image text special shop

'Accidental Encounters', a Group Show Curated by Hyperlink at Grace, Athens

article image; primary-color: #93A3B3;
article image; primary-color: #8F9FAC;
article image; primary-color: #899999;
article image; primary-color: #A9C3D4;
article image; primary-color: #A3B5CD;
article image; primary-color: #9DA8BE;
article image; primary-color: #C5DBF2;
article image; primary-color: #9DB6CA;
article image; primary-color: #D0D5CF;
article image; primary-color: #D7DDDD;
article image; primary-color: #B6B7B9;
article image; primary-color: #C0C0C2;
article image; primary-color: #9F8189;
article image; primary-color: #BAC7DA;
article image; primary-color: #8BA7CF;
article image; primary-color: #4665D9;
article image; primary-color: #647FCE;
article image; primary-color: #636CA7;
article image; primary-color: #0F3DC7;
article image; primary-color: #959EAF;
article image; primary-color: #BAB6B5;
article image; primary-color: #6C2665;
article image; primary-color: #620D50;
article image; primary-color: #A8245E;
article image; primary-color: #942A40;
article image; primary-color: #6E4855;
article image; primary-color: #ACB4B6;
article image; primary-color: #D8DEDE;
article image; primary-color: #D5D9DA;
article image; primary-color: #BDBFBE;
article image; primary-color: #D4D4D2;
article image; primary-color: #D2D2D0;
article image; primary-color: #26252A;
article image; primary-color: #A4A5A9;
article image; primary-color: #B4B7BC;
article image; primary-color: #E6E8E7;
article image; primary-color: #99979A;
article image; primary-color: #DFDFDF;
article image; primary-color: #9B969C;
article image; primary-color: #B9BDC0;
article image; primary-color: #C4C5CA;
article image; primary-color: #C4C8C9;
article image; primary-color: #CED0CF;
article image; primary-color: #A2A2A4;
article image; primary-color: #A7ACB2;
article image; primary-color: #BDBDBD;
article image; primary-color: #C0C2C1;
article image; primary-color: #AAB2B4;
article image; primary-color: #C6CAC9;
article image; primary-color: #A4A5A0;
article image; primary-color: #838280;
article image; primary-color: #8C8984;
article image; primary-color: #B2ABA1;
article image; primary-color: #85827D;
article image; primary-color: #868074;
article image; primary-color: #9A9488;
article image; primary-color: #9B9190;
article image; primary-color: #8D8885;

What is the possibility of finding something into nothing? Where nothing assume a dazzling void. Empty and disorientating. Imagine holding a compass being in reverse polarity state. It is making me nervous because this is the start of a fly away condition. How far away? What kind of motions? Circular I assume. But the compass is giving out erratic data. It jumps around, it spins like it is on a pole. What is the possibility of finding something into nothing? One move forward and the void becomes a quantum of forms popping up: tunnels, funnels, alleys, cones, honeycombs, lattices and spirals. All ethereal and compact. An ecstatic nimbus is floating above me. The void loses its smoothness, it becomes less and less disorientating. As I am getting closer more forms start to appear: gratings, layers, axes, symmetries and asymmetries. Is my vision now enlarged or narrowed? I find myself between so many directions. Zoom in or zoom out?  How this infinity should be treated? What is this void I find myself within, is it a space yet to come, a form of negation, a visual hallucination or simply non-existence? My compass still jumps around. It doesn’t matter, now I have some landmarks. The void makes an excellent landmark. BOOMERANG! 

26.4.18 — 17.5.18

Iain Ball, Co – Buddy (Iain Ball & Valinia Svoronou), Lea Collet & Marios Stamatis, Dimitris Gketsis, Hypercomf, Evi Kalogiropoulou, Alexandra Koumantaki, Yorgos Papafigos, Clifford Sage, Pavlos Tsakonas, Yannis Voulgaris

Photo by Ioannis Koliopoulos, Hyperlink & Co-Buddy

Performance Documentation by Zafiria Gkolanta

'MAJOR' by Josip Novosel at Stadium, Berlin

'Process' by Vanya Venmer at Plague Space, Krasnodar

Leaks, part of Episode 7 'Un soffio pestifero nel cielo nero della notte, una can

'Active cycles of constant expansions' by Facundo Jesus Lugea at Nighttimestory,

'Automatic Wag', Off-Sete Group Show Curated by Joe Greer in Mafera Dog Park

'Coagulation' by Jack Ryan at Baader-Meinhof, Omaha

'only only makes sense if there’s nothing else' by Taka Kono at darkZone, New Jer

'CHERNOBYL PAPERS' by New Scenario, an online group exhibition inside the core zo

'Grind' by Genevieve Goffman at Money Gallery, Saint-Petersburg

'Safety in Numbers (SIN)' by Michael Dikta & Philip Markert at Am Ende des Tages,

'Diluvial Valleys' by Anastasia Sosunova at Swallow, Vilnius

'Field of Flowers' by Anna Taganzeva-Kobzeva at Fabula Gallery, Moscow

'WEBWAY' by Jennifer Mathews and Mia Middleton at Haydens Gallery, Melbourne

'Body Without Organs
' by Matt Smoak at BAD WATER, Knoxville

'Aladdin Kebab', Group Show Curated by TZVETNIK at llil.space, Rostov-on-Don

'Squeaky Beach' by Collective Disgrace (Ilana Winderickx, Sophie Conus, Pablo Rez

'Session N1 Distant touch' by Sasha Gosmant and Olesia Lavrinenko at Daipyat, Vor

'...schläft sich durch' by Elif Saydam at Kunstverein Harburger Bahnhof, Hamburg

Next Page