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'Be Sure to Collect All Your Longings and Let Me Crash On Your Shore' by Océane Bruel & Dylan Ray Arnold At Glassbox, Paris

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Exhausted as fellow-passengers caught in service-structures and the flat arrivals of steel and rubber. We found olive-pits in the trouser-sleeves of the next person. Were they, in fact, fruit or antennae? We held on the same bending line, flickering across tunnels of reflecting windows, politely waving fingers.

Next stop was laptop, and the battery kept giving, and giving, and then it was gone.  We never really understood energy. On transit some peanut shells had settled under the chair (“Life is best under your seat”), but further protection was invited. Some questions were sent to condensed and distant places: What would You carry along, if You would have to choose between sand and a Sunburn? Would You stay, if I went?  After several breakdowns and sirius discussions, we all agreed on the disappointment Of the black-hole photos. The collective sentiment rested on eating sandwiches with wireless headphones.  There was a bassless voice informing us that The destination You have chosen is temporarily unavailable or no longer exists. One hour of waiting music, digitally compressed, lubricating your hurry-nerves.  Every now and then, checking sugar-levels, no new messages, hospitable and ventilated PETs. An escalator step stands on its side, watching lukewarm farewells and disagreements caused by pigeons.

The sculptural works of Océane Bruel and Dylan Ray Arnold circle around the corporeality of travel and mobile bodies. Taking their own anxieties, desires and fatigue as a point of departure, they chew ambivalent ideas, forms and materialities of contemporary mobility. Their sculptures infused with parasitic gestures and printing, incorporate movements of bodies, objects, images and resources. Océane & Dylan are interested in the way movement resides in systems and stationary situations, as compositions of gravities, vulnerabilities and touches. Produced during their residency at Cité International des Arts, the works in Be Sure to Collect All Your Longings and Let Me Crash On Your Shore, play on quotidian observations of urban environment and rhythms.

17.5.19 — 8.6.19

Glassbox Centre d’Art

'CUORE MIO' by Mariantonietta Bagliato at Nico, Bari

'Problem' by Tomáš Roubal at Berlinskej Model, Prague

'True Romance', Group Show at Shore, Vienna

'Neophyte II' by Jura Shust at EXILE, Vienna

'The book ends' by Mathis Collins at Crèvecœur, Paris

'Body Snatchers', Group Show at Like A Little Disaster + Chiesa di San Giuseppe,

'Nonlinear Episode', Group Show Curated by TZVETNIK at ISSMAG, Moscow

'Cybervikings of Mars' by Līga Spunde at 427, Riga

'burden', Group Show at darkZone, New Jersey

'The Beautiful Far Away' by Masha Kovtun at Berlinskej Model, Prague

'Baroque Topologies', Group Show Curated by Kea Bolenz und Louis Hay at Kunstvere

'Eupepsia' by Antonin Giroud-Delorme at Placement Produit, Aubervilliers

'I feel boîte', Group Show Curated by Ivan Pérard & Yein Lee at Loggia, Vienna

'Guilty dreams: oneiroid' by Pavel Polshchikov and Natasha Perova at IP Vinogrado

'Bag of Hurt' by Gabriele Garavaglia at Sentiment, Zurich

'crybaby' by Aga Gabara at Rodriguez Gallery, Poznań

'Dezicions' by Paul Barsch & Tilman Hornig at Plague Space, Krasnodar

'je n'entends plus aucune voix' by Angélique Aubrit and Ludovic Beillard at Lindr

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