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'Always the Real Thing', a Group Show at White Crypt, London

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Laura Porter, Tips, 2015
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Laura Porter, Tips, 2015
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Laura Porter, Tips (detail), 2015
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Laura Porter, Tips (detail), 2015
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Laura Porter, Le chouchou des nanas, 2017
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Laura Porter, Le chouchou des nanas (detail), 2017
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Laura Porter, Le chouchou des nanas (detail), 2017
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Laura Porter, Le chouchou des nanas (detail), 2017
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Lupo Borgonovo
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Wieske Wester
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Hannah Lees, To it save every twig, 2018
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Hannah Lees, To it save every twig, 2018
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Miriam Austin, Andraste 3, 2018
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Miriam Austin, Andraste 3, 2018
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Miriam Austin, Andraste 3, 2018
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Miriam Austin, Andraste 3, 2018
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Helen Appel, Pollack, 2017
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Helen Appel, Pollack, 2017
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Miriam Austin, Andraste 3, 2018
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Miriam Austin, Andraste 3, 2018
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Exhibition view

‘‘The church of Chamula offers its visitors no banks. Instead the oor is covered with hay, pine needles, owers and hundreds of thin candles. [...] The smell of resin, incense and paraf n is lingering through the air. Next to the Tzotzil who sit on the oor uttering prayings in their mother-tongue, the visitor is irritated by the presence of three things: running chickens, a reasonable amount of pox, a traditional sugarcane liquor, Coca Cola and a lot of people burping...’’

Testimony of a visitor, Church of Cahmula, Mexico 2016

Looking at a contemporary Mexican ritual in which Coca Cola is offered alongside prayers and sacri ced chickens in order to appeal for the salvation of seriously ill relatives, Always the Real Thing gathers work by six international artists whose practices touch on ideas of tradition and authenticity. In the show, which takes its title from one of the most well- known Coca Cola advertising slogans, the ceremonial use of food is re-contextualised with a humorous twist, and mysticism and popular culture are mixed to produce a combination of the sacred and the profane that collapses past and present through anachronisms of the form and content of belief.

16.3.18 — 14.4.18

Helene Appel, Miriam Austin, Lupo Borgonovo, Hannah Lees, Laura Porter, Wieske Wester

Curated by Caterina Avataneo and Anaïs Lerendu   White Crypt

'A Californian Plumber' by Agnieszka Szostek at Fugitif, Leipzig

'Shelter of Trust' by Klára Švandová and Ondřej Doskočil at TiK Cold Space, Riga

'The Weakest Nest Robber' by David Fesl at Karlin Studios, Prague

'Larry Farmer' by Tyler Macko at No Place, Columbus

'Unrealism' by Omsk Social Club at Kunstraum Kreuzberg/Bethanien, Berlin

'Retoucher´s abilities' by Alex Selmeci and Tomáš Kocka Jusko at Berlinskej Model

'ThirstyJurisdictionsDesireOutside' by DDaS at A.D., New York

'Longue-Fâme', Off-Site Show by Lia Pradal & Camille Tallent, 42.901730, 1.346770

'Arthur Phillip puts his head down, Barangaroo 1788' by Allan Rand at CHAUFFEUR,

'Dystopian Realism', a Group Show Curated by Václav Janoščík at Cursor Gallery, P

'heute denken, morgen fertig' by Grégory Sugnaux with Camille Kaiser, Christophe

'TTOA: Native Arrangement II' by Kai (Kari) Altmann at Final Hot Desert, Rozel Po

'Hairy earthtongue, weeping toothcrust, fairy rings', a Group Show at FUTURA, Pra

'Crosspollination' by Yein Lee & Ivan Pérard at Loggia, Vienna

'Thread Art Paintings' by Sal Salandra at East Hampton Shed on Wheels

'Blue Period' by Giulia Essyad at Lokal-Int, Biel

'Wingless Bird With Hands' by Jiří Pitrmuc at Jeleni Gallery, Prague

'Calls' by Filippo Marzocchi at Galeria Fran Reus, Palma

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