image text special

'Be Sure to Collect All Your Longings and Let Me Crash On Your Shore' by Océane Bruel & Dylan Ray Arnold At Glassbox, Paris

article image; primary-color: #939393;
article image; primary-color: #989898;
article image; primary-color: #A1A1A1;
article image; primary-color: #898989;
article image; primary-color: #828282;
article image; primary-color: #A1A09E;
article image; primary-color: #999896;
article image; primary-color: #B3B2B0;
article image; primary-color: #C3C2C0;
article image; primary-color: #D5D5D5;
article image; primary-color: #B4B4B4;
article image; primary-color: #878785;
article image; primary-color: #D5D4D2;
article image; primary-color: #A3A18C;
article image; primary-color: #9B9B9B;
article image; primary-color: #969696;
article image; primary-color: #CED2D3;
article image; primary-color: #9E9FA1;
article image; primary-color: #A09FA4;
article image; primary-color: #777873;
article image; primary-color: #83807B;
article image; primary-color: #B8B8B8;
article image; primary-color: #656462;
article image; primary-color: #6A6A6A;
article image; primary-color: #F1F1F1;
article image; primary-color: #B3B3B5;
article image; primary-color: #8F8F91;
article image; primary-color: #919191;
article image; primary-color: #979797;
article image; primary-color: #9F9F9F;
article image; primary-color: #727272;
article image; primary-color: #7D7C81;
article image; primary-color: #84828D;
article image; primary-color: #807D90;
article image; primary-color: #888888;
article image; primary-color: #8A8A8A;
article image; primary-color: #696969;
article image; primary-color: #898A84;

Exhausted as fellow-passengers caught in service-structures and the flat arrivals of steel and rubber. We found olive-pits in the trouser-sleeves of the next person. Were they, in fact, fruit or antennae? We held on the same bending line, flickering across tunnels of reflecting windows, politely waving fingers.

Next stop was laptop, and the battery kept giving, and giving, and then it was gone.  We never really understood energy. On transit some peanut shells had settled under the chair (“Life is best under your seat”), but further protection was invited. Some questions were sent to condensed and distant places: What would You carry along, if You would have to choose between sand and a Sunburn? Would You stay, if I went?  After several breakdowns and sirius discussions, we all agreed on the disappointment Of the black-hole photos. The collective sentiment rested on eating sandwiches with wireless headphones.  There was a bassless voice informing us that The destination You have chosen is temporarily unavailable or no longer exists. One hour of waiting music, digitally compressed, lubricating your hurry-nerves.  Every now and then, checking sugar-levels, no new messages, hospitable and ventilated PETs. An escalator step stands on its side, watching lukewarm farewells and disagreements caused by pigeons.

The sculptural works of Océane Bruel and Dylan Ray Arnold circle around the corporeality of travel and mobile bodies. Taking their own anxieties, desires and fatigue as a point of departure, they chew ambivalent ideas, forms and materialities of contemporary mobility. Their sculptures infused with parasitic gestures and printing, incorporate movements of bodies, objects, images and resources. Océane & Dylan are interested in the way movement resides in systems and stationary situations, as compositions of gravities, vulnerabilities and touches. Produced during their residency at Cité International des Arts, the works in Be Sure to Collect All Your Longings and Let Me Crash On Your Shore, play on quotidian observations of urban environment and rhythms.

17.5.19 — 8.6.19

Glassbox Centre d’Art

'Memory' by Kaspars Groševs, Marta Trektere at 427, Riga

'Untitled (MOLLY HOUSE)', a Group Show Curated by Julius Pristauz at EXILE, Vienn

Garden Cult Triennale, Chapter II: Baden-Baden, Germany

'Power must grow, if it doesn't grow it rots' by Dominika Trapp at Karlin Studios

'Flags' by Troels Wörsel at C.C.C., Copenhagen

☼ by chukwumaa + Zoë Argires at New Works, Chicago

'By working the soil we cultivate the skies' by KINDERSPIELE at Macao, Milan

'Sunshine' by Kanrec Sakul at VUNU Gallery, Košice

'DID YOU KISS THE SPOT TO MAKE IT WELL – A tribute to Jadran Sturm (1957-2019)' a

'Mostra collettiva di pittura da Sasha', a Group Show in Corso Brescia 23, Turin

'Multiplexx' by Hélène Fauquet at Schiefe Zähne, Berlin

'SLAG' by Marco Ceroni at GALLLERIAPIU, Bologna

'GLOBAL CRISES – Kunst & Klimata' by Tilman Hornig & Daniel Schramm at C. Rockefe

'Tonguing the fence' by Rebecca Ackroyd at Lock Up International, London

Bronte Stolz at Discordia, Melbourne

'Feeble Core' by Joppe Venema at CLAPTRAP, Antwerp

'Le pays du soleil', a Group Show at Futura, Prague

'In This Light I Can Count Your Lives' by Philip Hinge, Final Hot Desert, Goblin

Next Page