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'Water Striders' by Monika Janulevičiūtė & Antanas Lučiūnas at Editorial, Vilnius

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Exhibition view
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Monika Janulevičiūtė & Antanas Lučiūnas, excerpt from The Great Outdoors, 2019
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Monika Janulevičiūtė & Antanas Lučiūnas, excerpt from The Great Outdoors, 2019
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Monika Janulevičiūtė & Antanas Lučiūnas, Acacia & Sessile, 2019
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Monika Janulevičiūtė & Antanas Lučiūnas, Belly, 2019
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Exhibition view
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Exhibition view
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Monika Janulevičiūtė & Antanas Lučiūnas, Water Striders, 2019
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Monika Janulevičiūtė & Antanas Lučiūnas, Water Striders, 2019
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Monika Janulevičiūtė & Antanas Lučiūnas, Charms SAVE YOURSELF, 2019
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Monika Janulevičiūtė & Antanas Lučiūnas, Charms SAVE YOURSELF, 2019
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Monika Janulevičiūtė & Antanas Lučiūnas, Charms SAVE YOURSELF, 2019

As long as we stay in touch, I will be able to fill you in with the specifics. Turn towards Fence Needle and the dried-out bridge. See, the rivulet dividing moorland stops.

A silence has set in. Everything clings and gets stuck on the documented remains and pauses of our encounters. As familiar as it was – it is excessively mottled with greed – futile to cross. Oblivion feasts on the ring of our languages. We assume this to be perpetual. Nevertheless, we are inexhaustible, each of us is already a congregation. – J. Bugloss Joyweed

The multitudes of annihilated things breathing, recuperating. Processes of aches and scabbing gaining consciousness back. Through scorched bark but still walking. The survival of all the sleek slides and collaborators. Soaring in cream pillows. Curls and speckles of primitive life etched repetitiously. Gold- coated stainless echo chambers. Insoluble, energy storages coagulating. Space time markers, arrow distance isolates.

Mock–Cypress, while stroking Lilly Fence: GOATKIN LILIPUT ALONG THE GRAIN AND WOOSH YOU DON’T WANT ME STAY GRAFTED WILTED DUMBSTRUCK WHEAT HEATHOLE DIG DOCK DEEPER CRADLE CAPPED CRUSTY CUNTS SCORN SHUN THOSE SODDING INBRED STRIDERS

The sand-sized thoughts prod and cramp life. Bodies decelerate and tingle. Hedges, bushes, ponds and orchards endure. Sequester it. They leap forward with a snickering grin across the reflections of stems, shafts and spores, pit stops and inventories.

A year can hold any number of seasons. Everything is alive as a warm foggy dew, intensely resinous, sickly-sweet.

5.9.19 — 3.10.19

Photo by Laurynas Skeisgiela

Editorial

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'THE MOUTH OF THE GIFTED HORSE' by Wisrah Villefort at Goswell Road, Paris

'FRESH' by Rune Bering and Kevin Josias at Tableau, Copenhagen

Armen Avanessian: ‘So let us ask, why we still call this a capitalist world?’

'Dream again of better Generationenvertrag' by Niklas Taleb at Lucas Hirsch, Duss

'TOYS' by Jascha Schieche at FONDA, Leipzig

'YOU ARE HERE' by Linda Lerseth at Podium, Oslo

'Space Almond Head Void' by Sasha Auerbakh at GOMO, Vienna

'UwU' by Tea Strazicic at ung5, Cologne

'Friends Objects' by Helin Alas at Loggia, Munich

'Talent Didn’t Bring Me Here' by Günther Möbius at BPA Space, Cologne

'P**** B**** ARENA' by Isabelle Frances McGuire at Good Weather (Hosted by Et al.

'Flat Tire' by Janis Dzirnieks at Robert Fruinstraat 56, Rotterdam

'Sheets of Past and Layers of Reality', a Group Show at Hoib, Tallinn

Garden Cult Triennale, Chapter I: Sopot, Poland

'踢館 Tek Kwun' at Tai Kwun Centre for Heritage and Arts, Hong Kong

'Theological Time, Mean Landscape, Circumcision Throne, Burping Bird, Auto-censur

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