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'Coronation', a Group Show Curated by Àngels Miralda at HORSEANDPONY, Berlin

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Thomas Yeomans, Bloom and Creep, 2018
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Thomas Yeomans, Bloom and Creep, 2018
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Thomas Yeomans, Bloom and Creep, 2018
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Installation View
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Installation View
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Thomas Yeomans, Royal America, 2017
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Thomas Yeomans, Queer Sigil, Sigil designed by Joseph Morgan Schofield, 2017
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Thomas Yeomans, Antifa, 2017
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Thomas Yeomans, United Federation of Planets, 2017
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Thomas Yeomans, Imperial War Flag of British Fascism, 2017
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Installation View
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Valinia Svoronou, Home as Office, 2018
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Installation View
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Valinia Svoronou, Ornament Bearer 2, 2018
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Valinia Svoronou, Home as Office, 2018
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Valinia Svoronou, cigarettes, coloured 3D prints, 2016
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Installation View
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Khaled Barakeh, The Shake – Materialising Distance Memory Management, 2013
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Khaled Barakeh, The Shake – Materialising Distance Memory Management, 2013
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017

This exhibition is about the disjuncture of our times.

Worlds that exist parallel to each other.

A unique sense of the contemporary, lateral truths in inconsistent layers. Somewhere between nostalgia and hope, lies our special temporality which we always seem to be attempting to escape. Apocalyptic visions of our future crowd contemporary theory while nostalgic historical futurisms substantially proliferate. A 90’s utopian naiveté and Cold War science fiction use our own failures to describe worlds that are simultaneously awake.

Historical re-enactment, appropriation, and gesture re-think our relationship with the past and our own identities. History and heritage become a refuge from daily trials. Brands act as standard, national symbols, and create legacy. From a Holloway pub to corporate advertisement, flags and standards from the Middle Age continue to conjure mass emotion.

Gaps and fissures, cracks and chasms, inconsistency and divergence. All seething and alive.

29.1.18 — 18.2.18

Khaled Barakeh, Beth Collar, Sandra Mujinga, Valinia Svoronou, Thomas Yeomans

Photo by Michael Rocco Ruglio-Misurell

HORSEANDPONY

'Discounts' by Egon Van Herreweghe at CONVENT, Ghent

'Never Early but Always On Time', Group Show at Apartment 13, Providence

'Daybreak' by Elisa Barrera at Lucas Hirsch, Dusseldorf

'Hat Box' by Julie Malen at Catbox Contemporary, New York

'19742 Ceremony' by Dishon Yuldash at Daipyat, Voronezh

'STILL MAGIC', Group Show at Redkie Iskusstva, Saint-Petersburg

'Methods for Regional Stewardship' by Will Bruno at Smart Objects, Los Angeles

'In Flames' by Inside Job at Lily Robert, Paris

'Spas Setun Dystopian Party Collection', Group Show at Spas Setun, Moscow

Money Gallery at BIENVENUE ART FAIR, Hotel La Lousiane, Paris

'Ok boomer', Group Show at Plague Space, Krasnodar

Greg Meza at ANDNOW/​WAREHOUSE, Dallas

'Von der schenkenden Tugend', Group Show at Zarinbal Khoshbakht, Cologne

Matthew Peers, Max Ruf at Lady Helen, Berlin

'Green changed to white, emerald to opal, nothing was changed' by Vadim Murin at

Chamber Realm at Dungeon, Detroit

'Bomba de humo (cloud point)' by Matias Solar at Relaciones Públicas, Mexico City

'Nocturne No. 1' by Brian Oakes at Mery Gates, New York

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