Installation view
Nina Wiesnagrotzki, Toad II, 2017
Nina Wiesnagrotzki, Weskit, 2017
Nina Wiesnagrotzki, Weskit, 2017
Installation view
Nina Wiesnagrotzki, Di Dong Yi (2), 2017
Nina Wiesnagrotzki, Di Dong Yi (2) - detail, 2017
Maximilian Schmoetzer, Salon of Clicks (Komplot Edit), 2017
Nina Wiesnagrotzki, Toad I, 2017
Nina Wiesnagrotzki, Zhang’s balls of Eight, 2017
Nina Wiesnagrotzki, Toad I, 2017
Installation view
Maximilian Schmoetzer, Zenobia in the heavens knows her seasons and keeps the time of her arrival, 2017
Maximilian Schmoetzer, Zenobia in the heavens knows her seasons and keeps the time of her arrival - detail, 2017
Maximilian Schmoetzer, Zenobia in the heavens knows her seasons and keeps the time of her arrival - detail, 2017
Nina Wiesnagrotzki, Toad II, 2017
Nina Wiesnagrotzki & Maximilian Schmoetzer, Pendulum, 2017
Nina Wiesnagrotzki & Maximilian Schmoetzer, Pendulum - detail, 2017
Nina Wiesnagrotzki & Maximilian Schmoetzer, Pendulum - detail, 2017
Exterior installation view
Nina Wiesnagrotzki, Di Dong Yi (2), still image, 2017
Nina Wiesnagrotzki, Di Dong Yi (2), still image, 2017
Maximilian Schmoetzer, Salon of Clicks (Komplot Edit), still image, 2017
Maximilian Schmoetzer, Salon of Clicks (Komplot Edit), still image, 2017
So from the root Springs lighter the green stalk, from thence the leaves More aery, last the bright consummate flower Spirits odorous breathes: flowers and their fruit, Their nourishment, by gradual scale sublimed, To vital spirits aspire, to animal, To intellectual, give both life and sense, Fancy and understanding, whence the Soul Reason receives, and Reason is their being, Discursive or intuitive: discourse Is oftest yours, the latter most is ours Differing but in degree, of kind the ’same.
(Excerpt from Milton ‘Out Of Paradise Lost’)
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