image text special

'Ankle Biter' by Tarwuk, Anni Puolakka & Jaakko Pallasvuo at GMK, Zagreb

article image; primary-color: #837E7B;
Exhibition view
article image; primary-color: #847A78;
Jaakko Pallasvuo, Anni Puolakka, TARWUK, SacreMonger, 2018
article image; primary-color: #353A33;
Jaakko Pallasvuo, Anni Puolakka, TARWUK, SacreMonger, 2018
article image; primary-color: #5A5F58;
Jaakko Pallasvuo, Anni Puolakka, TARWUK, SacreMonger, 2018
article image; primary-color: #616264;
TARWUK, Subtitles, 2018
article image; primary-color: #CDCAC5;
TARWUK, MRTISKLAAAH_ALAM_SFERA, 2018
article image; primary-color: #2A2927;
Željka Lovrić, Koviljka Lovrić, Ančica Čelig, Skulpturice, 2018
article image; primary-color: #5D5C57;
Jaakko Pallasvuo, Anni Puolakka, SACRE3, 2018
article image; primary-color: #35322D;
Jaakko Pallasvuo, Anni Puolakka, SACRE3, 2018
article image; primary-color: #392E28;
TARWUK, KLOSKLAS_ČOGER_3d, 2017
article image; primary-color: #A3928B;
Exhibition view
article image; primary-color: #A26666;
Anni Puolakka, 2018
article image; primary-color: #A89F9A;
Jaakko Pallasvuo, Anni Puolakka, TARWUK, Ankle Biter, 2018 / Anni Puolakka, TARWUK, Ankle Biter, 2018
article image; primary-color: #6E6264;
Jaakko Pallasvuo, Anni Puolakka, TARWUK, Steiner’s Baby, 2018
article image; primary-color: #8F827A;
Exhibition view
article image; primary-color: #807677;
Exhibition view
article image; primary-color: #6B3F94;
Anni Puolakka, 2018
article image; primary-color: #737165;
Exhibition view
article image; primary-color: #AC97A6;
Exhibition view
article image; primary-color: #85796B;
Jaakko Pallasvuo, Control Visit for Problematic Behaviour, 2018
article image; primary-color: #94918C;
Exhibition view
article image; primary-color: #B1A491;
Jaakko Pallasvuo, Anni Puolakka, TARWUK, Ankle Biter, 2018
article image; primary-color: #928E8B;
TARWUK, Tout est pret. Au premier signal que vous nous enverrez de Trieste, tous se leveront en masse pour l'independence de la Hongrie. Xrzah, 2017
article image; primary-color: #7B7B7B;
Jaakko Pallasvuo, Anni Puolakka, TARWUK, Ankle Biter, 2018
article image; primary-color: #A89F8E;
Jaakko Pallasvuo, Anni Puolakka, TARWUK, Ankle Biter, 2018
article image; primary-color: #9E9E92;
Jaakko Pallasvuo, Anni Puolakka, TARWUK, Ankle Biter, 2018
article image; primary-color: #D1D3D2;
Jaakko Pallasvuo, Anni Puolakka, TARWUK, Ankle Biter, 2018
Nor can the darkness still the whispering in the trees. not measurable, but who already knows. “shows paranoid symptoms” plying the boats like lyres. not hearing me at all though they stood at the door during a reading Some vanished soon after. Laws of nature The trees are, the nights grow longer bit by bit, Still, it is as sad as a child Living concepts Free when obey self Discover self just after i said probably for her psychology class “this is a paranoid poem - written when i was experimenting with paranoid states of consciousness, but i’m not there anymore” so slowly nobody notices. Education of feelings Cognitive unity Feeling mysticism or on the shore beside the boats to whom one speaks soothingly, from whom one is keeping something, Others stayed. Best possible world Into the high ancestral spaces True individuality Pain outweighs pleasure This admits of endless interpretation. like in Milwaukee Some gave a sense of size, & a young girl sat writing This says nothing. Rejection of supernatural influences Purpose of life Absolute spiritual being.

20.12.18 — 19.1.19

GMK

'The Days Are Just Packed', Off-site Group Show at THE POOL, Heybeliada - Istanbu

'Gapahuk og avokado' by Kenneth Alme at La Centrale, Ruoms

'What on Earth' by Tess Bilhartz at Super Dutchess, New York

'The Apartment' by Marie Lund (featuring Frederik Worm) at Croy Nielsen, Vienna

'Luxury & Labour' by Isabella Darcy at Disneyland Paris, Melbourne

'WELCOME UNIVERSE' by Paul Spengemann at WAF, Vienna

EPISODE 5: 'Exmouth', by Underground Flower & Dharma Initiatives between Texel Is

'MIDDAY' by Adam Alessi at Smart Objects, Los Angeles

'Cicada Songs, Decaying Petrichor' by Chen Pin Tao at Sedentary Enslavement, Laha

'Game' by Viktor Timofeev at MX Gallery, New York

'Microorganisms & Their Hosts' by Mindaugas Gapševičius at Atletika, Vilnius

'Managing Emotions' by Olga Pedan at Neuer Essener Kunstverein, Essen

Play / Cognition (بازی / تمرین) at Solo Show, Online

'Memory' by Kaspars Groševs, Marta Trektere at 427, Riga

'Untitled (MOLLY HOUSE)', a Group Show Curated by Julius Pristauz at EXILE, Vienn

Garden Cult Triennale, Chapter II: Baden-Baden, Germany

'Power must grow, if it doesn't grow it rots' by Dominika Trapp at Karlin Studios

'Flags' by Troels Wörsel at C.C.C., Copenhagen

Next Page