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'You are a little soul carrying about a corpse' by Zuza Piekoszewska at Galeria Łęctwo, Poznań

Maybe it’ll be better one day, when we meet, once again, in a future that’ll look like the past, like the times when life was just about to form. Technology will never be as we know it now, and its effects will become overly apparent. It’ll be the time when the figments of our minds, abstract thoughts and forces gain a physical, objectivized representation, and we will be ultimately capable of perceiving them. Some of us will be finally able to realize them. Our old and fatigued youngling bodies were found to be ill-adapted to the tasks our reality has brought about for us. Apparently, technological progress spreads faster than evolution can handle. The ailments that were once a load, have freed our minds through pain. We have conveniently wrapped ourselves in a shell. Through eyeholes, we observe what is left of us, trying to create something we’ve never been ready for before. Our goo-filled bodies gave birth to insects that, similarly to the objects we once used, adopted our transformations and our handicaps. Their struggles are not ours anymore, although empathy creates an opportunity for development for everyone alike. Only now have we realized the importance of this relationship. The future undoubtedly appears to be more metaphysical than the past. Perhaps it’ll be better one day, when we finally return to the caves and when we’re not ashamed of it. We’ll no longer be frightened by what we see, we’ll no longer be sorrowful because we’re are not present anymore. Baffled by the direction our existence chose to pursue, we will watch ourselves as we dance around at a strange feast for old creatures.

— Przemek Sowiński

24.7.20 — 15.9.20

Curated by Przemek Sowiński

Galeria Łęctwo

'The most weirdest things, make the most beautiful pictures' by Michael Bussell &

'Time Keepers' by Johanna Odersky at Intersticio, London

'Bliss' by Ellande Jaureguiberry at A.ROMY, Geneva

The Naked Girl Walking Backwards Like Crayfish' by Chloé Arrouy at NEVVEN ON SI

'Sloan' by Joseph Kusendila at Kantine, Brussels

'Grommets' by Rasmus Røhling at C.C.C., Copenhagen

'Goggelmoggel' by Lukas Schneider at Regatta 2, Dusseldorf

'Catacombs of Love' by Sylbee Kim at MÉLANGE, Cologne

'Kündigung' by Jannis Marwitz at Lucas Hirsch, Dusseldorf

'Fantasy Finery', a Group Show at Berlínskej model, Prague

'A curse in disguise' by Adam Cruces at Disneyland Paris, Melbourne

' by Kaspars Groševs at Noass, Riga

'Bracket Sentiment And The Technicolor Yawn' by Sophie Serber at Shore, Vienna

‘Exception of (not) being’, Online Show Curated by Essenza Club and Rhizome Parki

'Energy Systems / 3: Safe in the Front End' by Joachim Coucke & Lasse Hieronymus

'Giantess' by Rose Dickson at Melanie Flood Projects, Portland

'Lieber Nackt Als Gefühlsleben' by David Ostrowski at JIR SANDEL, Copenhagen

'This Land is Your Land' by Andre Yvon at darkZone, New Jersey

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