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'Hyperlink', a Group Show at Romantso, Athens

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How to arrive somewhere. Not anywhere, but somewhere. How to articulate something that is not yet. It takes a clear mind, and a clear view. A clear view of the clear mind, to articulate --------. -------- are legion: reflexes, gestures, accommodating manoeuvres, posturings, precise complex articulations, random actions, practical and aesthetic patterns. Sometimes displayed openly, sometimes hidden or so minimal as to be only internally identifiable. All of them can be, and have been, analyzed in terms of space, time and energy. Together these elements differentiate one -------- from another and give each a unique identity. Depending on the nature of the -------- one element may predominate, but the others always contribute by supporting and refining the --------. In one example, the primary time element is augmented by the direct use of confined space and a light expressive and it contributes to, human growth and As instinctive degree of energy. Both practical, mirrors, development. forces, and passions unspoken needs and desires, interpreting the continuous flow of internal and external signals and determining the intuitions, rhythms, drive us to respond to appropriate form of action.How to arrive somewhere. Not anywhere, but somewhere. How to articulate something that is not yet. A comprehensive intelligence apprehends other realities and adjust accordingly. Since the discovery of the neutron and the positron, it seems that in the cancelling out of the positive and negative charges, just the electron mass transforms into radiation energy and the proton mass is retained. The neuromuscular system - muscle contraction, nerve stimulation, touch sensation, adrenaline formation, muscle fatigue, oxygen depletion - provides a parallel flow of feedback along with our sensitivities to gravity, pressure, breath tension and verticality.How to arrive somewhere. Not anywhere, but somewhere. How to articulate something that is not yet. -------- are legion.

8.12.17 — 14.12.17

Clearview, Dorota Gaweda & Egle Kulbokaite, Dimitris Gketsis, Alexandra Koumantaki, Kareem Lotfy, Eva Papamargariti, Valinia Svoronou, Yannis Voulgaris

Curated by Hyperlink

Text by Clearview.ltd

Romantso

'La fuite et l’enveloppe' by Maxime Bichon at Treignac Projet, Treignac

'The Man-Servant' by Manuel Cornelius and Georg Thanner at Nails projectroom, Due

'Wrought Bundle' by Garrett Lockhart at Afternoon Projects, Vancouver

'Heavy Middle' by Thomas Moor at Stiftung BINZ39, Zurich

'The Alchemist' by Matyáš Chochola at Gossamer Fog, London

'Ich und mein Modell' by Cosima zu Knyphausen at Stadium, Berlin

'WALLWERK', Group Show at Nir Altman, Munich

'Chagrin de merde' by Angélique Aubrit, Ludovic Beillard, Hugo Dinër at Etablisse

'From Larva to Ghost' by Victor Gogly at Light-harvesting Complex, Vantaa

Transformella (aLifveForm fed and cared for by JP Raether) in Cinis’ Forking [4.4

'Today could be your day', Group Show Curated by Ali A. Maderuelo and Julia Caste

'God Is in the Details', Group Show Curated by Reilly Davidson at Super Dutchess,

'ANGEL' by Kaspar Müller at NICO, Bari

'Barren Oracle, Breath of Cinders' by Urbain Checcaroni & Hanna Umin, Presented b

'The Garden of my hopes' by Olga Krykun feat. Milica Mijajlovic at Zadní dvorek,

Misunderstanding as a tool. Michele Gabriele in conversation with Zoë de Luca

'Sleep No More', Group Show Curated by Fiona Vilmer & Liza Maignan at Placement P

'Due Pitture Seleniche: paludi xx, Una Fontanaper Lulu' by Alan Stefanato organiz

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