image text special shop

'God Has No Fingernails' by Alex Ito at Good Enough, Atlanta

article image; primary-color: #793A0E;
Installation view
article image; primary-color: #B44702;
Installation view
article image; primary-color: #CD5B02;
Alex Ito, Ladder I (this is not a program), 2019
article image; primary-color: #D26101;
Alex Ito, Ladder I (this is not a program), 2019
article image; primary-color: #CD5700;
Installation view
article image; primary-color: #DD5700;
Alex Ito, Autumn of the Patriarch II, 2019
article image; primary-color: #D04500;
Alex Ito, Autumn of the Patriarch II, 2019
article image; primary-color: #EA6D01;
Alex Ito, Ladder II (certainty of failure), 2019
article image; primary-color: #CF6801;
Alex Ito, Ladder II (certainty of failure), 2019
article image; primary-color: #F48301;
Alex Ito, Colony IV (The Mirror is an Eye), 2019
article image; primary-color: #D36D01;
Alex Ito, Colony IV (The Mirror is an Eye), 2019
article image; primary-color: #E87000;
Alex Ito, Ladder III (long may they reign), 2019
article image; primary-color: #CD6601;
Alex Ito, Ladder III (long may they reign), 2019
article image; primary-color: #DA5302;
Installation view

I imagine what it must be like to be a shooting star- a molten amalgam screeching across a vast emptiness. My hide burns away with the sweat of a foreign element. My soil turns to glass. My body is a fraction of a memory but a reduced whole of a future. Beings from distant worlds gaze upon my brightness; wishing upon the flashing whisper of my hellfire.

I am untethered yet I am not free.

I land upon new soil as a sliver of my past. I am shiny; bearing enough weight to be coveted in the palm of one’s hand. As something picks me up, I can hear them saying “metal”.

Scars from my travels dress my surface- snake paths and fractures that connote logic. They call it “language”

I cannot remain other. I am given a name. They call me “coin”.

Do they know I have a smile? Do they know I can do more than sparkle? I’ve been given a mask, the face of a coin. The mask clings to me like an urchin to the ankles of seagrass. It can smell me; my scent, a trace of the living yet I am regarded without life. I’m inanimate yet my touch remembers flesh, my taste remembers salt and my heart, although weak, beats in this calcified alloy.

Some time passes and I’ve adjusted to this world. Nuisance to the scale of convenience, I fall through the stitches of an aged pant pocket. Relief hits as I roll away in the currents of the everyday- a mobility I had forgotten. I join the spontaneity of sewage. I embrace the sweetness of discarded chewing gum. I dance at the heels of others. At last!

After dark, a calm settles. My face- the mask- stares into the still of the night sky.

They used to call me a star.

18.5.19 — 30.6.19

Good Enough

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

Next Page