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'14 19 32 43' by Dasha Kuznetsova + Ilya Smirnov at ISSMAG, Moscow

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Dasha Kuznetsova + Ilya Smirnov, ОЛЯ, 2019
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Dasha Kuznetsova + Ilya Smirnov, ОЛЯ (detail), 2019
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Dasha Kuznetsova + Ilya Smirnov, ОЛЯ (detail), 2019
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Dasha Kuznetsova + Ilya Smirnov, ОЛЯ (detail), 2019
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Dasha Kuznetsova + Ilya Smirnov, ОЛЯ (detail), 2019
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Dasha Kuznetsova + Ilya Smirnov, ОЛЯ (detail), 2019
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Dasha Kuznetsova + Ilya Smirnov, ОЛЯ (detail), 2019
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Dasha Kuznetsova + Ilya Smirnov, ОЛЯ (detail), 2019
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Dasha Kuznetsova + Ilya Smirnov, ОЛЯ (detail), 2019
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Dasha Kuznetsova + Ilya Smirnov, ОЛЯ (detail), 2019
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Dasha Kuznetsova + Ilya Smirnov, ОЛЯ, 2019
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Ilya Smirnov, tabella defixionis 1, 2019
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Ilya Smirnov, tabella defixionis 1 (detail), 2019
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Ilya Smirnov, tabella defixionis 1 (detail), 2019
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Ilya Smirnov, tabella defixionis 1 (detail), 2019
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Ilya Smirnov, tabella defixionis 1 (detail), 2019
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Ilya Smirnov, tabella defixionis 1 (detail), 2019
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Ilya Smirnov, tabella defixionis 1 (detail), 2019
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Ilya Smirnov, tabella defixionis 1 (detail), 2019
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Ilya Smirnov, tabella defixionis 1 (detail), 2019
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Ilya Smirnov, tabella defixionis 1 (detail), 2019
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Ilya Smirnov, test, 2019
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Dasha Kuznetsova, Ангел, 2019
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Dasha Kuznetsova, Ангел (detail), 2019
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Dasha Kuznetsova, Ангел (detail), 2019
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Dasha Kuznetsova, Ангел (detail), 2019
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Dasha Kuznetsova, Ангел (detail), 2019
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Dasha Kuznetsova, Ангел (detail), 2019
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Dasha Kuznetsova, Ангел (detail), 2019
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Dasha Kuznetsova, Ангел (detail), 2019
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Dasha Kuznetsova, Ангел (detail), 2019
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Dasha Kuznetsova + Ilya Smirnov, Рисунок, 2018
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Dasha Kuznetsova + Ilya Smirnov, Рисунок (detail), 2018
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Dasha Kuznetsova + Ilya Smirnov, Рисунок (detail), 2018

A dot concludes a sentence. Here, however, it all started with a dot. Facing a blank sheet of paper you have a bunch of options where to place a dot. Then goes another one, but your options are a bit more limited since the second dot has to be coordinated with the first one. Positioning the third one is even more challenging. It goes on till you find a place for the final dot in this rather constrained composition. Now you have around 8 or 9 dots that you need to connect to each other with straight lines to get a constellation. And again, you gotta find the best dot to begin, and as you go step-by-step, the degree of freedom gradually decreases. Afterwards you realize that there was only one correct path which is effectively inevitable. 

Said 2-dimensional structure had to be somehow converted into a sculpture form. This winter I had an idea unfolding around 8 or 9 locks mounted into a gallery wall and the keys connected with a thick wool thread. My gallerist told me he’ll be unable to sell such piece, and it needs to be changed into something portable. 

When I approached Dasha with this idea she suggested using carved wooden panel as a canvas for this tricky constellation. Since she works with wood carving a lot, we’ve decided to collaborate on a piece that took around 6 months of production and now exists under the name of ОЛЯ. 

Instead of a thick wool thread to connect the dots/keys we used a variety of guitar strings, so that the work would resemble a musical instrument. Keys, locks and strings added functionality to an otherwise decorative panel, creating a Jumanji box effect, an enchanted tool with unknown and dangerous purpose. To turn all the keys, you only need to turn one. It’s a bit like launching a nuclear missile.

— Ilya Smirnov, June 15, 2019

21.6.19 — 31.7.19

Invited by Anna Teterkina

ISSMAG

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'Sunshine' by Kanrec Sakul at VUNU Gallery, Košice

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'Mostra collettiva di pittura da Sasha', a Group Show in Corso Brescia 23, Turin

'Multiplexx' by Hélène Fauquet at Schiefe Zähne, Berlin

'SLAG' by Marco Ceroni at GALLLERIAPIU, Bologna

'GLOBAL CRISES – Kunst & Klimata' by Tilman Hornig & Daniel Schramm at C. Rockefe

'Tonguing the fence' by Rebecca Ackroyd at Lock Up International, London

Bronte Stolz at Discordia, Melbourne

'Feeble Core' by Joppe Venema at CLAPTRAP, Antwerp

'Le pays du soleil', a Group Show at Futura, Prague

'In This Light I Can Count Your Lives' by Philip Hinge, Final Hot Desert, Goblin

'Bar None' by Mathis Collins at 15 Orient, New York

'Però no tinc temps...' by Paco Chanivet, Guillermo Ros at Espai Tactel Toormix,

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