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'Be Sure to Collect All Your Longings and Let Me Crash On Your Shore' by Océane Bruel & Dylan Ray Arnold At Glassbox, Paris

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Exhausted as fellow-passengers caught in service-structures and the flat arrivals of steel and rubber. We found olive-pits in the trouser-sleeves of the next person. Were they, in fact, fruit or antennae? We held on the same bending line, flickering across tunnels of reflecting windows, politely waving fingers.

Next stop was laptop, and the battery kept giving, and giving, and then it was gone.  We never really understood energy. On transit some peanut shells had settled under the chair (“Life is best under your seat”), but further protection was invited. Some questions were sent to condensed and distant places: What would You carry along, if You would have to choose between sand and a Sunburn? Would You stay, if I went?  After several breakdowns and sirius discussions, we all agreed on the disappointment Of the black-hole photos. The collective sentiment rested on eating sandwiches with wireless headphones.  There was a bassless voice informing us that The destination You have chosen is temporarily unavailable or no longer exists. One hour of waiting music, digitally compressed, lubricating your hurry-nerves.  Every now and then, checking sugar-levels, no new messages, hospitable and ventilated PETs. An escalator step stands on its side, watching lukewarm farewells and disagreements caused by pigeons.

The sculptural works of Océane Bruel and Dylan Ray Arnold circle around the corporeality of travel and mobile bodies. Taking their own anxieties, desires and fatigue as a point of departure, they chew ambivalent ideas, forms and materialities of contemporary mobility. Their sculptures infused with parasitic gestures and printing, incorporate movements of bodies, objects, images and resources. Océane & Dylan are interested in the way movement resides in systems and stationary situations, as compositions of gravities, vulnerabilities and touches. Produced during their residency at Cité International des Arts, the works in Be Sure to Collect All Your Longings and Let Me Crash On Your Shore, play on quotidian observations of urban environment and rhythms.

17.5.19 — 8.6.19

Glassbox Centre d’Art

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'WERKK.WERKK. LIVERPOOL.PAINTING.' by Victor Boullet at Lubov, New York

'CRUSH' by Artem Briukhov at CHIRKOV Gallery, Birsk

'Burn the Rain' by Troy Barrett at Smart Objects, Los Angeles

'KALON GLAZ' by Victoria Palacios at Panamax, Liège

'Bodiesbodies', Group Show Curated by Lucrezia Galeotti and Giacomo Pigliapoco at

'la fiebre de las formas', Group Show at Colette Mariana, Barcelona

'Sunsets', Group Show at Everybody, Tucson

'Bushels of Goodness and Warmth' by Jordan Derrien at V.O Curations, London

'Etica, Tecnica e Pathos' by Marco Strappato at The Gallery Apart, Rome

'200 km/h in the Wrong Lane' by Mona Filleul at SIS123, La Chaux-de-Fonds

'Come Hell or High Water' by Rosario Aninat and Simon Shim Sutcliffe at Mutter, A

'PCS: Post Concrete Semiotics' by Skygolpe at Nighttimestory, Los Angeles

'Wardrobing' by Mitchel Cumming at Disneyland Paris, Perth

'Ouverture', Off-Site Show by Karina Azizova, Moscow-Istanbul-Paris

'Millennium Approaches' by Cole Lu at Nir Altman, Munich

'Momenti della verità' by Giulio Paolini at Galleria Massimo Minini, Brescia

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