image text special

'The lights are on but no one’s home' by Andrew Birk at LAND, Kansas City

article image; primary-color: #8C8783;
article image; primary-color: #B96F3E;
article image; primary-color: #817871;
article image; primary-color: #363C54;
article image; primary-color: #CAC3BD;
article image; primary-color: #6B8C9B;
article image; primary-color: #B4AEAE;
article image; primary-color: #FCFDF7;
article image; primary-color: #B7B3B0;
article image; primary-color: #508A58;
article image; primary-color: #9E9D9B;
article image; primary-color: #7D7C7A;
article image; primary-color: #958274;
article image; primary-color: #595F55;
article image; primary-color: #C2C1BF;
article image; primary-color: #6E5D53;
article image; primary-color: #B1ACA9;
article image; primary-color: #9F8274;
article image; primary-color: #B2AEAB;
article image; primary-color: #E1D08B;
article image; primary-color: #BEBAB7;
article image; primary-color: #948B84;
article image; primary-color: #B8AEA5;
article image; primary-color: #615E57;
article image; primary-color: #BEB4AA;
article image; primary-color: #979C88;
article image; primary-color: #B9B8B6;
article image; primary-color: #515E4D;
article image; primary-color: #A39E9B;
article image; primary-color: #71767A;
article image; primary-color: #B2AAA7;
article image; primary-color: #DB954F;
article image; primary-color: #C1BFC0;
article image; primary-color: #6D8A74;
article image; primary-color: #C2BAB7;
article image; primary-color: #FCFCFC;
article image; primary-color: #ABA3A0;
article image; primary-color: #43485C;
article image; primary-color: #BAB3AD;
article image; primary-color: #4E7197;
article image; primary-color: #A8A8A8;
article image; primary-color: #6D767D;
article image; primary-color: #D1CDCC;
article image; primary-color: #F0EFF4;
article image; primary-color: #B4AFAC;
article image; primary-color: #825655;
article image; primary-color: #B8B3B0;
article image; primary-color: #9C95A5;
article image; primary-color: #BCB8B7;
article image; primary-color: #BA8F5C;
article image; primary-color: #B6B5B3;
article image; primary-color: #42545E;
article image; primary-color: #C3BCB6;
article image; primary-color: #474654;
article image; primary-color: #C2C0C1;
article image; primary-color: #735F54;
article image; primary-color: #B8B4B3;
article image; primary-color: #5D5E63;
article image; primary-color: #ABA198;
article image; primary-color: #EAF5F1;
article image; primary-color: #C2C0C1;
article image; primary-color: #385C80;
article image; primary-color: #C9C8C6;
article image; primary-color: #77645D;
article image; primary-color: #AEA9A5;
article image; primary-color: #332830;
article image; primary-color: #ACA8A7;
article image; primary-color: #826070;
article image; primary-color: #B5B4B2;
article image; primary-color: #DE818C;
article image; primary-color: #B8B8B8;
article image; primary-color: #373739;
article image; primary-color: #ABAAA8;
article image; primary-color: #4E6364;
article image; primary-color: #AFB0AB;
article image; primary-color: #696063;
article image; primary-color: #4D403A;
article image; primary-color: #52718D;
article image; primary-color: #5F5A56;
article image; primary-color: #685F60;
article image; primary-color: #484441;
article image; primary-color: #B9AEAC;
LAND is happy to present the solo exhibition The lights are on but no one’s home by the Catalonia-based artist Andrew Birk. The lights are on but no one’s home features recent watercolor works by Birk presented on nearly every wall in every room of LAND. From the entranceway and main room, to the attic and bathrooms, Birk’s watercolors occupy spaces that were previously inaccessible to visitors, expanding the physical scope of the gallery space within the house. Birk’s small paintings on paper feature loose but controlled brushwork representing a dynamic myriad of subject matter, from a small seemingly glowing fetus in the womb to a lush infinitely deep countryside landscape. Birk’s paintings present compositions that appear at once like slapdash snapshots of personally significant scenes, while others pointedly present legible cultural symbols, creating a threshold of intimacies that are both formally direct and peculiarly clouded.

1.9.19 — 30.9.19

LAND

'Extra Medium' by Vladislav Markov at Spazio ORR, Brescia

'Her Own Devices' by Laurie Kang at Franz Kaka, Toronto

'THE MOUTH OF THE GIFTED HORSE' by Wisrah Villefort at Goswell Road, Paris

'FRESH' by Rune Bering and Kevin Josias at Tableau, Copenhagen

Armen Avanessian: ‘So let us ask, why we still call this a capitalist world?’

'Dream again of better Generationenvertrag' by Niklas Taleb at Lucas Hirsch, Duss

'TOYS' by Jascha Schieche at FONDA, Leipzig

'YOU ARE HERE' by Linda Lerseth at Podium, Oslo

'Space Almond Head Void' by Sasha Auerbakh at GOMO, Vienna

'UwU' by Tea Strazicic at ung5, Cologne

'Friends Objects' by Helin Alas at Loggia, Munich

'Talent Didn’t Bring Me Here' by Günther Möbius at BPA Space, Cologne

'P**** B**** ARENA' by Isabelle Frances McGuire at Good Weather (Hosted by Et al.

'Flat Tire' by Janis Dzirnieks at Robert Fruinstraat 56, Rotterdam

'Sheets of Past and Layers of Reality', a Group Show at Hoib, Tallinn

Garden Cult Triennale, Chapter I: Sopot, Poland

'踢館 Tek Kwun' at Tai Kwun Centre for Heritage and Arts, Hong Kong

'Theological Time, Mean Landscape, Circumcision Throne, Burping Bird, Auto-censur

Next Page