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'A Californian Plumber' by Agnieszka Szostek at Fugitif, Leipzig

Berlin, 30.06.2020 
Dear,
It has been a long time since we last talked. A lot of things have happened in between. And here we are, we now have the occasion to speak again, but is there anything left to say? Something tells me that there is plenty left to say, and that the words are begging to be found and aligned, one after the other. In a way, the textures are here to speak for us, we touch and we believe. They are the ones making the call. It reminds me of this Californian plumber we met back then, do you remember? Yes, the one that fixed your sink. His appearance did make everything blur, I honestly cannot recall much from that afternoon. He was telling all these stories, of homes, of places, around and about. My attention span got sucked in into the black hole of a never ending monologue. Into a coded matrix of signs, numbers, skins and metals. It was hard to follow then and it is hard to fathom now.
It was funny to hear about his relation to the idea of home though, entering private spaces, to fix things. He arrives in a broken environment and leaves a functioning one behind, once the work is done. Homemade work and techniques that were taught, are applied within the secrecy of walls, away from the undesired gaze of the other. What if this was in fact made for all of us to see? I like to entertain that thought, seeing all these man made constructions strip naked, left bare for the whole world to engorge, like those transparent ant houses where the viewers can see how they go on about their day, digging tunnels after tunnels. Anyway, I am drifting off here, it was just this idea of material and techniques as a discursive opener for all the rest that was to come. I found it fascinating. I think we can also become self taught plumbers, fixing homes and morphing those into stories and tales that are waiting to be told during the next call. I hope you are doing well where you are, and that people treat you good. You deserve it, it was best for you to leave back then and that was no easy call. I believe it is time for me to leave you now dear friend, I hope we can work together again, towards something better.
See you soon, and in the meantime, I wish you all the best

24.6.20 — 25.6.20

Curated by Tristan Deschamps

Fugitif

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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