image text special shop

'Cater to you', a Group Show at EIGEN + ART Lab, Berlin

article image; primary-color: #D6D6D6;
Exhibition view
article image; primary-color: #D2CECB;
Cudelice Brazelton, Glaive (detail), 2019
article image; primary-color: #CFCAC6;
Cudelice Brazelton, Glaive (detail), 2019
article image; primary-color: #E1E0DE;
Exhibition view
article image; primary-color: #D7D6D2;
Jake Kent, Punks is Hippies, 2018
article image; primary-color: #D5D1CE;
Exhibition view
article image; primary-color: #9A9693;
Anna Solal, Kite 2, 2016 / Courtesy of the Artist & New Galerie
article image; primary-color: #A2A0A1;
Anna Solal, Kite 2 (detail), 2016 / Courtesy of the Artist & New Galerie
article image; primary-color: #A29E9B;
Anna Solal, Kite 1, 2016 / Courtesy of the Artist & New Galerie
article image; primary-color: #BFBEBA;
Exhibition view
article image; primary-color: #D8D4D3;
Cudelice Brazelton, Quartz, 2019
article image; primary-color: #CCCCCA;
Exhibition view
article image; primary-color: #ABB2AA;
Madison Bycroft, yeah, nah. With ornament (detail), 2019
article image; primary-color: #BFC1C0;
Madison Bycroft, yeah, nah. With ornament, 2019
article image; primary-color: #AAA8A9;
Madison Bycroft, yeah, nah. With ornament (detail), 2019
article image; primary-color: #D1D3D0;
Exhibition view
article image; primary-color: #C6C5C3;
Exhibition view
article image; primary-color: #BFBFBD;
Anna Solal, Le jardin de Neverland, 2017 / Courtesy of the Artist & New Galerie
article image; primary-color: #BCB8B5;
Exhibition view
article image; primary-color: #CDC9C6;
Exhibition view
article image; primary-color: #C5C4C2;
Jake Kent, Punk Rock Possibility, 2018
article image; primary-color: #BBB6B0;
Jake Kent, Punk Rock Possibility, 2018
article image; primary-color: #BDB1A5;
Jake Kent, Punk Rock Possibility (detail), 2018
article image; primary-color: #AAA6A3;
Exhibition view
article image; primary-color: #D7D3C7;
Exhibition view
article image; primary-color: #CBCAC8;
Exhibition view
article image; primary-color: #B8B7B3;
Exhibition view
article image; primary-color: #C0C1B9;
Zoe Williams, Gulper fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
article image; primary-color: #D2CDC7;
Zoe Williams, Rococo blush fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
article image; primary-color: #D4D0C7;
Zoe Williams, Salmon bottom feed fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
article image; primary-color: #AA9F9B;
Zoe Williams, Ruffles, 2019 (Documentation of a performative soirée on the occasion of artmonte-carlo, 2019) / Courtesy of the Artist & Antoine Levi, Paris

Cater to...

...the potential of productive withdrawals as instances of social and political creativity revamping existing infrastructures and giving shape to new institutional assemblages. (Kuba Szreder)

...the understanding of the table as the smallest – injectable – social architecture; 

to perceive a seating order not as a preset of social relations and invitation to 

vampirism, but as a caring context to serve different mindsets 

and digest agonistic menus.

... service as a strategy of love; to discard any value system which looks at any task that is related to ‘service’ as devalued but instead celebrate it as the strengthening of our 

capacity to know compassion and deepen our insight. 

(bell hooks)

…the healing of the wounds of binary representations and check box systems and the reclaim of the tools of scarification and branding.

... symbolic overproduction not as a form of escapist formalism and distinction but as a form of empowerment and complexity; to apply an overuse of style which might 

lead into its contradiction.

...the act of exiting not as an act of passivity; to believe in defection as a modification of the conditions within which the struggle takes place, rather than presupposing those conditions to be an unalterable horizon. 

(Paolo Virno)

... abject and abjection as safeguards, which billows on the edge of 

non-existence and hallucination, of a reality that annihilates certainties. 

(Julia Kristeva)

...the process of affirmation and circulation as multi-faced potentials being all additive, subjective, romantic, imaginative, personal, autobiographical, whimsical, narrative, decorative, lyrical, architectural, sculptural, eccentric, local, specific, spontaneous, irrational, private, impulsive, gestural, handwritten, handmade, colorful, joyful, obsessive, fussy, funny, funky, vulgar, perverse, mannerist, tribal, rococo, tactile, self-referring, sumptuous, sensuous, salacious, eclectic, exotic, messy, monstrous, complex, ornamented, embroidered, articulated, spatial, light-filled, delicate, warm, open, 

questioning and sharing. (Joyce Kozloff)

10.9.19 — 19.10.19

Cudelice Brazelton, Madison Bycroft, Jake Kent, Anna Solal, Zoe Williams

Curated by Marie Gerbaulet, Hendrike Nagel, Elena Setzer

Photo by Eike Walkenhorst

EIGEN + ART Lab

'A Trip to Cockaigne' by Johanna Härkönen & Eetu Sihvonen at Titanik, Turku

'OLYMPIC HOPES' by Nikolay Georgiev at Spas Setun, Moscow

'The rain of chrysanthemums rotted into hay' by Timur Aloev at Holešovická Šachta

'Bucolic Gang' by Mónica Mays at Rupert, Vilnius

'The Chase' by Jürgen Baumann at Material, Zurich

'The Host' by Pakui Hardware at eastcontemporary, Milan

'Chlamydomonas Nivalis' by Alberto Tadiello at Umberto Di Marino Gallery, Napoli

'The Centre' by Patrick Cole and Dominic Watson at Kupfer, London

'Ghost Member: Prosthesis/ Symbiosis as a shelter' by Naomi Maury at L'Assaut de

'I show you the signs of life' by Alina Izmaylova at Kerka gallery, Saint-Petersb

'I Don't Want No Trouble' by Lucas Erin at All Stars, Lausanne

'The Grime and the Schmutz' by Béla Feldberg at Jo-Anne, Frankfurt am Main

'Night of Hinnā' by Monia Ben Hamouda at Bungalow, ChertLüdde, Berlin

'Getting Down to Business' by Rebecca Rothenborg at Galerie Roland Puschitz, Vien

'Why Me?' by Pietro Agostoni at Associazione Barriera, Turin

'Holloway - ‘Das Gift’ is a Gift' by Céline Struger at Loggia, Vienna

'Under the Moon' Group Show at Camp Eternal Hell Chamber, New York

'SUPER-NATURAL', Group Show at OLHÃO, São Paulo

Next Page