image text special shop

'Water Striders' by Monika Janulevičiūtė & Antanas Lučiūnas at Editorial, Vilnius

article image; primary-color: #DBA777;
Exhibition view
article image; primary-color: #E8D2BA;
Monika Janulevičiūtė & Antanas Lučiūnas, excerpt from The Great Outdoors, 2019
article image; primary-color: #F8DCB4;
Monika Janulevičiūtė & Antanas Lučiūnas, excerpt from The Great Outdoors, 2019
article image; primary-color: #DCB187;
Monika Janulevičiūtė & Antanas Lučiūnas, Acacia & Sessile, 2019
article image; primary-color: #D2A181;
Monika Janulevičiūtė & Antanas Lučiūnas, Belly, 2019
article image; primary-color: #C7936C;
Exhibition view
article image; primary-color: #CE975E;
Exhibition view
article image; primary-color: #383933;
Monika Janulevičiūtė & Antanas Lučiūnas, Water Striders, 2019
article image; primary-color: #525355;
Monika Janulevičiūtė & Antanas Lučiūnas, Water Striders, 2019
article image; primary-color: #D9AC82;
Monika Janulevičiūtė & Antanas Lučiūnas, Charms SAVE YOURSELF, 2019
article image; primary-color: #E3B68C;
Monika Janulevičiūtė & Antanas Lučiūnas, Charms SAVE YOURSELF, 2019
article image; primary-color: #DCB490;
Monika Janulevičiūtė & Antanas Lučiūnas, Charms SAVE YOURSELF, 2019

As long as we stay in touch, I will be able to fill you in with the specifics. Turn towards Fence Needle and the dried-out bridge. See, the rivulet dividing moorland stops.

A silence has set in. Everything clings and gets stuck on the documented remains and pauses of our encounters. As familiar as it was – it is excessively mottled with greed – futile to cross. Oblivion feasts on the ring of our languages. We assume this to be perpetual. Nevertheless, we are inexhaustible, each of us is already a congregation. – J. Bugloss Joyweed

The multitudes of annihilated things breathing, recuperating. Processes of aches and scabbing gaining consciousness back. Through scorched bark but still walking. The survival of all the sleek slides and collaborators. Soaring in cream pillows. Curls and speckles of primitive life etched repetitiously. Gold- coated stainless echo chambers. Insoluble, energy storages coagulating. Space time markers, arrow distance isolates.

Mock–Cypress, while stroking Lilly Fence: GOATKIN LILIPUT ALONG THE GRAIN AND WOOSH YOU DON’T WANT ME STAY GRAFTED WILTED DUMBSTRUCK WHEAT HEATHOLE DIG DOCK DEEPER CRADLE CAPPED CRUSTY CUNTS SCORN SHUN THOSE SODDING INBRED STRIDERS

The sand-sized thoughts prod and cramp life. Bodies decelerate and tingle. Hedges, bushes, ponds and orchards endure. Sequester it. They leap forward with a snickering grin across the reflections of stems, shafts and spores, pit stops and inventories.

A year can hold any number of seasons. Everything is alive as a warm foggy dew, intensely resinous, sickly-sweet.

5.9.19 — 3.10.19

Photo by Laurynas Skeisgiela

Editorial

'MAJOR' by Josip Novosel at Stadium, Berlin

'Process' by Vanya Venmer at Plague Space, Krasnodar

Leaks, part of Episode 7 'Un soffio pestifero nel cielo nero della notte, una can

'Active cycles of constant expansions' by Facundo Jesus Lugea at Nighttimestory,

'Automatic Wag', Off-Sete Group Show Curated by Joe Greer in Mafera Dog Park

'Coagulation' by Jack Ryan at Baader-Meinhof, Omaha

'only only makes sense if there’s nothing else' by Taka Kono at darkZone, New Jer

'CHERNOBYL PAPERS' by New Scenario, an online group exhibition inside the core zo

'Grind' by Genevieve Goffman at Money Gallery, Saint-Petersburg

'Safety in Numbers (SIN)' by Michael Dikta & Philip Markert at Am Ende des Tages,

'Diluvial Valleys' by Anastasia Sosunova at Swallow, Vilnius

'Field of Flowers' by Anna Taganzeva-Kobzeva at Fabula Gallery, Moscow

'WEBWAY' by Jennifer Mathews and Mia Middleton at Haydens Gallery, Melbourne

'Body Without Organs
' by Matt Smoak at BAD WATER, Knoxville

'Aladdin Kebab', Group Show Curated by TZVETNIK at llil.space, Rostov-on-Don

'Squeaky Beach' by Collective Disgrace (Ilana Winderickx, Sophie Conus, Pablo Rez

'Session N1 Distant touch' by Sasha Gosmant and Olesia Lavrinenko at Daipyat, Vor

'...schläft sich durch' by Elif Saydam at Kunstverein Harburger Bahnhof, Hamburg

Next Page