image text special

'Be Sure to Collect All Your Longings and Let Me Crash On Your Shore' by Océane Bruel & Dylan Ray Arnold At Glassbox, Paris

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

article image

Exhausted as fellow-passengers caught in service-structures and the flat arrivals of steel and rubber. We found olive-pits in the trouser-sleeves of the next person. Were they, in fact, fruit or antennae? We held on the same bending line, flickering across tunnels of reflecting windows, politely waving fingers.

Next stop was laptop, and the battery kept giving, and giving, and then it was gone. We never really understood energy. On transit some peanut shells had settled under the chair (“Life is best under your seat”), but further protection was invited. Some questions were sent to condensed and distant places: What would You carry along, if You would have to choose between sand and a Sunburn? Would You stay, if I went? After several breakdowns and sirius discussions, we all agreed on the disappointment Of the black-hole photos. The collective sentiment rested on eating sandwiches with wireless headphones. There was a bassless voice informing us that The destination You have chosen is temporarily unavailable or no longer exists. One hour of waiting music, digitally compressed, lubricating your hurry-nerves. Every now and then, checking sugar-levels, no new messages, hospitable and ventilated PETs. An escalator step stands on its side, watching lukewarm farewells and disagreements caused by pigeons.

The sculptural works of Océane Bruel and Dylan Ray Arnold circle around the corporeality of travel and mobile bodies. Taking their own anxieties, desires and fatigue as a point of departure, they chew ambivalent ideas, forms and materialities of contemporary mobility. Their sculptures infused with parasitic gestures and printing, incorporate movements of bodies, objects, images and resources. Océane & Dylan are interested in the way movement resides in systems and stationary situations, as compositions of gravities, vulnerabilities and touches. Produced during their residency at Cité International des Arts, the works in Be Sure to Collect All Your Longings and Let Me Crash On Your Shore, play on quotidian observations of urban environment and rhythms.

 .
17.5.19 — 8.6.19
   .

.
preview image

'THE KING’S TWO BODIES' by Bea Orlandi at Interstate Projects, New York

preview image

'Everyday Is in Eternity Bound', a Group Show at WallRiss, Fribourg

preview image

'Kyffhäuserstraße 31', a Group Show at Ginerva Gambino, Cologne

preview image

'The Clan Of Softness And Honor ' by Anna Slama & Marek Delong at Berlinskej Mode

preview image

'Halo in a Hayloft' by Noel Freibert at Lubov, New York

preview image

'A SCENARIO FOR A SILENT PLAY' by Sébastien Rémy at Les Bains-Douches, Alençon

preview image

'Leona, Leone' by Bea Fremderman and Loreta Lamargese at La Kaje, New York

preview image

'Taken and martyred by strangers' by Jakub Glinski at Town Culture Centre, Gorzów

preview image

'It moves and it shouts', a Group Show at Haus N Athen, Athens

preview image

'Galvanic Couple' by Irina Lotarevich at Futura, Prague

preview image

Katja Novitskova at Hamburger Bahnhof, Berlin

preview image

Aniara Omann at Humber Street Gallery, Hull

preview image

'Barry Walking Himself' by Anastasia Sosunova at Kogo, Tartu

preview image

'Feed Me Like a King' by David Nosek at Gallery 207, Prague

preview image

'SAW U' by Vika Begalska and Aleksandr Vilkin at Foundation of Smirnov and Soroki

preview image

'Verharzungen' by Max Negrelli, Yana Tsegay at The Reference, Frankfurt am Main

preview image

'A Rigged and Sudden Machinery' by Stefan Schwartzman
 at MX Gallery, New York

preview image

'TFW Too Intelligent' by Kid Xanthrax at Galerie U Mloka, Olomouc

More