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Graham Harman: ‘Some people may be using ‘weird’ in a wider sense than I normally do. For me, the weird has a precise technical sense: a situation in which objects exist in tension with their own qualities rather than being reducible to them. Admittedly, this is also how I define aesthetics more generally, so for me there is a bit of weirdness in all genuine aesthetic experience’.
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Fabio Santacroce: ‘Even the most progressive artistic ambition ended up in being cannibalized and has perpetuated the dominant patriarchal western-centrist colonial model. We are all trapped and we are all contributing to a mythology that frantically tries to unravel itself, seeking for absolution and fortifications, between common sense, academia, institutionalization and mystification’.
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