 2017
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Cezary Poniatowski, When I Awake I Don’t See The Motherfucker, 2017
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Cezary Poniatowski, When I Awake I Don’t See The Motherfucker, 2017

You wanted to become a creative leader with a strong vision. Think of people who create exceptional things at a strategic and creative level. The same goes for these, who constantly change all the rules in the market. They are visionaries, but are very involved in the details at the same time. Real builders. You wanted to be one of them.

It started with the click of a button which was often enough to let others know you liked them. You could be liked back for it. Posting a photo of your favourite’s artist piece was easy. But making an art piece required certain skills and a bit of flair. More and more you had become fond of less popular channels that you could use without being obliged to actually double check before releasing anything there, as there were almost no appreciation, neither dislikes from the other users. You were familiar with niche outlets that had almost zero subscribers. You started to think of becoming an artist yourself. You decided to secretly keep track of one, when he was working on an exhibition. He used various media and had an outspoken position because of the recent work. He has been also widely presented in institutional venues and amongst the art fairs. With a great feedback it leaded him to the leading position. The exhibitions he was working on were planned much in advance and all of them had a curator, a text and reception. Everything seemed to be going great also in this case. Except for the budget which was less than pitiful.

27.10.17 — 26.11.17

Dominika Olszowy, Alex Rathbone, Antoine Donzeaud, Cezary Poniatowski

Curated by Romuald Demidenko

Photo by Marek Lalk

BWA Zielona Góra

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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