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'Coronation', a Group Show Curated by Àngels Miralda at HORSEANDPONY, Berlin

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Thomas Yeomans, Bloom and Creep, 2018
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Thomas Yeomans, Bloom and Creep, 2018
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Thomas Yeomans, Bloom and Creep, 2018
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Installation View
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Installation View
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Thomas Yeomans, Royal America, 2017
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Thomas Yeomans, Queer Sigil, Sigil designed by Joseph Morgan Schofield, 2017
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Thomas Yeomans, Antifa, 2017
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Thomas Yeomans, United Federation of Planets, 2017
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Thomas Yeomans, Imperial War Flag of British Fascism, 2017
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Installation View
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Valinia Svoronou, Home as Office, 2018
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Installation View
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Valinia Svoronou, Ornament Bearer 2, 2018
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Valinia Svoronou, Home as Office, 2018
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Valinia Svoronou, cigarettes, coloured 3D prints, 2016
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Installation View
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Khaled Barakeh, The Shake – Materialising Distance Memory Management, 2013
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Khaled Barakeh, The Shake – Materialising Distance Memory Management, 2013
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017

This exhibition is about the disjuncture of our times.

Worlds that exist parallel to each other.

A unique sense of the contemporary, lateral truths in inconsistent layers. Somewhere between nostalgia and hope, lies our special temporality which we always seem to be attempting to escape. Apocalyptic visions of our future crowd contemporary theory while nostalgic historical futurisms substantially proliferate. A 90’s utopian naiveté and Cold War science fiction use our own failures to describe worlds that are simultaneously awake.

Historical re-enactment, appropriation, and gesture re-think our relationship with the past and our own identities. History and heritage become a refuge from daily trials. Brands act as standard, national symbols, and create legacy. From a Holloway pub to corporate advertisement, flags and standards from the Middle Age continue to conjure mass emotion.

Gaps and fissures, cracks and chasms, inconsistency and divergence. All seething and alive.

29.1.18 — 18.2.18

Khaled Barakeh, Beth Collar, Sandra Mujinga, Valinia Svoronou, Thomas Yeomans

Photo by Michael Rocco Ruglio-Misurell

HORSEANDPONY

'The Houses Of The Serpent Bearer. The 9th House' by Mónica Mays & Flora Yin-Wong

'Dream Archipelago', Group Show Curated by Sergey Guskov at Smena, Kazan

'Eternal Flame', Group Show at Shore, Vienna

'Cosmovisions', Group Show at Medusa Offspace, Brussels

'No Time To Explain' by Paul Robas at Solito, Naples

'Night Rider' by Yan Posadsky at Devyatnadtsat’, Moscow

'Funding Emotions' by Magnus Frederik Clausen and Kaare Ruud at Cantina, Aarhus

'What I felt for you was love', Group Show at Afternoon Projects, Vancouver

'Mirror Stage' by Bora Akinciturk and Ella Fleck at Shipton, London

‘Millions Now Living Will Never Die!’ by Ian Swanson at Plague Space, Krasnodar

'VEGAN' by Jack Jubb at house of spouse, Vienna

'Fresh Hell' by Jonah Pontzer at Rose Easton, London

'It's quite like Guggenheim', Group Show at Ringcenter 1, Berlin

'OUTER DARKNESS', Off-Site Project by Allyson Packer in 1698 GALISTEO, SANTA FE

'mareas' by Elizabeth Burmann at Galeria Patricia Ready, Santiago

'Vape Cloud Premonition' by Sam Hutchinson at Forth, Nottingham

'Punch-Drunk' by Yutaro Ishikawa at LAID BUG, Tokyo

'Le sort des Labourgue' by Angélique Aubrit & Ludovic Beillard at Les Capucins, E

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