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'Cater to you', a Group Show at EIGEN + ART Lab, Berlin

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Cudelice Brazelton, Glaive (detail), 2019
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Cudelice Brazelton, Glaive (detail), 2019
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Jake Kent, Punks is Hippies, 2018
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Anna Solal, Kite 2, 2016 / Courtesy of the Artist & New Galerie
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Anna Solal, Kite 2 (detail), 2016 / Courtesy of the Artist & New Galerie
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Anna Solal, Kite 1, 2016 / Courtesy of the Artist & New Galerie
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Cudelice Brazelton, Quartz, 2019
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Madison Bycroft, yeah, nah. With ornament (detail), 2019
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Madison Bycroft, yeah, nah. With ornament, 2019
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Madison Bycroft, yeah, nah. With ornament (detail), 2019
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Anna Solal, Le jardin de Neverland, 2017 / Courtesy of the Artist & New Galerie
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Jake Kent, Punk Rock Possibility, 2018
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Jake Kent, Punk Rock Possibility, 2018
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Jake Kent, Punk Rock Possibility (detail), 2018
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Zoe Williams, Gulper fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
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Zoe Williams, Rococo blush fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
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Zoe Williams, Salmon bottom feed fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
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Zoe Williams, Ruffles, 2019 (Documentation of a performative soirée on the occasion of artmonte-carlo, 2019) / Courtesy of the Artist & Antoine Levi, Paris

Cater to...

...the potential of productive withdrawals as instances of social and political creativity revamping existing infrastructures and giving shape to new institutional assemblages. (Kuba Szreder)

...the understanding of the table as the smallest – injectable – social architecture; 

to perceive a seating order not as a preset of social relations and invitation to 

vampirism, but as a caring context to serve different mindsets 

and digest agonistic menus.

... service as a strategy of love; to discard any value system which looks at any task that is related to ‘service’ as devalued but instead celebrate it as the strengthening of our 

capacity to know compassion and deepen our insight. 

(bell hooks)

…the healing of the wounds of binary representations and check box systems and the reclaim of the tools of scarification and branding.

... symbolic overproduction not as a form of escapist formalism and distinction but as a form of empowerment and complexity; to apply an overuse of style which might 

lead into its contradiction.

...the act of exiting not as an act of passivity; to believe in defection as a modification of the conditions within which the struggle takes place, rather than presupposing those conditions to be an unalterable horizon. 

(Paolo Virno)

... abject and abjection as safeguards, which billows on the edge of 

non-existence and hallucination, of a reality that annihilates certainties. 

(Julia Kristeva)

...the process of affirmation and circulation as multi-faced potentials being all additive, subjective, romantic, imaginative, personal, autobiographical, whimsical, narrative, decorative, lyrical, architectural, sculptural, eccentric, local, specific, spontaneous, irrational, private, impulsive, gestural, handwritten, handmade, colorful, joyful, obsessive, fussy, funny, funky, vulgar, perverse, mannerist, tribal, rococo, tactile, self-referring, sumptuous, sensuous, salacious, eclectic, exotic, messy, monstrous, complex, ornamented, embroidered, articulated, spatial, light-filled, delicate, warm, open, 

questioning and sharing. (Joyce Kozloff)

10.9.19 — 19.10.19

Cudelice Brazelton, Madison Bycroft, Jake Kent, Anna Solal, Zoe Williams

Curated by Marie Gerbaulet, Hendrike Nagel, Elena Setzer

Photo by Eike Walkenhorst

EIGEN + ART Lab

Nina Rieben & Brigham Baker at Palazzina, Basel

'Isolation Booth' by Nick Jeffrey at Jakob Kroon, Worthing

'Elf slashed with a sword' by Martin Lacko at Pragovka Gallery, Prague

'Where the wild roses grow', a Group Show at Pina, Vienna

Aleksei Taruts, THE CURSE OF THE STINKING CAVES

'Splendido' by Paolo Brambilla at Secret Location, Italy

'Jung Thug' by Tissue Evolution Club at CAC, Vilnius

'Reiterate' by Tobias Hansen at foundation, Vienna

'No Hot Water the Boiler is Broken' by Jack Pryce for the Body Archive Project

'Laminar Body^ies' by Natalia Janula at Final Hot Desert, Utah

'No Teeth Left', a Group Show by Collective Disgrace at Tunnel Tunnel, Lausanne

'STAY SAFE', Off-Site Group Show by Shivers Only, Chantemanche

'Anticipatory Grief' by Michael Bussell at Vent Space, Baltimore

'Faya Lobi' by Xavier Robles de Medina at Praz-Delavallade, Paris

'Burial of the White Man' by EXILE, Kleiner Gleichberg, Thuringia

'Ideas of Good and Evil' by Maddie Kuzak at darkZone, New Jersey

'Am Zahn - der Zorn' by Jonas Wiese and Lennart Mink Weber at Galerie Raumlinksre

'Neopangean Nest' Curated by Peter Bencze at Keep Showing Club, Neopangea


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