image text special shop

'YOU ARE HERE' by Linda Lerseth at Podium, Oslo

In recent years, Linda Lerseth has developed a collage-like sculptural practice characterized by a fine balance between elements of careful, planned procedures and decisions that appear to actively sabotage order. These counterproductive decisions consist of interrupting established methods of manufacturing, and forcing together representational elements which seem to repulse one another. Through her relentless commitment to communicate a spontaneous presence, Lerseth has become an artist who can be relied on for a consistent delivery of collapsed messages and fresh deception.

Lerseth’s work provides the willing crowd with the joy of processing. But in order to access the thrill of everlasting interpretation that she offers, there are a few preconditions that need to be in place. First, a capacity to take pleasure in a collapse in communication will come in handy. In other words, a high tolerance for inefficiency and the tendency to dwell in it. In fact, a slight masochistic delight in being interrupted will take you a long way. If, on top of that, you consider yourself as both pessimistic and optimistic, while being sympathetic to rash decisions, you are all set.

Excerpt from “You’ve Been Served” - exhibition text by Halvor Rønning

19.6.20 — 12.7.20

Podium

'MAJOR' by Josip Novosel at Stadium, Berlin

'Process' by Vanya Venmer at Plague Space, Krasnodar

Leaks, part of Episode 7 'Un soffio pestifero nel cielo nero della notte, una can

'Active cycles of constant expansions' by Facundo Jesus Lugea at Nighttimestory,

'Automatic Wag', Off-Sete Group Show Curated by Joe Greer in Mafera Dog Park

'Coagulation' by Jack Ryan at Baader-Meinhof, Omaha

'only only makes sense if there’s nothing else' by Taka Kono at darkZone, New Jer

'CHERNOBYL PAPERS' by New Scenario, an online group exhibition inside the core zo

'Grind' by Genevieve Goffman at Money Gallery, Saint-Petersburg

'Safety in Numbers (SIN)' by Michael Dikta & Philip Markert at Am Ende des Tages,

'Diluvial Valleys' by Anastasia Sosunova at Swallow, Vilnius

'Field of Flowers' by Anna Taganzeva-Kobzeva at Fabula Gallery, Moscow

'WEBWAY' by Jennifer Mathews and Mia Middleton at Haydens Gallery, Melbourne

'Body Without Organs
' by Matt Smoak at BAD WATER, Knoxville

'Aladdin Kebab', Group Show Curated by TZVETNIK at llil.space, Rostov-on-Don

'Squeaky Beach' by Collective Disgrace (Ilana Winderickx, Sophie Conus, Pablo Rez

'Session N1 Distant touch' by Sasha Gosmant and Olesia Lavrinenko at Daipyat, Vor

'...schläft sich durch' by Elif Saydam at Kunstverein Harburger Bahnhof, Hamburg

Next Page