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'Cater to you', a Group Show at EIGEN + ART Lab, Berlin

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Cudelice Brazelton, Glaive (detail), 2019
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Cudelice Brazelton, Glaive (detail), 2019
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Jake Kent, Punks is Hippies, 2018
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Anna Solal, Kite 2, 2016 / Courtesy of the Artist & New Galerie
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Anna Solal, Kite 2 (detail), 2016 / Courtesy of the Artist & New Galerie
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Anna Solal, Kite 1, 2016 / Courtesy of the Artist & New Galerie
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Cudelice Brazelton, Quartz, 2019
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Madison Bycroft, yeah, nah. With ornament (detail), 2019
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Madison Bycroft, yeah, nah. With ornament, 2019
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Madison Bycroft, yeah, nah. With ornament (detail), 2019
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Anna Solal, Le jardin de Neverland, 2017 / Courtesy of the Artist & New Galerie
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Jake Kent, Punk Rock Possibility, 2018
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Jake Kent, Punk Rock Possibility, 2018
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Jake Kent, Punk Rock Possibility (detail), 2018
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Zoe Williams, Gulper fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
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Zoe Williams, Rococo blush fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
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Zoe Williams, Salmon bottom feed fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
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Zoe Williams, Ruffles, 2019 (Documentation of a performative soirée on the occasion of artmonte-carlo, 2019) / Courtesy of the Artist & Antoine Levi, Paris

Cater to...

...the potential of productive withdrawals as instances of social and political creativity revamping existing infrastructures and giving shape to new institutional assemblages. (Kuba Szreder)

...the understanding of the table as the smallest – injectable – social architecture; 

to perceive a seating order not as a preset of social relations and invitation to 

vampirism, but as a caring context to serve different mindsets 

and digest agonistic menus.

... service as a strategy of love; to discard any value system which looks at any task that is related to ‘service’ as devalued but instead celebrate it as the strengthening of our 

capacity to know compassion and deepen our insight. 

(bell hooks)

…the healing of the wounds of binary representations and check box systems and the reclaim of the tools of scarification and branding.

... symbolic overproduction not as a form of escapist formalism and distinction but as a form of empowerment and complexity; to apply an overuse of style which might 

lead into its contradiction.

...the act of exiting not as an act of passivity; to believe in defection as a modification of the conditions within which the struggle takes place, rather than presupposing those conditions to be an unalterable horizon. 

(Paolo Virno)

... abject and abjection as safeguards, which billows on the edge of 

non-existence and hallucination, of a reality that annihilates certainties. 

(Julia Kristeva)

...the process of affirmation and circulation as multi-faced potentials being all additive, subjective, romantic, imaginative, personal, autobiographical, whimsical, narrative, decorative, lyrical, architectural, sculptural, eccentric, local, specific, spontaneous, irrational, private, impulsive, gestural, handwritten, handmade, colorful, joyful, obsessive, fussy, funny, funky, vulgar, perverse, mannerist, tribal, rococo, tactile, self-referring, sumptuous, sensuous, salacious, eclectic, exotic, messy, monstrous, complex, ornamented, embroidered, articulated, spatial, light-filled, delicate, warm, open, 

questioning and sharing. (Joyce Kozloff)

10.9.19 — 19.10.19

Cudelice Brazelton, Madison Bycroft, Jake Kent, Anna Solal, Zoe Williams

Curated by Marie Gerbaulet, Hendrike Nagel, Elena Setzer

Photo by Eike Walkenhorst

EIGEN + ART Lab

'Digital Anomalies' by Nicolás Lamas at FORM, Wageningen

'IT'S DIFFICULT TO EXPLAIN SO I STAY QUIET' by Lukas Glinkowski at Galería Fran R

'The place that can never be' by Anna Taganzeva at Plague Space, Krasnodar

'Chocolate Goblin' by Travis John Ficarra at Glasshouse, Victoria

'MILITARY POP', Group Show at Spas Setun, Moscow

TARGET GROUP SHOW, conceived by Hannes Schmidt at BRAUNSFELDER, Cologne

'DISTIRA' by Irati Inoriza at Galeria Fran Reus, Palma de Mallorca

'Underground Memorandum' by Richard Nikl at Shore, Vienna

'All Watched Over by Emissaries of Loving Grace' by Louis Morlæ at Duarte Sequeir

'itsanosofadog *It’s an arse of a dog' by Amanda Moström, Rose Easton, London

'Deceiving players' by Rimma Arslanov at KOENIG2 by_robbygreif, Vienna

'Sizzling Hot' by Rosa Lüders at 14a, Hamburg

'The Particular Matter of a Pisces Rug' by Kelly Kaczynski at Weatherproof, Chica

'L’oracolo' by Michele Cesaratto at MURKA, Florence

'The Tiler' by Trevor Bourke at Afternoon Projects, Vancouver

'Whaleboat' by Zukhra Salakhova at Daipyat gallery, Voronezh

'I Saw The Sign' by José Villalobos at EVERYBODY, Tucson

'Al principi va ser un gest' by Aina Monzó at Zape, Valencia

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