image text special shop

'Safety Zone' by Alice Peragine at VIS, Hamburg

article image; primary-color: #CACAC8;
Installation view
article image; primary-color: #D0D0D0;
Installation view
article image; primary-color: #BEBDBB;
Installation view
article image; primary-color: #B4B5B9;
Alice Peragine, Supplemental Restraint System II, 2018
article image; primary-color: #A0A4A7;
Alice Peragine, Hard Drive – Hard Wear, 2018
article image; primary-color: #BAB9B7;
Alice Peragine, Buffer, 2018
article image; primary-color: #B5B3B6;
Alice Peragine, Buffer, 2018
article image; primary-color: #696C73;
Installation view
article image; primary-color: #222222;
Alice Peragine, performance TRANSLUCENT, 2018
article image; primary-color: #1F1919;
Alice Peragine, performance TRANSLUCENT, 2018
article image; primary-color: #31302E;
Alice Peragine, performance TRANSLUCENT, 2018
article image; primary-color: #3C3A2E;
Alice Peragine, performance TRANSLUCENT, 2018

My coincidental encounter My tender tight TIME OUT
Alice Peragine’s performances and mixed-media installations are aesthetic experimental arrangements. The various components refer to control and monitoring mechanisms as well as the effects of digitization on individual bodies. With the aim of putting the conditions for a free scope of action up for debate, Peragine explores the relationship between the public and private space, analyzes signs of hierarchical structures and translates symbols of institutional power into the visible and tangible realm. 

Her exhibition titled Safety Zone refers to safety elements and rescue measures used to protect the human body. Peragine addresses given dependencies between the human being and the machine by creating an installation setting that reflects moments of loss of control and the collision of body and technology. The exhibition at VIS is opened by a performance titled Translucent. It examines the relationship between the body and information in order to capture “the mutual constitution and indeterminacy of embodied configurations.” (Elizabeth Grosz).

18.11.18 — 25.11.18

Photo by Fred Dott

VIS

'Eternal Flame', Group Show at Shore, Vienna

'Cosmovisions', Group Show at Medusa Offspace, Brussels

'No Time To Explain' by Paul Robas at Solito, Naples

'Night Rider' by Yan Posadsky at Devyatnadtsat’, Moscow

'Funding Emotions' by Magnus Frederik Clausen and Kaare Ruud at Cantina, Aarhus

'What I felt for you was love', Group Show at Afternoon Projects, Vancouver

'Mirror Stage' by Bora Akinciturk and Ella Fleck at Shipton, London

‘Millions Now Living Will Never Die!’ by Ian Swanson at Plague Space, Krasnodar

'VEGAN' by Jack Jubb at house of spouse, Vienna

'Fresh Hell' by Jonah Pontzer at Rose Easton, London

'It's quite like Guggenheim', Group Show at Ringcenter 1, Berlin

'OUTER DARKNESS', Off-Site Project by Allyson Packer in 1698 GALISTEO, SANTA FE

'mareas' by Elizabeth Burmann at Galeria Patricia Ready, Santiago

'Vape Cloud Premonition' by Sam Hutchinson at Forth, Nottingham

'Punch-Drunk' by Yutaro Ishikawa at LAID BUG, Tokyo

'Le sort des Labourgue' by Angélique Aubrit & Ludovic Beillard at Les Capucins, E

'All is Full of Love' by Michiel Ceulers at Pizza Gallery, Antwerp

½, Group Show at Devyatnadtsat’ gallery, Moscow

Next Page